Antiques Associations Members Musical Instruments

Antiques Association Members
Our distinguished antique sellers belong to leading worldwide associations with the highest vetting standards in the industry. Explore pieces from a range of historical periods offered by these design experts.
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Antique Gothic Revival Harp by Erard
Located in London, GB
Antique Gothic Revival harp by Erard
French, c. 1880
Height 178cm, width 54cm, depth 91cm
Of typical form by the famed instrument maker Érard. ...
Category
19th Century French Gothic Revival Antique Antiques Associations Members Musical Instruments
Materials
Brass
Large Gilt Bronze Mounted Maple Harp by Pleyel, Wolff, Lyon and Cie
By Pleyel
Located in London, GB
This fine antique harp dates from the second half of the 19th century and was made in France by Pleyel, Wolff, Lyon and Cie. The renowned Parisian firm ma...
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Late 19th Century French Antique Antiques Associations Members Musical Instruments
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Ormolu, Bronze
Collection of 18 Prints of Musical Instruments from Gabinetto Armonico, 1722
Located in valatie, NY
A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...
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18th Century Italian Baroque Antique Antiques Associations Members Musical Instruments
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Paper
100-Record Retro American Seeburg Select-O-Matic V-200 Jukebox
Located in London, GB
100-Record Retro American Seeburg Select-O-Matic V-200 Jukebox,
American, c. 1955
Dimensions: Height 149cm, width 91cm, depth 68cm
This stylish vinyl jukebox is a classic American Select-O-Matic V-200 by Seeburg. Inspired by car design, the coin operated jukebox features a distinctive metal exterior, with the front appearing almost like a car grill. The cabinet form features painted burgundy and turquoise accents, brass metal fixtures, shiny chrome trim, and a large glass dome. The mechanism features burgundy record rack side covers and strong 'High Fidelity' sound system. This revolutionary mechanism plays 45 RPM records vertically using two separate needles, allowing the jukebox to play both A and B sides of 100 different records without flipping. All the labels are displayed in a rotating title barrel, which includes great names including Billy Fury, Dusty Springfield...
Category
Mid-20th Century American Modern Antiques Associations Members Musical Instruments
Materials
Chrome, Brass
Fine Early 20th Century Gilt Bronze Mounted Grand Erard Piano by François Linke
By François Linke, Sébastien Érard
Located in Long Island City, NY
A Very Fine Early 20th Century Louis XV Style Gilt Bronze Mounted Three Leg Grand Erard Piano By François Linke
François Linke
Beautiful quarter veneered case inlaid with cartouche panels surmounted by a hinged lid, with great quality pierced foliate bronze mounts running down each leg, finishing off with lion paw feet.
Signed F. Linke to the bronze clasp on the side leg, The movement stamped with Erard serial number 97037 and patent stamps, the interior of the case further stamped F. TURBEC/A LEMOINE.
Erard is the oldest and most prestigious French piano manufacturer. The firm was founded by Sebastian...
Category
Early 20th Century French Belle Époque Antiques Associations Members Musical Instruments
Materials
Bronze, Ormolu
Louis XVI Style GBaby Grand Piano by Gaveau à Paris
By Gaveau
Located in Brighton, West Sussex
A fine Louis XVI style gilt-bronze mounted baby grand Piano by Gaveau à Paris.
Serial number 67874.
This fine baby grand piano has a quarter-veneered top with a stiff leaf cas...
Category
1910s French Louis XVI Vintage Antiques Associations Members Musical Instruments
Materials
Ormolu
Antique German Silver Music Box in the Form of a Grand Piano
Located in London, GB
This charming antique silver musical box features a singing bird, which appears from an opening oval. The musical box is exquisitely crafted in the shape of a miniature grand piano, ...
Category
19th Century German Antique Antiques Associations Members Musical Instruments
Materials
Silver
Unusual Continental Bisque Porcelain Automaton Figure
Located in London, GB
Unusual bisque porcelain automaton figure
Continental, circa 1900
Measures: Height 57cm, width 21cm, depth 21cm
This unusual doll takes the form ...
Category
Early 1900s European Antique Antiques Associations Members Musical Instruments
Materials
Porcelain, Fabric
Wonderful Turn of the Century Gilt Bronze Mounted Six-Leg Grand Erard Piano
By Sébastien Érard
Located in Long Island City, NY
A wonderful turn of the century gilt bronze mounted Louis XVI style six-leg Grand Erard piano
Beautiful satinwood veneer, bronze mounts, standing on six legs centered by a stretcher.
The movement stamped with Erard serial number 93712 and patent stamps, the interior of the case further stamped F. TURBEC/A LEMOINE, and M. BECKER.
