Tommy Cheng Art

This charming 19th-century British School portrait depicts a young boy standing within a softly rendered landscape. Dressed in a dark, buttoned tunic with a white ruffled collar, the...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

A finely executed mid-19th-century oil painting on panel depicting "The Milkmaid" after Jean-Baptiste Greuze (1725–1805). This captivating portrait, painted in a charming manner with...

Russian Female Portrait, Empire Period, around 1812. French Inscription, cm 21.5 × 17 Oil on wooden panel. 15.7 × 13 cm (without frame) – 21.5 × 17 cm (with frame). Small Russian ...

"Animal Studies, 1814" Charles Towne (British, 1763-1840) Oil on panel Signed and dated Chas. Towne/ Pinxit 1814 (lower right) 15 x 11 3/8 (21 x 17 ¼ frame) inches Provenance: Collec...

English School Portrait of Sir Henry Guildford 16th Century Oil on oak panel, unsigned Image size: 15 x 11 inches (38 x 28 cm) Contemporary style frame Provenance Private Collection...

This painted coat of arms is a compact and decorative heraldic panel, very much in keeping with the Victorian-era revival of heraldry, when families took renewed interest in lineage,...

"Messenger" (Mensajero). Symbolic Ocre and blue Acrylic paint Figure Folk Art painting. Acrylic/wood panel. Dimension art: (H) 41 x (W) 30 x (D) 5...

'The Young Shepherd with Pan Pipe', oil on panel, by Joseph-Marius Avy (circa 1920s). A sensuous and accomplished Arcadian study depicting a young male figure — lithe, athletic, drea...

"Portrait of a Saint Bernard" Carl Reichert (Austrian, 1836-1918) Oil on wood panel Signed lower right 6 x 5 (12 1/2 x 11 1/2 frame) inches frame A tenderly and well executed portr...

Ludwig van Löfftz (1845-1910)
 The Artist at Work
 Oil on panel
 Signed and located Munchen lower left 
21 x 16 cm
 Provenance: * Collections of Prof. Dr. Ludwig Borchardt and Emili...

"Beach Day" is an original piece by MOTELSEVEN made from acrylic and crayon on wooden board. This piece measures 16.5"h x 12"w x 1.25"d and comes with a gallery-issued Certificate of...