Snow Art

This photograph is from my Remote series.Remote series crafts a salient commentary on the reality of modern daily life. I captured moments stolen from popular culture and condensed t...

Slim Aarons Tyrolean Churches, 1990 C print estate edition of 150 The Andreas Kirche and Liebfrauen Kirche in Kitzbuhel in the Austrian Tyrol, 1990 Estate stamped and hand numbered ...

Skiing In Vail II, 1960 Chromogenic Lambda Print Estate edition of 150 A group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA, 1964. Estate stamped and ha...

Slim Aarons Zermatt Skiing, 1968 Chromogenic Lambda Print Estate edition of 150 The apres-ski in Zermatt, Switzerland, March 1968. Estate stamped and hand numbered edition of 150 ...

A snowy cityscape of City Hall Park in lower Manhattan! The kind of NYC day where the fresh white snow blankets the world and the city comes to a halt.... briefly. A magical vista, p...

Slim Aarons Skiing Waiters, 1960 C print Edition of 150 Caption: Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carri...

RISAKU SUZUKI (*1963, Japan) SAKURA 17,4-165 2017 Archival digital print Sheet 40.7 x 50.9 cm (16 x 20 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry bl...

Skiing In Gstaad, 1961 Chromogenic Lambda Print Estate edition of 150 A vapour trail above skiers on a ski slope in Gstaad, Switzerland, 1961 Estate stamped and hand numbered editi...

Skiers in Zermatt, Switzerland, March 1968 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) worked mainly ...

A skier at the Stowe Mountain Resort, Vermont, USA, 1962. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006)...

Skiing In Vail III, 1964 Chromogenic Lambda Print Estate edition of 150 A group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA, 1964. Estate stamped and h...

This limited edition photograph: 30"x30" edition of 5 is signed on reverse. An ice laden fence stands atop a frozen block. The composition seems to be created entirely of snow and ...

"Botanical Rhapsody II" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted. Highly intricate and lavishly depic...

Skiers on a slope in St Moritz, Switzerland, March 1978 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) w...

Branko Bahunek, Croatian (1935 - ) - Frozen Morning - II. Year: 1987, Medium: Oil on Canvas, Size: 22 in. x 18 in. (55.88 cm x 45.72 cm), Description: Trotting across the snow-cover...

Branko Bahunek, Croatian (1935 - ) - Frozen Morning. Year: 1986, Medium: Oil on Canvas, signed, Size: 18 in. x 15 in. (45.72 cm x 38.1 cm)

RISAKU SUZUKI (*1963, Japan) WHITE 07,H-122 2007 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Snowflakes are letters sent from heaven.’ ...

Image Size: 30" x 40" Original - Acrylic on Canvas Hand Signed by Andre Philibert

"On the Mountain in Snow at Dusk," Oil on Canvas, 30 x 30 Inches is a highly realistic landscape of a bank of evergreens covered with snow at the top of a white mountain against th...

Kitade’s search for the universal common ground in life, even in conflict. ‘Conflict is part of human nature, there is always a Side A and Side B in life and in this show it is the s...

Titled, dated and stamped. Vintage gelatin silver print. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 finding work almost immediate...

The apres-ski in Zermatt, Switzerland, March 1968. Zermatt Skiing Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by...

One of a kind, original oil painting on linen by Scott Yeager. Signed lower right. Unframed.

Lisa Golightly is an artist living in Portland, Oregon. With a BFA in art, her initial focus was photography, the influence of which can be seen in her paintings. Her work revolves around memory and how snapshots shape, influence, change and even create memory. She works with acrylic and high gloss enamel, using found photos...

Signed, titled, dated in ink on photographer's label. Archival pigments on Kozo paper 8 7/8 x 11 3/4 " 22.5 x 30 cm Edition 2 of 10

Holidaymakers dining at the Eagle Club, Gstaad, Switzerland, March 1969. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Es...

Skiers at Gstaad, Switzerland, 1969. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next...

Skiers at Gstaad, Switzerland, 1969. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next...

Alpine Skiing, Switzerland, Estate Edition, Portrait Photograph This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers waiting for the c...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers waiting for the cable car at Verbier in Switzerland, 1964. This is an estate stam...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers relax in deckchairs on the slopes at Verbier in Switzerland. 1964. This is an est...

This late 1660s winter landscape photograph, captured by society photographer Slim Aarons, features skiers pass by a snow covered tree in Vail, Colorado, USA, 1969. This is an estat...

Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. Slim Aarons Lounging in Gstaad Chromogenic Lambda print Printed Later Slim Aarons Estate Edition ...

"Last Hunters of the North" Qaanaaq, Greenland - 2015 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 5...

SNOWFALL Size: 41.5 x 67 cm (including frame) Oil on canvas A beautifully detailed mid century winter snow landscape composition, executed in oil onto canvas. A lone figure is depi...

Edition of 45 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and a...

Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. Slim Aarons Lounging in Gstaad Chromogenic Lambda print Printed Later Slim Aarons Estate Edition ...

Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. Slim Aarons Lounging in Gstaad Chromogenic Lambda print Printed Later Slim Aarons Estate Edition ...

Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. Slim Aarons Lounging in Gstaad Chromogenic Lambda print Printed Later Slim Aarons Estate Edition ...

This late 1660s winter landscape photograph, captured by society photographer Slim Aarons, features skiers pass by a snow covered tree in Vail, Colorado, USA, 1969. This is an estat...

Artist Commentary: This image was taken in a wintry day in Ann Arbor , Michigan. You can really sense the cold and the snow by looking at this image. I like the solid layer of snow at the bottom of the image. It's a very moody image. Keywords: tree, infrared, photo, black and white, branch, branches, winter, snow, winter tree...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

Framed dimensions: 22.5 x 29.75 inches We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the Grenning Gallery fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...

Artist Commentary: I have been asked numerous times by my loyal customers to create more holiday winter cards of my paintings. As I was looking outside my window in this month of March, the snowy scenes in front of me were an ideal inspiration for me. And to make things even better for my creative juices, Paris had just been covered a few weeks before by a couple inches of snow. This happens very rarely and the whole city was paralysed. Parisians were unhappy, as always, but Paris under the snow is magnificent. I asked my good parisian friend to share with me the pictures she took of Paris under the snow. Between the winter view from my window and my friend’s pictures, I had enough material to immerse myself into this project. In 3 weeks, I created 8 paintings and I had the best time of my life!!! I wish I could do that all the time. I painted holiday lights, ornaments, some snow, and I even had an american cardinal in snowy Paris!!! I felt right at home between my 2 countries: France and the US! What wintery scenes or holiday scenes do you find magnificent? Words that describe this piece: winter, snow, Paris, France, tree Artist Biography: Life is basically a huge collection of moments. Sometimes you have no idea how everything will end up tying together - Marion Buricatu...

“REFRACTED LIGHT SERIES” are composed of stacking multiple clear sheets, each one individually hand etched. The pieces reveal themselves through a meditative, self-informing process....

Snow Parfait Tree by Michael Kenna presents a sublime scene. A single tree stands tall in a snow covered field. Its branches are delicately covered in snow, appearing like a deliciou...

We are very happy to present the wonderful work of Gérard Blain, a passionate and talented artist. Gérard Blain, born in 1938, is an atypical artist. Co...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

Original Oil Painting by Eric Zener Eric Zener (b. 1966, Astoria, OR) completed his BA in 1988 at the University of California, Santa Barbara. As an artist he has been engaged in a...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

This large color photograph by Chris Pulitzer Leidy is the essence of underwater sea life in vibrant blues and pinks. Printed on pigment matte paper. Framed in a 2" wide white maple wood frame. Perfect beach house photograph...

Series: ETERNAL All available sizes and editions: 20" x 20" editions of 10 40" x 40" editions of 7 60" x 60" editions of 5 Archival Pigment Print on Fine Art Baryta paper Mounted a...

Winter landscape 1965, paper/watercolor, 20x25.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mi...

Santos art education is worldly, and his work has been seen around the globe, from the Museum of Contemporary Art in Sicily, Italy and the Beijing museum in...

