Folk Art Art

Quote from Estee Lauder "Be Strong. Be Confident " Be the Star of your own life". "Keep and eye on the competition but this doesn't mean copying them." Below are other paintings available by Tommy...

Artist: Branko Bahunek, Croatian (1935 - ) Title: Woman with Dog Year: circa 1990 Medium: Bronze Sculpture, Signature 'BB' inscribed Size: 12 x 6 x 5 in. (30.48 x 15.24 x 12.7 cm...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 10.5 x 13.5 Frame Size: 17.25 x 20.25 Medium: Multimedia "Tamale Cart" Biography Johnny Banks (1912-1988) In my opinion one of...

Acrylic

Acrylic and spray paint

Oil

Wall 1968, paper, linocut, 20.5x28 cm The linocut print depicts a boy standing in what appears to be a dark or shadowy environment. The artist uses the linocut technique to create ...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.5 x 9.5 Frame Size: 21.75 x 15.75 Medium: Multimedia on Poster Board 1987 "Watermelon Time" Johnny Banks (1912-1988) In my ...

Manhattan-born Mildred Barrett is a woman to whom painting is capturing the mood of the subject with an exceptional use of color. Barrett's training includes the Art Students League...

Mystery Indian Artist Untitled, 20th century Print Sight: 10 1/4 x 15 1/4 in. Framed: 18 x 22 1/4 in. Inscribed verso: Property of Alex Dorochovich as gift from Stella & Ken in India

This incredibly detailed print by Tighe O'Donoghue is a fine example of the artist's mathematically-influenced work based in Magical Realism. Incorporating elements of industrialism ...

Artist: Evandro Norbim Title: Untitled, Funeral Procession Year: 1975 Medium: Oil on Canvas Size: 14" x 10 3/4" Signature: Signed and Dated LR "Norb...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Farmhouse 1. Year: circa 1985, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Image Size: 11 x 16 inches, ...

Judith Bledsoe, American (1938 - 2013) - Angels and Saints. Year: circa 1970, Medium: Lithograph, signed and dedicated in pencil, Edition: EA, Image Size: 21.5 x 18 inches, Size: 29...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

Judith Bledsoe, American (1938 - 2013) - Atlantic Olympics - Tennis with Cats. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25.5 x 15 in. (64.77 x 38.1 ...

Artist/Designer; Manufacturer: Justin McCarthy (American, 1891-1977) Marking(s); notes: no marking(s) apparent Materials: board/panel Dimensions (H, W, D): 24"h, 18"w Additional Info...

Judith Bledsoe, American (1938 - 2013) - Nine Lives. Year: circa 1980, Medium: Lithograph, signed and dedicated in pencil, Edition: EA, Size: 30 x 21 in. (76.2 x 53.34 cm), Descript...

Artist: Igor Galanin, Russian/American (1937 - ) Title: Pig with Pink Bow Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: 100, HC XXX Paper Size: 33.5...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Hamlet. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 20 x 25 inches, Size: 27 x 31 i...

Judith Bledsoe, American (1938 - 2013) - Village Flowers. Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 175, Image Size: 19 x 15 inches, Size: 25.5 ...

turned wood, wooden vessel, oak Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediately fascinated...

Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photos. Dora Szampanier...

Acrylic and pencil on paper Signed and dated, l.c. Also inscribed "E-2000-1" in pencil, verso This work is offered by ClampArt, located in New York City.

Ira Moskowitz, Polish/American (1912 - 2001) - King Solomon, Portfolio: Song of Songs, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 30 x 21 in...

Unknown Artist Untitled (Haitian Women Bathing), c. 1970 Oil on canvas 24 3/4 x 32 in. Framed: 30 1/8 x 38 in. Signed illegibly lower left

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Bird On Flower Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 12...

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Ernani Silva, Brazilian - Women with Flowers, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 9.25 x 27.5 in. (23.5 x 69.85 cm)

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

Figurative abstract wood cut print titled "Copula Blanca" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10," title, and signature bottom margin. Image, 31.25"H x 23...

Ernani Silva, Brazilian - Local Cuisine, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 10 x 21 in. (25.4 x 53.34 cm)

Judith Bledsoe, American (1938 - 2013) - Petite Portrait - Woman in Gown with Cat. Year: circa 1974, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 8 x 6 inches, Siz...

Artist: Igor Galanin Title: Walking the Rabbit Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 30.75 x 30.5 inches Paper Size: 37 in. x...

This one includes Albert Einstein amongst other drawing. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

Charles Bragg, American (1931 - 2017) - Meyer the Flyer, Medium: Lithograph, signed, numbered, and titled in pencil, Edition: 138/200, Size: 10 x 13 in. (25.4 x 33.02 cm), Frame Si...

Untitled - Earthworm Abstract I Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 27 in. x 22 in. (68.5...

Ira Moskowitz, Polish/American (1912 - 2001) - At Prayer, Year: circa 1970, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 57/120, Size: 10 x 11.75 in. (25.4 x 29.85 cm), Description: Two rabbis...

Shalom Moskovitz (Israel, 1895 - 1980) - Elijah Ascending to Heaven, Year: 1973, Medium: Screenprint, signed and numbered in pencil, and titled on verso, Edition: 143/300, Image Size...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

The Shrine Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, Signed and numbered in pencil Edition of 99 Size: 27 in. x 22 in. (68.58 cm x 55.88 cm)

Ernani Silva, Brazilian - Dancing Figures, Medium: Acrylic, Enamel and Collage on board, signed in marker lower left, Size: 21 x 14.5 in. (53.34 x 36.83 cm)

Charles Bragg, American (1931 - 2017) - Erik, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8.5 x 9.5 inches, Size: 11.25 x 1...

Famed American Illustrator Paul Davis of 1968 Che Guevara poster fame illustrates an article about Whisky from Ireland, Scotland, Canada, and the United States. He executes the wor...

Ernani Silva, Brazilian - Women and Children, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 11.25 x 22 in. (28.58 x 55.88 cm)

Ira Moskowitz, Polish/American (1912 - 2001) - Dancing Group, Year: circa 1960, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 3/150, Image Size: 11.75 x 13...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 18" high with movable arms, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. Her work is in a more whimsical style of Francoise Gilot. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé...

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Ernani Silva, Brazilian - Six Figures, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 9.5 x 21 in. (24.13 x 53.34 cm)

Ceramic totem sculpture with inventive fish where the shapes ,color, texture and patterns are playfully executed and create a great sculpture bringing joy to all. This totem can be d...

"RFD Courant", hooked rug tapestry, rural community with country homes and buildings throughout rolling hills, lush green trees with three-dimensional leaves frame the scene, in the...

Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 3/15 lower left. Printed by the artist in the 1970s. Image is from her Year of the Ram series...

Artist/Designer; Manufacturer: Justin McCarthy (American, 1891-1977) Marking(s); notes: marking(s) Materials: board/panel Dimensions (H, W, D): 24"h, 23.75"w Additional Information: ...

An early drawing by this unique visionary artist, post Harvard Graduate School and concurrent with his apprenticeship to Frederick Kiesler

In 2018, I became a painter. An artist. I am a product of the '70s and I spent my life in the fine state of New Jersey—the most wonderful state of them all. As a result of stuff th...

Judith Bledsoe, American (1938 - 2013) - Aries from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x 14.5 ...

Annika Liljedahl (Swedish, b. 1946) After The Party, 1978 Mixed media in acrylic casing Frame: 30 3/4 x 25 x 1 1/2 in. Case: 33 1/4 x 27 1/2 x 3 1/4 in. Signature stitched lower righ...