Agustín Jorge Martínez Ramírez Art

Paint and gold paint on wood Circa early to mid 20th century. This is not signed A treasure from a proud congregation. It is a hand-carved wooden sculpture showing the Tablets of the Law flanked by two Lions of Judah. Their paws held the tablets. Their roaring mouths faced outward, protecting the commandments from threats. In a foliage design with gold and silver paint. Circa 1920-1940's. This Neoclassical, Judaic, Art Deco, Egyptian revival, Shul, Aron Kodesh hand carving, wood with gilding, Hebrew lettering ten commandments sign sculpture, was produced probably in New York. There was a show at the Folk Art Museum titled “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” That featured these antique magnificent pieces. From gilded lions to high-stepping horses, the sacred to the secular, and the Old World to the New, “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” traces the journey of Jewish woodcarvers and other artisans from Eastern and Central Europe to America and the unsung role they played in establishing a distinct Jewish culture in communities throughout the United States. The exuberant artworks stand as a testament to a history of survival and transformation and provide a surprising revelation of the link that was forged between the synagogue and the carousel as immigrant Jewish artists transferred symbolic visual elements into this vernacular American idiom. The first major study of this important aspect of the Jewish contribution to American folk art, the exhibition features approximately one hundred artworks and objects, including rare documentary photographs of Eastern European synagogue arks and carved gravestones, sacred carvings, papercuts, and carousel animals. Some of these same Jewish European carvers worked on Coney Island amusement park rides and carousel horses and other carnival and circus carvings.

Vintage French folk art, Early 19th century, painted wood wedding, hope or bridal chest, for the wedding of Charles Herbert Frederic and Corinne de Blaru in 1848. The names and dates...

Questa maschera guatemalteca del inizio del XX secolo, scolpita in legno e utilizzata per la danza della Riconquista (Baila de la Conquista) , raffigura vividamente un uomo europeo, ...

"Rainy Day" is a captivating original acrylic painting on canvas, enhanced with dimensional wood pieces for a unique textured effect. This stunning figurative artwork, influenced by ...

A delightful African maternity figure from the Lobi peoples of the Ivory Coast/Ghana. With a serene yet feisty expression, the mother is carry...

"Spring Meadow" is an original oil painting by Robert Richter. The artist signed, stamped his initials, and titled the piece on the back of the painting. This painting depicts an exp...

Vintage wood mask. The edge undulates and is lightweight. Date and artist unknown.

The inspiration for ’Tree Of Life’ came from a quilt I made for the ‘Quilt Art’ group exhibition ‘Moving On‘. The quilt was called ‘Black Hole’ (Mourning quilt) and describes the fee...

Steven H. Rehfeld (American, born 1954) 'Quantum Identities: The Tapestry of Consciousness' 2022 Oil paint, Tissue paper, Newsprint, Ripped canvas, Wood The artist signed the back of...

Early 19th century European folk art painted wood wedding, hope or bridal chest. A superb example of a European hope or wedding chest in remarkable condition Of characteristic dome ...

Edgy Dawn by Jan Coutts. A glimpse of two Zebra in a moment as they journey through the Savannah during the wet season in Africa. The wet season for zebras is a time of migration, bi...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...