Folk Art Art

DeLoss McGraw Leaving Home (97-301), 1997 Five color lithograph on tan Rives BFK paper with deckled edges Signed and numbered 3/75 in graphite pencil on the front 17 × 24 3/25 inches...

Mireille Kramer, Egyptian/American (1932 - ) - Egyptian Theme 2, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 150, Image Size: 6 x 3.5 inch...

Oil painting on canvas Original art by Grigori Ivanov. Grigoriy Ivanov is a famous Belarusian painter, who started his career from the Belarusian avant-garde and a member the famou...

Standout mid century life size frog sculpture or object of art handcrafted in silver plate on bronze with a tortoise shell terrazzo back. Signed Maitland Smith on the bottom.

Unknown Artist Untitled (Haitian Women Bathing), c. 1970 Oil on canvas 24 3/4 x 32 in. Framed: 30 1/8 x 38 in. Signed illegibly lower left

Ira Moskowitz, Polish/American (1912 - 2001) - Challah, Year: circa 1970, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 45/120, Size: 10 x 11.75 in. (25.4 ...

Golfam Jozdani Saint Minecraft XXV Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing Op...

Columbia, South Carolina-based artist, Wendell George Brown creates quilts that explore the traditions of African American quilt-making and Negro Spirit...

Life size lizard sculpture or object of art handcrafted with silver plate on bronze metal head, legs, and bottom and featuring a tortoise shell terrazzo back. Signed Maitland-Smith o...

Mireille Kramer, Egyptian/American (1932 - ) - Biblical III, Year: circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 17 x 14 inches, S...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Original oil on canvas folk art painting by the well known Mexican artist, Agapito Labios. Signed lower right. Circa 1935. Condition is very good. ...

Transporting pair of 19th century English oil paintings on canvas of Clydesdale horses in a countryside setting with figures. Signed E. Harris 95 and presented in gilt wood frames.

The Ewe people from Ghana are master weavers. People of means commission cloths called adanudo ("skilled/wise cloths"). Ewe adanudo textiles often display a tweed effect by twisting ...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

If you have interest in Eastern North Carolina Tidewater history and architecture, this painting may be a fine addition to your home or collection. It is an oil on board of the Sanderlin House in Belcross, Camden County. There is quite a bit of history written on a card on the back board that describes the family members of the house in the late 19th century. Camden is the courthouse town for Camden County. It is a small town located on the east side of the Pasquotank River, a few miles from Elizabeth City. Belcross is an area just outside of town. Apparently two near-identical houses were built ca 1840’s by the Sanderlin brothers, William and Joseph. One was left to ruin and disappeared, the other seems to possibly remain. In any event, per the information included, this is a view of the house by artist Miss Ella Bidgood, ca 1895. An Ella Bidgood, born in Baltimore in 1855, has been identified and she was a resident of Norfolk, Virginia with her family in the 1900 census. She is likely the artist of this painting. It is painted in a somewhat naive style but competently shows details of the house in nice, vivid colors. The painting is not signed but the information on the back side seems completely reliable. The painting itself is oil on board and measures 12” x 18”. It has been recently cleaned and varnished. It is in very good condition with no issues to report. It is housed in a substantial gold painted frame of the period with interesting detailing. Overall framed measurements are 19” x 24”. The frame is in good solid condition with no issues to report, other than expected very minor age-related wear. Note that the photos show some glare from the varnish in places that really doesn’t show in general light. Southern paintings...

This bold and eccentric acrylic mixed-media portrait of Alexander Hamilton reimagines the Founding Father with expressive, exaggerated features and a striking color palette. The fi...

The painting is signed Sykes and dated 1960 lower right. It has "Maltby Sykes, 1911- for Leon" written on the stretcher verso It is a Surrealist Folk Art figure of an African woman oil painting...

Oil painting on cardbord Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Sh...

A distinctive and visually dynamic cut-out sculpture by American folk art icon Rev. Howard Finster (1916–2001), titled “Cheetah” and numbered 20,000,342. Created in 1991, this hand-p...

One of a kind shaped painting by Noche Crist (1909 - 2004). Titled "The Kiss" and signed on reverse. Painting is casein paint and plaster on board. Catalogue of an exhibition in...

Lithograph in colors depicting an enchanted evening in Paris with a snowman and children playing outside the restaurant Chez Joseph on a winter day. Signed in bottom right margin "M...

Artist/ School: American School, 19th century Title: Portrait of a Seated Lady Medium: oil painting on canvas, unframed canvas: 38 x 30 inches Prov...

Mireille Kramer, Egyptian/American (1932 - ) - Egyptian Theme 3, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 150, AP, Image Size: 6 x 3.5 ...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Acrylic on canvas. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

Lofty vintage acrylic painting on wood of a fanciful composition with columns, ornaments, a leopard on a pedestal and monkeys executed in a tongue in cheek neoclassic trompe-l'oeil t...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier ...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Philip Castle was an Irish Painter and husband to artist Barry Castle He is rarely exhibited. His detailed, meticulous work took a long time to complete and his output was quite li...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable specie...

