Teen Art

Black and white film still of Marilyn Monroe and Keith Andes in "Clash by Night", circa 1952. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a ...

A wonderful and charming cover concept as an attractive young women stares at a beautiful butterfly caught in the netting of her hat. Fabry executes the work with his stylised loos...

Skiing Beauty Suzy Chaffee 1969 by Toni Frissell Suzy Chaffee at Vail, Colorado in one of her own designed ski suits. Suzanne Stevia Chaffee (born November 29, 1946) is a former ...

A fine Modern British street scene depicting children playing in a city alley with industrial buildings and smokestacks to the background. Reminiscent of the Camberwell and Euston Ro...

Bacchus Siesta is a monumental acrylic on canvas by Natasha Lelenco, fusing classical figuration with digital-age iconography. A shirtless reclining figure occupies a centrally place...

The Letter (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 2...

Pete Townsends’s trademark windmill style guitar playing is captured while The Who tours in support of their seminal album ‘Who’s Next” in Forest Hills, New York, 1971.  Artist: Jef...

Mitzy Renooy Step by step 80 cm Ø Frame included in price, size with frame: 95 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art academy to...

You don't know - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1062. ...

Renée's Dream - The Boys (Days of Heaven) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

French stipple engraving portraying a stately emperor figure, circa 1830. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Ar...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. "...

Digital Photograph, ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yamao...

Greg Mac Gregor's artwork incorporates official, declassified photographs from the Los Alamos National Laboratory Photographic Archives produced in the early 1950s at the Nevada Test...

Rare turn of the century portrait of J.O. and T.O. Mason, from a daguerreotype photograph, c.1860, by Marion Kavanaugh Wachtel (American, 1876-1954). Portrait c.1900. Signed "Marion...

South & Pershing St. in a signed archival pigment ink print from Julie Blackmon's ongoing series Home Grown. “When I began taking pictures,” Blackmon says, “ I was primarily interes...

Signed limited edition print of Soundgarden singer Chris Cornell, from acclaimed music photographer, Chris Cuffaro. Taken in September 1991 in Indio, CA Signed limited edition 17x22" print, edition number 25/50 Chris Cuffaro has shot the best of the best in the music world including ground-breaking bands like Jane’s Addiction...

Kenn Duncan (1928-1986). Portrait of Man in Headband, ca. 1973. Photographic period print measuring 11 x 14 inches. Studio stamp on verso. The print was us...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Lawrence...

China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

I aimed to explore the themes of journey and aspiration, juxtaposed with isolation and uncertainty. Acrylics vividly captures the vast desert and clear blue skies, providing a surr...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

Signed Lower Right

The Games we played (Till Death do us Part) - 2005 40x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label, art...

Young and beautiful Marilyn Monroe flashing that beautiful smile that lit up the silver screens during the 50's. The offered photo is a second-generation example and was issued in th...

Robert F. Kennedy, Ambassador Hotel, 1968, LIFE Magazine Photo of Bobby Kennedy giving his final victory speech in the California Democratic presiden...

"Untitled (Nr. 0732)" Nude Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of...

Walter Matthau - Vintage Photo is a black and white photograph of the 1970s. Good conditions.

Autumn Breeze (Wastelands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1183 Not mounted. Stefan...

Signed Lower Left The Girls of Canby Hall Series by Emily Chase, published by Scholastic (1984–1989), is a collection of young adult novels, based around the lives of a group of stu...

“From the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968. Featuring Mick Jagger, Keith Richards, Brian Jones...

Margarita Smokes in Bathroom (Till Death do us Part), 2007, 40x50cm, Edition 1/5, analog C-Print, printed by the artist, mounted on Aluminum with matte UV-Protection based on an o...

© Michael Putland Carly Simon Carly Simon, London 1972she kissed my cheek, I did not wash for a week! Carly Simon is an acclaimed American singer-songwriter known for her introspe...

11 x 14" vintage silver gelatin photograph of Choreographer George Balanchine rehearsing the New York City Ballet, 1965. Signed by Jack Mitchell on t...

Friends is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, places, famili...

The Light (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3079 Not mounted. Stefanie S...