Image Size: 30" x 36" Original - Acrylic on Canvas Hand Signed by Andre Philibert

Looking Back Etching with hand coloring by the artist, 1994 Signed, dated, and numbered in pencil lower left (see photo) Edition: 67 (49/67) (see photo) References And Exhibitions: Franco & Verne, Quiet Elegance: Japan Through the Eyes of Nine American Artists, 1997. Illustrated pg. 61. Cited as a “great print” by Stewart pg. 53. Note: An important print by the artist Joel Stewart Biography Museum Collections: • Los Angeles County Museum of Art, Los Angeles, California, USA Cleveland Museum of Art, Cleveland, Ohio, USA. Portland Art Museum, Portland, Oregon, USA Library of Congress, Washington D.C., USA Allen Memorial Art Museum, Oberlin, Ohio, USA Hoehn Family Galleries, University of San Diego, USA Group Exhibitions: 2020 The Terminal, Kyoto, “Kyoen” 2019 Rijksmuseum, Amsterdam, “Long Live Rembrandt” Alt Space POST Gallery, Kyoto, “The Echo Of Songs” 2018 Hakuhou-Doh Gallery, Kyoto, Japan – “Ki Ni Naru” CWAJ Print Show, Tokyo, Japan 2017 Kyoto Municipal Museum Of Art – “Kyoten 2017” CWAJ Print Show, Tokyo, Japan 2016 CWAJ Print Show, Tokyo, Japan 2015 CWAJ Print Show, Tokyo, Japan – 60th Annual Exhibition 2014 Kyoto Municipal Museum Of Art – “Kyoten 2014” The Kura, Kyoto, Japan – Collaborative Paintings With The Mangold Collection 2012 CWAJ Print Show, Tokyo, Japan – 56th Annual Exhibition 2011 CWAJ Print Show, Tokyo, Japan – 55th Annual Exhibition 2008 Phoenix Art Museum, Arizona, USA, “Making Waves – Contemporary Japanese Prints” 2007 Library Of Congress, Washington D.C., USA – “On The Cutting Edge: Contemporary Japanese Prints” 2006 Portland Art Museum, Oregon, USA – “Mahaffey Fine Art: 14 Years, 14 Artists” LA County Museum Of Art, California, USA – “Modern Japanese Prints: Etchings” CWAJ Print Show, Tokyo, Japan – 50th Annual Exhibition 2005 CWAJ Print Show, Tokyo, Japan – 49th Annual Exhibition 2004 CWAJ Print Show, Tokyo, Japan – 48th Annual Exhibition 2003 CWAJ Print Show, Tokyo, Japan – 47th Annual Exhibition 2002 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2001 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2000 Cleveland Museum Of Art, Ohio, USA, “East Meets West: Modern Japanese Prints” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1999 Tolman Collection Gallery, Tokyo, Japan – “Miyabi” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1998 Anne Reed Gallery, Ketchum, Indiana, USA, “One Common Denominator” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1997 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1996 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1995 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1994 Kawaguchi Bijutsu Gallery, Kyoto, Japan – “Prints By Painters” 1993 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1992 Kato Gallery, Tokyo, Japan – Spring Show 1990 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1987 Cydney Payton Gallery, Denver, Colorado, USA – Group Exhibition Osaka Modern Art Center, Osaka, Japan – Biennale 1986 Voice Gallery, Kyoto, Japan – 3 Man Show 1983 Tacoma Art Museum, Tacoma, Washington, USA, Biennial Show 1983 Bellevue Art Museum, Bellevue, Washington, USA, Biennial Show One Person Exhibitions: 2020 Alt Space POST, Kyoto, Japan, “Floating Screens”, Pop-Up Installation 2019 Hasu Projects, Kyoto, Japan, “Gojo Rakuen”, Pop-Up Installation 2017 Hakuhou-Doh Gallery Hakuhou-Doh Gallery, Kyoto, Japan, “Fractured Fairy Tales, A New Print Series” 2015 Hakuhou-Doh Gallery 2013 Nishi Bijutsu Gallery 2011 Azuma Gallery, Seattle, Washington, USA ,“Recent Works” 2010 Fushimi Souko, Kyoto, Japan , “Crossroads: A Folding Screen Installation” 2005 Azuma Gallery, Seattle, Washington, USA , “Recent Works” 2004 Kato Gallery, Tokyo, Japan 2002 Kato Gallery, Tokyo, Japan Azuma Gallery Seattle, Washington, USA 2001 Keihan Art Salon, Osaka, Japan 2000 Azuma Gallery, Seattle Washington, USA, “New Works” Ren Brown...

12" x 16" Unframed Original - Acrylic on Canvas Hand Signed by Andre Philibert

RISAKU SUZUKI (*1963, Japan) SAKURA 17,4-160 2017 Archival digital print Sheet 40.7 x 50.9 cm (16 x 20 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry bl...

RISAKU SUZUKI (*1963, Japan) SAKURA 17,4-171 2017 Archival digital print Sheet 40.7 x 50.9 cm (16 x 20 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry bl...