Street Art

Edition of 300. Museum of Graffiti exclusive. OSGEMEOS (b. 1974, São Paulo, Brazil), translated as “THE TWINS”, Gustavo and Otavio Pandolfo, have worked together since birth. As children growing up in the streets of the traditional district of Cambuci (SP), they developed a distinct way of playing and communicating through artistic language. With the encouragement of their family, and the introduction of Hip Hop culture in Brazil in the 1980s, OSGEMEOS found a direct connection to their dynamic and magical world and a way to communicate with the public. Guided mainly by their willpower, together they explored with dedication and care the various techniques of painting, drawing and sculpture, and had the streets as their place of study. Artist: Os gemeos Limited edition of only 300 Skateboards Released by Graffiti Of Museum only released during Art Basel 2023...

This painting is a mash up of Street Art, Graffiti and Pop Art by Matt Straub, known worldwide for his Cowboy western Pop art Paintings. We are please to anno...

This large major Museum work measures 66"x82" it is by John CRASH Matos a true Legend of the Graffiti movement. Crash was first noticed through his murals on subway cars and is now regarded as a pioneer of the Graffiti art movement. His work is said to convey a "visual link between street life and established society". and in 1980, Crash curated the now iconic exhibition: "Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement into a mainstream art movement. In 1983, Crash was given his first major gallery showing at the legendary Sidney Janis Gallery in New York City. The first time a Graffiti artist ever exhibited at a major gallery, around the same time Keith Haring started showing at the Tony Shafrazi gallery, taking street art and graffiti art from the streets to a fine art gallery. CRASH has been part of numerous museum and gallery shows around the world focusing on Graffiti and Street Art, and has works in many permanent museum collections. Crash also has painted Stratocaster guitars for Eric Clapton and John Mayer...

"Inspired by the aesthetics of 'live fast - die young' rock 'n' roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, b...

A child makes a graffiti painting with 'peace signs' on the wall. Because there is a lot of unrest and wars in the world, it wants to show that there should be peace. The symbol d...

Tristan Eaton released “Women of Marvel: The Portrait Collection”, in partnership with the comic industry titans Marvel Entertainment. Featuring 1,500 (1 of a kind) original fine-art...

Graffiti - Limited edition archival pigment print - Edition of 5 This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber-base...

'Couture' by Faile, 2022 24 x 26 Inches Archival pigment print on 280gsm Entrada Cotton Rag fine art paper. Limited Edition of 300 Hand-signed by the artist duo bottom right. Artist...

Signed by Ted Soqui and Shepard Fairey. Edition 164/600 Based on photos taken by Ted Soqui during the LA riots of spring 1992. "Ted has a long history of photographing activists and...

This Brainwash is from the rare Artist proof edition of 7 with DNA certification on the verso. "Life is Beautiful" was published in 2008 aside from the regular edition of 50 done on ...

Stephen Powers Invest in Love, 2019 5 Color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 9/50 by Stephen Powers with his distinctive hat logo on the front 14 × 8 1/2 inches Unframed "Invest in Love" was created by the renowned street artist Stephen Powers in 2020 to celebrate the artist's return to his hometown of Philadelphia in December 2019 to transform an empty building into a screen-printing pop-up shop to raise funds for a non-profit arts charity Mural Arts. The building at 1201 Spring Garden Street operated for many years as a bank. (see photograph of Powers' painted mural "Invest in Love"). Powers has exhibited in streets, galleries and museums all over the world. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...

Estevan was born in 1966 in United States. At present he is situated in Los Angeles, California the city of the stars. His work has been highlighted in a large number of the top magazines and has additionally captured a portion of the top famous people too. He has likewise coordinated many music recordings also. He is the child of Eriberto Oriol who was additionally a well known picture taker. The universally eminent picture taker, music executive and urban way of life business visionary started his vocation as a hip-jump club bouncer and later turned a visit director for Cypress Hill and House of Pain which are the notable rap bunches in Los Angeles. He was talented an old camera...

Basquiat boxing poster 1997: This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...

French Artist Lionel Pratt is a post graffiti / street art artist whose work is inspired by memories from his childhood, Basquiat, his passion for jazz music and his love for urban life. His mixed media paintings resemble elementary school blackboards...