Mary Faulconer, American (1912 - 2011) - Haitian Barback Shop, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP, Size: 30 in. x 22 in. (76.2 ...

This work is hand signed. It is not dated. Murat Brierre or Murat Briere (1938–1988) was one of Haiti's principal metal sculptors. He was influenced by George Liautaud, but his work acquired its own, highly experimental style, often focusing on multi-faceted and conjoined figures, fantastically personified elements, and unborn babies visible within larger creatures. He sculpted works that reflected both Christian and Haitian Vodou themes. Murat BRIERRE was born in Mirebalais in 1938. He first worked as a builder, cabinetmaker and blacksmith before being introduced to Le Centre d’Art in 1966. After trying painting with DeWitt Peters, he realized that metal sculpture was best suited for him and studied under Georges Liautaud in order to learn the métier. He also made very beautiful linocuts. Francine Murat quickly recognized his talent and considered Brierre to be one of the best Haitian sculptors. He passed away in 1988 at the age of 50. Brierre was known for his recycling of surplus steel oil drum lids. Brierre worked as a brick mason, cabinetmaker, tile setter, and blacksmith. He was born in Mirebalais or Port-au-Prince, Haiti and was the younger of two brothers. His older brother, Edgar Brierre, was a painter and sculptor. The brother's signed their works with only their last name, creating some confusion within their professional circles about the authorship of their work. Brierre's sculptures typically ranged from three to six feet in length and reflected Christian, Haitian Vodou, and folklore themes. Brierre was also a painter, but ultimately chose to work with metal because he felt that the material was saturated with spiritual energy. It was a laborious process. The oil drum lids were hammered flat, drawn onto, then cut with a razor. The sheet was then cut with a chisel before finishing was completed with a file. By the mid1970s, Brierre's sculptures included pronounced areas of cut outs surrounding long curved lines of metal. Brierre's iron sculpture titled Chien de Mer overlays a dog head onto the body of a fish. Haiti has long celebrated a rich artistic and cultural heritage. Georges Liautaud (1899–1991) ignited the Haitian metal sculpture movement in the 1950s in Croix-des-Bouquets, Haiti. A blacksmith by trade, he fashioned crosses for public cemeteries before creating more elaborate cut-metal works. Liautaud disseminated the distinctly Haitian art form to emerging artists, such as Murat Brièrre (1938–88) and the Louisjuste brothers, Sérésier, Janvier, and Joseph (1940–89). They, in turn, taught others in Croix-des-Bouquets, including Gabriel Bien-Aimé (b. 1951) and Serge Jolimeau (b. 1952), Haiti’s two leading metal sculptors working today. Discarded steel oil drums have historically served as the base material for Haitian metal artists. The drums’ lids are cut open with a chisel and hammer and a long vertical split is made along the side of the drums. The interiors are filled with dried sugarcane or grass and lit on fire to remove any grime; once cool, the drums are flattened into sheets. Designs are chalked on; pieces are then cut and sculpted using only hand tools and further enhanced by hammering, embossing, cutting holes, and bending the metal. Sculptures reflect everyday life portraits, imaginative themes, and motifs of Haitian Vodou, an African Diasporic religion. Some of the many forms that appear include angels and winged creatures, mermaids and other aquatic figures, musical bands, animals, and earthly, paradisiacal scenes. Solo exhibitions 1967 – Haitian Art Gallery, New York 1968 – Centre d'Art, Port-au-Prince, Haiti; Bradley Galleries, Milwaukee, Wisconsin; Georgetown Graphics Gallery, Washington D.C.; Menschoff Gallery, Chicago; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Roko Gallery, New York 1969 – Centre d'Art, Port-au-Prince, Haiti; Showcase Gallery, Washington D.C.; Botolph Group, Boston 1970 – Centre d'Art, Port-au-Prince, Haiti 1972 – Centre d'Art, Port-au-Prince, Haiti; Roko Gallery, New York 1979 – Areta Contemporary Design, Boston Group exhibitions 1969 – Davenport Art Gallery, Iowa 1974 – Davenport Art Gallery, Iowa 1978 – Brooklyn Museum, New York (traveling) 1982 – Studio Museum in Harlem, New York 1983 – Chicago Public Library Cultural Center 1985 – Davenport Art Gallery, Iowa 1987 – Musée du Panthéon National, Port-au-Prince, Haiti 1988 – Galeries Nationales d'Exposition du Grand Palais, Paris 1989 – Museum of Art, Ft. Lauderdale, Florida 2006 – Phyllis Kind Gallery in conjunction with the Outsider Art Fair, New York 2024 Ayiti Toma II: Faith, Family, and Resistance, Luhring Augustine, Tribeca, New York 2023 Haitian Metal Sculpture, SFO Museum, California, USA 2015 Celebrating African American Art, Flomenhaft Gallery, Chelsea, New York, USA An important exhibition of works by outstanding African American artists. Included were: Emma Amos, Benny Andrews, Romare Bearden, Murat Brierre, Beverly Buchanan...

Acrylic on canvas. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

Signed lower center, in fabrics bowl, 'Ruth Mae McCrane' (American, 1929-2002) and dated upper center, in calendar, February 1989. Ruth Mae McCrane taught...