Erard is the oldest and most prestigious French piano manufacturer. The firm was founded by Sebastian Erard...
Category
Early 1900s French Belle Époque Antique Antiques Associations Members Musical Instruments
Materials
Bronze, Ormolu
Large Chinese Carved Dinner Gong
Located in Cheshire, GB
Chinese intricately carved and pierced hardwood dinner gong, having circular brass gong with original beater.
Dimensions
Height 50 inches
Length 24.5 inches
width 13.5 inches.
Category
Late 19th Century Chinese Antique Antiques Associations Members Musical Instruments
Materials
Hardwood
Automaton Singing Birds
Located in Norwich, GB
Automaton Singing birds
Automaton singing birds housed in a gilded case standing on a stepped gilded base.
Three articulated singing bird...
Category
1950s British Vintage Antiques Associations Members Musical Instruments
Materials
Brass
Louis XVI Serinette in the Form of a Miniature Commode by Richard, Paris, 1775
Located in Brighton, West Sussex
A very rare Louis XVI period serinette or bird organ in the form of a transitional style gilt bronze mounted and marquetry inlaid miniature commode in the manner of gilbert, by Robert Richard, Paris.
With a label for ' RICHARD - maitre facteur d’orgues et mécanicien / Rue de richelieu à la bibliothèque Du Roy / Paris 1775'.
This rare Serinette or Bird Organ has a wooden cylinder barrel mounted by twelve pins and linked to twelve sound pipes. A crank attached to the front panel controls the bellows that activates the mechanism.
The exceptional marquetry inlaid case is in the form of a gilt bronze mounted transitional style miniature commode. The top of the commode is inlaid with a landscape scene with buildings, opening to an interior with an allegory of Love Conquering All, represented by two doves perching on a bow and quiver. The front of the commode depicts two obelisks centred by a Fine musical trophy and each side is inlaid with panels depicting the Medici Vase. The back of the commode is decorated with floral marquetry.
A closely related Serinette dating from circa 1770, also in the form of a miniature commode, with the marquetry case stamped by the master marqueteur Leonard Boudin, is in the collection of the Victoria & Albert Museum, London.
The term serinette is derived from serine, French for finch. The instrument worked like a small barrel organ with a barbed cylinder, wind box and lead pipes and produced a high, thin sound in imitation of birds. Other versions included a merline, which copied blackbirds and a turlutaine, which copied curlews. Used to teach caged birds to sing tunes, different barrels could be inserted to train different birds. It first appeared in France circa 1730 and became a popular drawing-room toy for fashionable women. An interesting painting commissioned in 1751 for Louis XV by Jean-Baptiste-Siméon Chardin and now in the collection of the Louvre, depicts a refined lady seated in her salon playing a bird organ to encourage her bird to sing.
Robert Richard
Robert Richard was a Parisian organ and harpsichord maker and the mécanicien du roi to Louis XV and Louis XVI and was based in the Bibliothèque du Roi in rue de Richelieu.
Initially working alongside the Cliquot family who acted as 'facteur d'orgue du Roi', he is recorded as building an organ for the church of Notre-Dame de Quebec, in Montreal in 1753 (destroyed in 1759) and as the inventor of a mechanical concert shown in an engraving by d'Eisen in 1769.
Canon Jean Marie De La Corne described Robert Richard as : ''Le plus habile ouvrier de paris, fameux mechanitien et Homme de probité''.
French, Dated 1775.
Literature:
Pierre Kjellberg, The French Furniture of the 17th century, The Editions of the Amateur, 2008
Count Francois de Salverte, Cabinetmakers of the 18th century, Editions of Art and History, 1934
Raymond Russell, Victoria and Albert Museum Catalogue of Musical Instruments, Volume I - Keyboard Instruments,(London, 1968; p. 69.)
Elizabeth Miller...
Category
Mid-18th Century French Louis XVI Antique Antiques Associations Members Musical Instruments
Materials
Wood
Asprey, Pair of Antique Silver Plate Music Stands, Made Circa 1910
By Asprey International Limited
Located in London, London
Made in London circa 1910 by Asprey & Co. Ltd., this stylish pair of Antique Silver Plate Music Stands, are plain in design. Each music stand measures 13.5"(34 cm) tall, by 13.5"(34 ...
Category
1910s English Edwardian Vintage Antiques Associations Members Musical Instruments
Materials
Silver Plate
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C. Bechstein Pianofortefabrik
C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein.
Before Bechstein
Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies.
C. Bechstein
C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany.
Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin
By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons.
In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos.
In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard.
The signature of Carl Bechstein
The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia.
Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons.
Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year.
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