KAWS Flayed Companion: Set of 2. Each, new and sealed in their original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Mo...

S.Krtistol always been fascinated by the “TIGER”, it is an animal of great elegance with a strong character and an astonishing charisma. It is however, today, an animal in danger of ...

Hand embellished by Zedsy with acrylic paints. Artist proof edition of only 10. Signed by Zedsy on bottom right with Zedsy stamp. Bethlehem stamp on bottom left with artist emboss an...

Cinderella Carriage Crash, hand signed by the artist from a limited edition of 100 prints. Artist gained popularity from participation in Banksy's...

Lord Fauntleroy Ahmedabad 151209-17 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing collectors to create custom panel compositions that adapt to any space. Each piece is a unique hand-painted wood artwork, reflecting themes of migration, identity, and value. We offer special pricing for multiple acquisitions, and the artist also accepts custom commissions related to this series. For more details, feel free to contact the seller by clicking the "Ask the Seller" button—we respond in less than an hour! The phrase in French inscribed on the piece can be translated as "Doesn't matter what they say, you deserve something more." This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. It is a unique work consisting of a meticulously crafted black woman portrait...

Jean-Michel Basquiat "Horn Players" skateboard deck set: Basquiat Skateboard Deck Triptych licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar c. 2017, featu...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy graffiti with as much accuracy as possible, including the texture of the walls where the stencils were on and the windows on the buildings here in Los Angeles. Most were recreated “in situation”, without any photo shop. Only two works “The Maid” and “The Lovers” required minimal photoshop. Nick is English as is Banksy but based in Los Angeles so finding brick walls or a sash window was fun to find for the shoots. All photographs are printed to order and signed, with a certificate of authenticity signed by Wallspace. They are printed on 20”x16”paper with a border included - be aware that images may not all be exactly the same size as the imagery has different layouts. The paper size will be framed to the same size. The paper is a heavy weight fine art paper Entrada. fine art print...

Signed to lower right. Edition 499/550 Published by Obey Giant These images are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard...

TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...

Limited Edition Jean-Michel Basquiat spray paint can published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat collectible that makes for a fanta...

John CRASH Matos "Burning Jasmine (4 Panels)" Spray Paint on Canvas 36 x 72.5 inches Born John Matos in 1961, CRASH was raised in the Bronx, New York. At the age of 13, he began fo...

Artist: Jack Graves III (American, 1988-) Title: "Lauren Bacall Icon VI" Series: Icon *Signed, dated, and titled by Graves on verso Year: 2024 Medium: Original Acrylic Painting on Ca...

Medium Print Condition Print is in Pristine Condition and has been stored flat since purchase in 2019. Four sharp corners and in Mint Condition. Signature Hand-signed by artist, Hand signed and numbered in Pencil by the Artist, Estevan Oriol...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Jack Hayhow Title: Love Bench 2 Medium: Print on Paper Year: 2017 Size: 16 x 24 inches Description: Available in multiple sizes - please inquiry within Edi...

Title: IHeart Screenprint "The Night Shift" Glow In The Dark Inks Contemporary Street Art Year: 2018 Classification Limited edition Medium Type Print Medium/Materials Hand Pulled Screen Print On 100# (260/m2) French Cover Stock Categories Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Nude / Feminist Art and Contemporary Feminist Provenance Comes With C.O.A. From The Artist. Additional Info Print Glows in the Dark with Special UV Inks. Signature Signed & Numbered In Pencil By The Artist, I Heart Stencil...

Jack Hayhow Title: Faces Medium: Print on Ppaer Year: 2020 Size: 24x16 inches Description: Available in multiple sizes - please inquiry within Edition: 10 Signed by hand COA provide...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Agent X Never Duck Family Richesv (Pop Art, Street Art, Urban Art, Disney, Donald Duck) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed C...

Wonderfully bright and psychedelic vintage graffiti-spray-can art by unknown artist, circa 1970s harkens to Haight Ashbury, San Francisco scene. Black l...

Acrylic paint on cast resin sculpture. Pink and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box. ...

RF ART Road to Nowhere (Street Art, Pop Art, Frankenstein, Comic, Nuclear, Mushroom) 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23...

