Aipad Association International Photography Art Dealers Figurative Paintings

Association of International Photography Art Dealers (AIPAD)
Since 1979, the Association of International Photography Art Dealers has set the standards for galleries specializing in fine-art photography. With members in North America, Europe, Asia and Australia, AIPAD handles such pressing issues as composing a code of ethics for dealers, increasing the public’s understanding of photography and safeguarding the rights of photographers and buyers. The annual AIPAD Photography Show at Pier 94 in New York is the premier event for curators and collectors seeking out photographic works ranging from rare 19th-century prints to contemporary digital creations.to
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Turkish Beach Scene, 1966 - Euan Uglow (Oil on Panel) Twentieth Century Painting
By Euan Uglow
Located in London, GB
Turkish Beach Scene, 1966 - Euan Uglow (Oil on Panel) Twentieth Century Painting
Euan Uglow (1932-2000)
Turkish Beach Scene, 1966
Inscribed ‘Euan Uglow, Oil’ on label on reverse
Oil...
Category
1960s Post-War Aipad Association International Photography Art Dealers Figurative Paintings
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Still Life
Located in London, GB
Signed and dated lower left 'Hassan Soliman 1957'
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1950s Aipad Association International Photography Art Dealers Figurative Paintings
Materials
Oil
Price Upon Request
Group of Figures
By John Armstrong
Located in London, GB
Signed with initials
Tempera on hand-made paper laid on panel
6 3/4 x 8 3/4 inches
Category
1940s Aipad Association International Photography Art Dealers Figurative Paintings
Materials
Tempera, Panel
Price Upon Request
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Rebecca at the Well
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Provenance:
Dr. James Henry Lancashire, Manchester-by-the-Sea, Massachusetts, by 1925; probably by descent to:
Private Collection, Cumberland Foreside, Maine, until 2018
This unpublished panel is a characteristic work of the Master of the Apollo and Daphne Legend, an anonymous Florentine painter in the circle of Bartolommeo di Giovanni, Domenico Ghirlandaio, and Sandro Botticelli. The artistic personality of the Master of the Apollo and Daphne Legend was independently recognized by Everett Fahy and Federico Zeri at roughly the same moment in time. Fahy originally dubbed this artist the Master of the Ryerson Panels but later adopted Zeri’s name for the artist, which derives from his eponymous works from the Samuel H. Kress collection (Figs. 1-2). Fahy posited that the artist was most likely a pupil of Ghirlandaio active from roughly 1480 to 1510, and that he may be identifiable with one of Ghirlandaio’s documented pupils to whom no works have been securely attributed, such as Niccolò Cieco, Jacopo dell’Indaco, or Baldino Baldinetti. The present painting was first attributed to this master by Everett Fahy in 1989, who became aware of its existence only after publishing his definitive studies on the artist.
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