Snow Art

Titled "The remote", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remains unfra...

Skiers on a slope in St Moritz, Switzerland, March 1978. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector w...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

Johann Berthelsen (1883 - 1972) Flatiron, Union Square, Broadway New York City Oil on Board 15 x 11inches 19 X 15 inches with frame Signed lower right: Johann Berthelsen; Original frame Painting is very good original condition Notice All the Beautiful Flags in the Painting! Berthelsen painted landscapes of New York City ''poetic'' by contemporary critics. Ironically though, it was music not art, to which Berthelsen originally aspired to. A native of Copenhagen, Denmark, Berthelsen's family immigrated to the United States in 1890. When he was 18, Berthelsen studied music and voice for four years at the Chicago Musical...

This midcentury landscape photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland, March 1968. In this scene of casual winter glamo...

Norwegian Winter is a realist oil on canvas painting. It depicts a snow covered landscape with trees and mountains in the background. Painted en plein air during a blizzard during he...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

Acrylic Liquitex Ink on 300gr. Arches cotton paper. Gloss varnish. Will ship rolled in sturdy tube. Certificate of Authenticity. 76 x 56 cm. 22 x 30 inches. :: Drawing :: Pop-A...

Trees in snowy Field Study 1, Austria - no. 18141 Archival pigment ink print as part of a limited edition of 9. All Prints are made to order in limited editions on Hahnemuehle Photo ...

Winter road in the forest. 2023, oil on canvas, 60x80 cm "I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel...

The apres-ski in Zermatt, Switzerland, March 1968. Zermatt Skiing Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by...

Slim Aarons Snowmass Gathering Lambda Print 4 sizes available Slim Aarons Estate Edition 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. * We are pleased to represent the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Snowmass Village, Pitkin County, Colorado, Ski Photography, Helicopter, Winter Scene, Snowscape, Snow Photography...

Tellurians XVIII [2020] original Acrylic on Canvas Image size: H:30 cm x W:100 cm Complete Size of Unframed Work: H:30 cm x W:100 cm x D:4cm Sold Unframed Please note that insit...

Skiing In Vail II, 1960 Chromogenic Lambda Print Estate edition of 150 A group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA,...

Salvador Dali (Spanish, 1904 – 1989) Immortality of the Itinerant Insect, 1973 Signed and numbered ‘XIII / L (lower left) and ‘Dali’ (lower right) Drypoint with etching and heliograv...

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State A...

Hailing from the picturesque city of Zaragoza, nestled near the Pyrenees, Carlos Blanchard's journey into the realm of photography was influenced by the rich tapestry of his upbringi...

Pencil drawing on canvas of a birch tree

Acrylic on wood panel. There is snow, and then there is snow....After a major storm the city awakes to snow-filled streets and buried cars. But life goes on. Some people get up, trud...

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...

The devil inside looking out. :: Painting :: Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

St Moritz Skiers, 1978 Printed Later. Chromogenic Lambda Print Estate edition of 150 Skiers on a slope in St Moritz, Switzerland, March 1978. Estate stamped and hand numbered editi...

Winter evening. Oil on canvas and cardboard, 29x23 cm

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State A...

Cortina d’Ampezzo 1988 - Slim Aarons Estate Stamped Snowboarding in Cortina d’Ampezzo, March 1988 20 x 30" inches / 51 x 61 cm paper size Estate Stamped Collection Edition to 150...

Artist: Gillie Cawthorne (English, 1963-) Title: "Glen Lyon, Scotland" *Signed and dated by Cawthorne lower left Year: 2010 Medium: Original Watercolor on paper Framing: Not framed, ...

La Place Carnot Sous la Neige (Lyon) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanie...

Skiing At Courchevel 1970 Chromogenic Lambda Print Estate edition of 150 Skiers on the slopes at Courchevel, France, 1963. Estate stamped and hand numbered edition of 150 with cer...

Skiers walking up Cortina D'Ampezzo in Italy, 1962. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) work...

This artwork depicts a cozy corner of the ancient German city of Aschaffenburg. A winter day with such a rare phenomenon for Europe as snow. Snow falls and covers the old paving ston...

In his oil painting, “Under the Hemlocks,” Walter Launt Palmer paints a small brook in a snowy wood.

Archival pigment print Signed and numbered on label, verso 16 x 20 inches, sheet (Edition of 10) 30 x 40 inches, sheet (Edition of 10) 50 x 60 inches, sheet (Edition of 10) This ...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under...

After completing each layer the artist asks “Am I satisfied?” Anything less than a yes, means that the piece is to be fully surrendered, and allowed to be destroyed and overwhelm...

Winter On Wall Street oil/linen 20 x 24 unframed, 27.75 x 31.75 framed. Winter On Wall Street is an oil painting on linen by award winning contemporary artist Michael Budden. I enj...

Artist: Vahe Yeremyan Title: Couple Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 22.5" x 14.5" x 0.8" inch (57 x 37 x 2cm) Presentation: Unframed, Gallery Wrapped...

Cities 12 – February in Prague by Susan Brown. Limited edition giclée print – The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm x 50cm Ea...

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

In this oil painting titled "Snowy Path," a snow-covered path invites the viewer to immerse themselves in its winter serenity. The texture of the snow is depicted with remarkable rea...

Skiers at Verbier, 1964 Archival pigment print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Skiers relax in deckchairs on th...

Original Ski Western Airlines vintage travel and skiing poster. Professional archival acid-free linen backed in very good condition, ready to frame. Artist: Don Weller. Capt...

The painting depicts a short winter day before the New Year, when it is getting dark early. This is an old town in the south of Germany. But it could also be Austria or Switzerland. ...

Skiers on a slope in St Moritz, Switzerland, March 1978. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector w...

Winter Snow Scene

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Artist: Vahram Meliqsetyan Title: Winter Trees Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 17.5" x 16" x 0.8" inch (44 x 41 x 2cm) Presentation: Unframed, Galle...

Winter On Fifth Avenue, St Patrick's, is an oil painting on linen by award winning contemporary artist Michael Budden that showcases the bustling life on Fifth Avenue in NYC above t...

This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rus...

A Nelson White plein air painting from a bleak January in 1988. Framed dimensions: 18.5 x 22.5 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Skiers in Gstaad - Ski Resort Switzerland Fashion Photography Winter Snow Sports by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Late...

"""Shimmer"" Serene black and white landscape with ice, rock and snow with birds flying Minimal, beautiful landscape with sea ice, snow, and rocks, with birds The limited edition...

Artist: Vahe Yeremyan Title: Winter Valley Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 9.5" x 26.5" x 0.8" (24 x 67 x 3 cm) Presentation: Unframed, Gallery Wrap...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His...

This is a unique photographic work taken by Andy Warhol of Jon Gould in the snow in Aspen. Jon Gould and Andy Warhol met in 1980 when Warhol was 51 and Gould...

Autumn Snow - Central Park  (Plaza Hotel)

In this delightful 1975 promotional poster, the SNCF (French National Railways) captures the charm and efficiency of train travel for winter sports holidays. Featuring an irresistibl...