A Limited Edition Fine Art print of the mural Shepard Fairey X Sandra Chevrier created to celebrate the 100th anniversary of the passage of the 19th amendment...

Super vibrant D*Face D*Dog in Orange. D*Dog is the iconic character created by D*face that is the focus of and featured in many of the artists works. Released in 2013. The wings are ...

Acrylic paint on cast resin sculpture. Blue and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box. ...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Mixed media on paper by the french street artist KLG Combining acrylic and Posca felt pen Unique piece Hand signed

Conceived in 1982-1983 and printed in 2019. Screenprint in colors. Each stamped and signed on verso by Lisane Basquiat and Jeanine Heriveaux, the artist’s sisters and administrators ...

TITLE Shepard Fairey Mother Nature on the Run Neil Young Tour Print Letterpress YEAR 2020 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Cream Cotton, Hand-Deckled Edges INVENTORY ID N/A CATEGORIES Silkscreen / Embossed Paper / Pop and Contemporary Pop / Graffiti and Street Art...

Paste-up print mounted on aluminium. Hand-Signed by the artist, lower right on recto 70 x 50 cm Edition of 75 Ben Eine is a British street artist and typographer known for his disti...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Artwork by the Spanish artist Juan Manuel PAJARES. street art in pure state. PAJARES, Juan Manuel (Lleida 1957 ) Pajares was introduced to the impact of large-scale canvas painting u...

Artist: Flowers, Halim Title: Sum Kind of Blue Date: 2025 Medium: Acrylic and oil pastel on canvas Unframed Dimensions: 30" x 30" x 1.5" Signature: Signed Edition: Unique Prov...

Set of 3 screen prints on paper includes "Animal", "Saviour", and "Poison Reality". AP of 10. Matching editions. Each print measures 19.69 x 19.69 inches. Artwork is in excellent ...

KAWS (American, b. 1974) Gone, 2019 Medium: Screenprint on Arches Aquarelle 300gsm (incl. limited edition catalogue for the exhibition of KAWS: Companionship in the Ages of Lonelines...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

I-95 18.0 x 30.0 x 2.0, 15.0 lbs Mixed Media Hand signed by artist Artist's Commentary: "This series of works features large archival photo transparencies of urban vistas. These ...

Intermezzo TFWHT, 2020, Murakami and Futura, Street Art, Limited Edition of 100. Hand-signed by artist, Signed by Futura in ink lower right Signed, dated, and numbered by Takashi Murakami in ink lower right. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for his signature “Superflat” aesthetic: a colorful, two-dimensional style that straddles the division between fine art and pop culture as it unites elements of anime, Japanese nihonga, and ukiyo-e woodcuts. Common motifs across Murakami’s oeuvre—which spans paintings, sculptures, prints, and more—include smiling flowers, bears, and the Mickey Mouse–inspired character Mr. DOB. They also appear throughout Murakami’s thriving market for merchandise and collectibles. Murakami has presented at institutions including the Guggenheim Museum Bilbao, MoMA PS1, Mori Art Museum, Garage Museum of Contemporary Art, Brooklyn Museum, Museum für Moderne Kunst, and the Museum of Contemporary Art Chicago, among others, and his work has sold for millions on the secondary market. Murakami also runs a large influential art production and artist management company, the Tokyo-based Kaikai Kiki Co. Futura (formerly Futura 2000), née Lenny McGurr, pioneered abstract street art in New York during the 1970s. While his contemporaries practiced traditional lettering, Futura combined text, imagery, thin aerosol lines, swaths of vibrant color, and a distinctive use of white space as he created dynamic, futuristic compositions; science fiction and computing technology have long informed his aesthetic. In the 1980s—alongside fellow artists Keith Haring, Jean-Michel Basquiat, and Kenny Scharf—Futura...

Artist: PEZ (Pierre-Yves Riveau) Title: The Big Apple Size: 14.50 x 10.50 x 9.50 in Medium: Concrete, Paint and Resin Edition: Unique Original Year: 201...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Jose Parla "The Founders" Time Limited Edition of 1368 Dimensions: 20.5in x 32.7in Medium: Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smoo...

Peace & Dove Metal Sign Screenprint Comes ready to hang and the Certificate Of Authenticity is on the verso. Edition Details: Year: 2021 Class: Street Art Print Metal Sign Status: O...