Archival pigment print Signed and numbered, recto 20 x 24 inches, sheet (Edition of 7) 11 x 14 inches, sheet (Edition of 20) This photograph is offered by ClampArt, located in New York City. About the artist: Rick Day is an American photographer based in New York City, who names Bruce Weber, Herb Ritts, and Victor Skrebneski as influences. His work concentrates on fashion advertising photography and video—his fashion spreads and images have been published in numerous publications across the world including “ELLE,” “Details,” “Vogue Italia,” “Männer,” “DNA,” and “GQ.” Day has produced four photography books since 2008, with BelAmi being the most recent (all published through Bruno Gmünder...

Jungle Boy (Back in the 80's) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #590 Not mounted. Stef...

A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Born: New York August 26, 1924. Education : Parsons School of Design Study with Moses Soyer. COLLECTIONS : Albrecht Gallery Musuem Montclair Museum Reading Museum Joslyn Art Museu...

Falling Stars - 2022 50x40cm. Edition of 10 plus 2 Artist Proofs. Archival Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper. Signature ...

"French Economy" by Bert Hardy 14th June 1952: A young French girl holding a large loaf of bread while reading a sign about a possible decrease in bakery prices in the home town of ...

Untitled (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist inventory N...

Jules and Jim II (Renée's Dream) from the 29 Palms, CA series - 2007 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signatu...

'Still' 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inven...

Untitled (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist inventory N...

Traces of Time (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13370. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Original cover for Liberty magazine, published December 11, 1926 Sandy called on Lil one evening, only to find that his suspicions were true – Mr. Hammerschlosser, the aging and wea...

Woman is an original zincography on paper realized by R. Jericke after A. Seifert, in 1905. This Specially Zincography representing a woman's Portrait. The title of the work "Gretch...

In Bloom - 2021 Archival C-Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs. Signature label and cer...

'Tiffanys' by Stuart Möller limited edition to 25 only this size - signed A young woman passes by the infamous diamond and jewellery store, Tiffany's in New York , with yellow N...

'I'm frozen in my Memory of Love that once was' (Till Death do us Part) - 2005 122x122cm, Edition 2/5, analog C-Print print, hand-printed by the artist, based on a Polaroid, arti...

Cliff and Robert 1979/2001 Signed, titled, dated, and numbered, recto Cibachrome print (Edition of 50) 24 x 20 inches, sheet 18 x 18 inches, image

Hungry Kitty Edition of 25 signed and numbered by the artist The large winged lion in Venice Italy watches over a tourist eating her hamburger. JJK is a pseudonym for one of the wo...

'Hard Luck Princess' (Till Death do Us part) - 2005 20x20cm, Edition of 6/10. Archival C-Print, based on a Polaroid, Certificate and Signature label Artist Inventory Nr. 15707. On offer is a piece from the movie: Till Death do Us part 'Till death do us part' an episode of the '29 Palms, CA' project. A film shot on Polaroid stills combined with Super 8 film sequences. 'Till Death Do Us Part' is the story of two young lovers, lonely souls escaping the abuse of reality into each other. Imagine a stranger suddenly in your path, you can just be silent with, and you feel you have known her forever. This is the experience of Cristal and Margarita, that begins when Cristal picks her up hitchhiking on a lonely dessert road. A runaway from a cruel older brother and a broken family, Margarita is searching on the edge of the shadows for a home. Cristal was also a lonely child and already dangerously close to vanishing when she finds Margarita. For her it is the begging of life. When she finds Margarita, she finds herself, she feels for the first time and discovers that she is not invisible after all. The childlike, roadside life they make together is a dream that they truly believe will last forever, and with the naive joy of beginners, they dive in, never sensing danger. When two lost souls become one and share everything, do they loose themselves further or do they become whole at last? When a girl has no home, no anchor, can she combine thrive with another? Once a human heart wakes up from isolation for the first time, enchanted by a reflection in love's mirror, can the dreamer fall asleep again, or must she wander searching to find it again forever? An artistic triumph for Schneider, this piece floats deeper into her exploration of the colors of the human psyche, separation, relationship, androgyny and the fringes of social reality. The Californian desert light and the vintage colors of Polaroid create a unforgettable atmosphere in the abandoned trailer park. Austen Tate gives Margarita her voice in poetry and Daisy...

Golf Player is an artwork realized by Victor Spahn in the second half of the 20th century. Colored lithograph on paper. Hand-signed in pencil on the low...