Wildlife Art

Available Sizes: 18 x 18 Edition of 3 30 x 30 Edition of 3 45 x 45 Edition of 3 60 x 60 Edition of 3 Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing...

Zebras - Camouflage 2009, Serengeti, Tanzania This beautiful piece illustrates the beauty of wildlife in its natural environment. nature portrayed like a graphic art piece. Drawn ...

Ed. 1/7, signed on the recto, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has been an extensive body of work capturing the beauty and uniqueness of the indigenous horses of Iceland, a country that has touched her deeply and continues to visit. Her work “Horses of Iceland” has been shown in exhibitions all over the world. This photograph is from her newest series "Among the Living." For this body of work, Laiz traveled across the African continent for six years, visiting Kenya, Namibia, Tanzania, Batswana, Rwanda, and Uganda. Forgoing comfort often for months at a time, she returned with intimate portraits of the charismatic and fierce, yet vulnerable and endangered animals she encountered. It is impossible to look at one of her photographs and not feel her subject’s innate individuality. As part of her artistic process, she spends time with each animal up close in its natural habitat, gets to know...

ARAQUÉM ALCÂNTARA Jaguarete #16, Brazil, 2018 40 x 40 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plexiglas Araq...

David Burdeny 12 Giraffes, Maasai Mara, Kenya, Africa, 2019 Archival Pigment Print Signature Label Framed. Ask us for framing options.

Reebok Roebuck Animal Nature Modern Bronze Sculpture Contemporary In Stock The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poem, where the reader not only encounters the artist, but also himself. Though the statues are realistic, there is still enough room for interpretation. Do the artist and the viewer see the same story? It doesn’t really matter, because the beauty in his work has a autonome quality. How can we interprete the work in the conscious and unconscious brain? The first will be hit by the clear styled forms and the technical know-how. The second by his favourite theme, nature, the loving images of men and animals, often together in harmony. Very common in his work is the symbolic worth within the story. The viewer experiences an emotion, seeing a human or human presence, funny or vulnerable. You sympathize with the myth and feel the power of the methaphorical meaning. This is confirms we are dealing with a real artist. Erwin Meijer managed very well to give his sculptures a classic universality, timeless, surpassing the boundaries of reality. With a signature beyond countries and cultures. . East and west meet each other in many sculptures, like Europe and the bull...

Edme Saint-Marcel (1819-1890) pencil, black crayon and watercolor drawing of a lion attributed to Edme Saint-Marcel-Cabin, France, 19th century. Dimensions: 12" W x 8.25" H x 1.75" ...

This particular image at Kenya's Amboseli National Park. This is drawn from the archives of fine art photographer William Chua, an award winning photographer and FujiFilm ambassador in Asia, from Singapore, presented here exclusively. The essence of nature's beautiful creatures in flight and motion or in a solitary moment...

Tiger Morse in Blue on Elephant, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper...

limited_edition Screen print Edition number 20 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A quirky screen print of a Bear in a suit...

This particular image at Kenya's Amboseli National Park. This is drawn from the archives of fine art photographer William Chua, an award winning photographer and FujiFilm ambassador in Asia, from Singapore, presented here exclusively. The essence of nature's beautiful creatures in flight and motion or in a solitary moment...

Araquém is a strong supporter of Brazil's natural heritage, particularly the Amazon Rainforest and the Atlantic Forest. It is also pointed out by critics as one of the precursors of ...

One of a kind, original oil and gold leaf painting on board by Sarah Woods. Signed lower left. Framed Dimensions: 17.5 X 17.5

"E2" Photography 60" x 60" inch Edition 1/10 by Giuliano Bekor From ELEPHANT series Archival exhibition Giclee Baryta print Not framed. Ships in tube ELEPHANT series “I just fe...

ARAQUÉM ALCÂNTARA Leopard, Tanzania, Africa, 2009 60 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plexiglas ...

Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog found herself so inspire...

Otto Dill, "Deer", 1918, oil painting, two grazing fawns. Beautiful and rare motif of the world famous artist Otto Dill. Outstanding painting and colors. Signed and dated. Dimensi...

Paulo Behar Dyptich PRINT ONLY Feline Look, 2017 Eyes of a Jaguar, 2017 44 x 44 inches - Edition of 7 (each) Archival Pigment Print - Unframed. Signature Label - Certificate of Aut...

Original painting signed by the Artist lower left.

Critically acclaimed image of wildlife art photography - Zebras in flight, this photograph captures the feeling and visual intensity of a scene of beauty, motion and excitement at Ke...

Available Sizes: 18 x 18 Edition of 3 30 x 30 Edition of 3 45 x 45 Edition of 3 60 x 60 Edition of 3 Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing ...

Signed/etched by artist on bronze base of sculpture with an edition number. 4/25

Original oil and acrylic painting on board by artist Andrada Trapnell. Gallery wrapped.

Rennende Haas Running Hare Polyester Cortensteel Coating Sculpture Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the R...

Araquém Alcântara Lioness, South Africa, 2008 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archiv...

Araquém Alcântara Jaguarete #6, Brazil, 2018 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archiva...

Araquém Alcântara Child with Sloth, Cruzeiro do Sul, Acre Brazil, 2013 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inc...

Critically acclaimed image of wildlife art photography - Zebras in flight, this photograph captures the feeling and visual intensity of a scene of beauty, motion and excitement at Ke...

