Unknown

Sancai-Glazed Earth Spirit

Tang Dynasty

A Sancai, tri color glazed pottery figure of a Tang Dynasty official. Tang Dynasty (618-907 AD).

A set of figurative sculptures, ceramic in greens and browns by an unknown Chinese artist. The piece is from the Ming Dynasty and is unsigned.

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

A white ceramic plate with black and blue glaze depicting a crowing rooster and a woman's face in profile by Latin American artist Carlos Luna.

Cruche aux oiseaux (A.R. 456), 1962 Ed. 142/200 pcs H. 22 cm I H. 8 5/8 in White earthenware clay, decoration in engobes under partial brushed glaze black, white and red patina Numbe...

Embrace (Light Blue) is a Fired clay constructed and painted sculpture by Patricia Volk, dimensions are 46 × 52 × 34 cm (18.1 × 20.4 × 13.4 in). It is a unique signed piece and come...

Vase-sculpture by Annick Bailly On peut afficher à 1590 euros A vase-sculpture by French contemporary sculptor Annick Bailly. With its abstract, plant-like forms, this vase-sculptur...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...