Artist/Designer; Manufacturer: Justin McCarthy (American, 1891-1977) Marking(s); notes: no marking(s) apparent Materials: board/panel Dimensions (H, W, D): 24"h, 16"w Additional Info...

CONTINENTAL SCHOOL (19TH CENTURY EUROPEAN) – [MOONLIT RIVER] ⚜ Oil on Board ⚜ 19th Century Provenance ⚜ Gilt Wood Conservation Frame ROMANTIC MOONLIT LANDSCAPE This Continental Scho...

One of a kind Goddess sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester res...

White Flowers on Pink Sky - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) A giant white flower ri...

OIL ON CANVAS Ready to hang. Shipping from Belarus, Minsk. Natalia Ivanova is a well-known Belarusian painter working in the style of symbolic figurat...

Mariage a la Campagne is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the French artist Michel Delacroix, printed using tradition...

SALE ONE WEEK ONLY "El Tren" is a whimsical and playful rendition of a train. It is beautifully glazed in various colors. This particular ceramic was from the collection of Jane and Richard Knight’s Estate. Jane Knight was a famous fiber and textile artist. Richard was a photographer who worked for Eliel Saarinen and Alexander Girard. The Knights and Girard became close friends and it was Girard who gifted “Santa Cruz De Las Huertas Jalisco” to the Knights. Alexander Girard left his personal collection to the Museum of International Folk Art, Santa Fe, NM. The Girards eventually amassed a collection of more than 106,000 objects from across the globe. Their 1978 gift of this collection to the Museum of International Folk art quintupled the size of their collection and prompted the construction of a new wing, which opened in 1982 and houses a mere 10% of the Girard Collection in the permanent exhibition Multiple Visions: A Common Bond, which was designed by Alexander Girard himself. This collection includes numerous multiples and is notable for its great breadth, including traditional arts, popular arts, and paper ephemera. “I believe we should preserve this evidence of the past, not as a pattern for sentimental imitation,” Girard once said, “but as nourishment for the creative spirit of the present.” Indeed, folk art was an important inspiration for Girard’s design work. The renowned Candelario Medrano...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Castle Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 120 Image Size: 12 x 11 inches Size: 22 ...

Painting by Noche Crist (1909 - 2004). Work is untitled and signed. Measures 22" x 12". Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Music Festival, Year: circa 1970, Medium: Oil on Canvas, Size: 36 x 48 in. (91.44 x 121.92 cm), Description: An oil painting of a ...

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

Wonderfully provocative sketch drawing of a gathering of men and women in pencil by outsider artist Mylo Quam (American, 1941-1996). Signed lower right. Presented in giltwood frame with black mat under glass. Image size: 8.25"H x 10.50"W. A long-time Woodstock area resident, Mylo Quam was a self-taught painter and draughtsman whose provocative figural work has been compared to Renaissance painters Sandro Botticelli and Hieronymous Bosch, as well as to twentieth-century artists Egon Schiele and Gustav Klimt. Quam was an avid reader who derived inspiration from such varied arenas as Shakespeare, the occult, the Bible, Eastern and Western mythology, politics, and popular culture. "I look at everything," the artist was quoted as saying in 1990. "I read the comic pages. Anything visual. There's very little I don't think is a subject for art." Born in North Dakota, Quam studied Greek language and other classical subjects at Brandeis, Boston, and New York Universities, and worked as a translator of Greek plays while just 17 years old. After a successful career as an actor that included numerous Off-Broadway performances and a leading role in the 1968 Broadway production of Royal Hunt of the Sun, Quam turned his focus to painting. His first one-man exhibition was at the Boatman Gallery, NYC in 1969 and was followed by twenty solo shows over the course of his career at venues including Gallery A, Flynn Gallery, CFM Gallery, Brewster Gallery, Imperial Gallery, Runyon Winchell Gallery and the Gallery of Erotic Art, all in New York City. Quam's work was also exhibited at the John Pense Gallery in San Francisco, the Clark-Whitney Gallery in Massachusetts, the Barrett House and Desmond Weiss Galleries in Poughkeepsie, and for many years at the Ann Leonard Gallery in Woodstock. Quam's paintings were exhibited internationally, as well, notably in a solo exhibition in Haiti-- the first by an American artist in that country. In addition, he was one of four artists to represent the United States in La Bienalle di Venezia, Italia of 1986. As a young man, Quam designed sets and/or costumes for the Actor's Playhouse in New York City, the Lucas Hovig Ballet Company, and the Opera Municipal de Marseilles, France. He also created illustrations for The Story of O...

Starsky Brines’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist f...

Acrylic on canvas, signed and framed Image 16" x 16". Framed 18" x 18"

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Noche Crist imbued her cutouts with...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Framed to 15 X 16.5 sheet is 9 ...

This tapestry depicts a Lion, In Hebrew Mazel Aryeh (the Zodiac symbol Leo,) all handmade. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapest...

Swing Jazz Quartet. Satchmo, Louis Armstrong! Oil Painting on board. Hand signed and dated 1974 Malcah Zeldis (born Mildred Brightman; 1931) is an American folk art painter. She is ...