Signed and dated

Polar Master Russia, 2017 30 x 30 in / Edition of 6 - $7,500 Also available: 48 x 48 in / Edition of 6 - $12,500 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Prices listed do not include framing. Please contact gallery for framed pricing. While travelling aboard an old Russian nuclear ice breaker on an expedition to the Arctic, from the icy distance we spotted this lone figure. He came across the sea ice to intercept our ship, stopping us in our tracks. He laid down in front of the vessel and refused to move, as if determining our worth before entering his domain. Cristina Mittermeier Biography: A virtuous mind and voice in conservation photography and one of the most influential female photographers in the world, Cristina Mittermeier began her career as a Marine Biologist working in her native Mexico. For the past twenty-five years, she has dedicated herself to inspiring a global audience to care about the delicate balance between human well-being and healthy ecosystems. Cristina's work has exhibited at the Oceanographic Museum of Monaco, The Miller Gallery in Cincinnati, The Paul Nicklen Gallery in New York, Xposure in the UAE , Art Basel Miami, Terras de Salitre/Mar de Mares Festival in Santiago, The Museum of Plastic Pop-Up in New York, The United Nations Headquarters in association with Disney and Girl Up, and at Fotografiska in Stockholm, Sweden. Cristina is the co-founder of SeaLegacy, the founder and former president of the International League of Conservation Photographers, a board member for the WILD Foundation, an advisor on two major Conservation International programs, an esteemed public speaker, and a recipient of multiple internationally recognized awards for her photography. In 2016, Cristina received the Imaging Award for Photographers who Give Back and in 2018 was acknowledged as a National Geographic Adventurer of the Year. She is the editor of 26 conservation photography books and her Fine Art Coffee Table book...

Lela #1 by Kevin Horan presents a portrait of a dark haired goat looking off to the side, from Horan's series Chattel. This photograph is a 11 x 14 inch print, with the paper size me...

All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer.

NICK BRANDT (*1966, England) Lion Before Storm V, Maasai Mara, 2006 Platinum Print Sheet 55.9 x 69.8 cm (22 x 27 1/2 in.) Edition of 8 plus AP's (from sold out edition) Print only ...

— Artwork comes with a certificate of authenticity and a premium quality frame — Signed and numbered by Leroy Neiman — Edition size : 425 — Artworks available : 218

Portrait photograph of the “King of Beasts.” New York City based wildlife and street photographer Viet Chu captured this striking shot of a lion on a dark background. His focus is...

New York City based wildlife and street photographer Viet Chu, captured this striking shot of a Giraffe on a dark background. His focus is to inspire us with the beauty and vitality ...

Hand printed by the artist. Museum quality frame with 8ply over mat. Framed in black wood.

"Afternoon Drink" is an original oil on linen and measures 30x46 inches. This realist painting is wildlife scene of a bear approaching a creek to get a drink of water. The brown bear...

Artist: Michael Knigin, American (1942 - 2011) Title: At His Peril Year: 1994 Medium: Acrylic on Canvas, signed and dated Size: 96 x 40 inches

2011, 8 Editions mix media resin and diamondssstrass 21 7/10 × 17 7/10 × 17 7/10 in - 50 × 45 × 45 cm The artwork is signed by the Artist , carved with edition number and date under ...

TIEFENG JIANG ( China b. 1938) “Elephant Family” Serigraph Paper Hand signed & numbered ##/300 40 x 40 inches (101.6 cm x 101.6 cm) Tie Feng Jiang was born in 1938 in Ningbo, Zhejia...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

56"x96" watercolor on paper, signed on reverse. New York artist, Thomas Broadbent, well know for his contemporary naturalist depictions of the intersection of nature and man, presen...

Sydney #1 by Kevin Horan presents a portrait of a curly haired white goat with a long goatee. This photograph is listed as a 14 x 11 inch archival pigment print, with the paper size measuring 17 x 13 inches. It is available in an edition of 15. This photograph is signed, titled, dated, numbered, print date and copyright in pencil on print verso. Sydney #1 is from Kevin Horan's series, Chattel. This photograph is also available in a larger size. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Oracle 2016 Oil on Panel 9" x 12" unframed 16 1/2" x 19 1/4" framed Taxidermy monkey head sits atop a brick wrapped in plastic. Many of the artist's ...

One of a kind, original oil and gold leaf painting on board by Sarah Woods. Signed lower left. Framed Dimensions: 21.5 X 17.5

Evelyne Ballestra expresses a unique movement in each painting with a very subtle sensuality and a juxtaposition of colors to reveal light and shadows, creating a synergy between the...

One of a kind, original oil painting on board by Thomas Blackshear II. Signed lower right. Framed Dimensions: 13.5" X 16.5"

Half-length giraffe, with striking eyes and vibrant colors

Couple of frogs reflect love

Ed. 1/7, rare handmade platinum palladium print. Includes black frame. For years, Joachim Schmeisser has been photographing the last giants of Africa at close range, creating except...

Ed. 1/12, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has ...

Original Painting by Patricia Traub. Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of the Arts. She continu...

Archival Pigment Print Edition Size: 9 Available sizes: 26 x 40 inches 56 x 84 inches Sizing reflects image size. Please inquire regarding framing. ​​Michael Aw is an author,...

Archival Pigment Print Edition Size: 9 Available sizes: 40 x 27 inches 84 x 57 inches Sizing reflects image size. Please inquire regarding framing. ​​Michael Aw is an author, exp...

Edition of 15 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print Paper size: 17 x 13 in., Image size: 14 x 11 in. AVAILABLE SIZES: 13 x ...

This original wildlife study by Catherine Ingleby presents a figurative rendering of a charming collection of three giraffes, producing an endearing and intimate animal portrait. Typ...

Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog found herself so inspire...