Angelo Savelli Abstract Prints

utting a new spin on one of his favorite subjects, Léger here depicts tree trunks and logs as objects in space rather than related to the ground. The gnarled branches form an abstract still-life composition, twisting and turning in unanticipated directions. The earthy browns, greens, and yellows contrast with the bold black outlines. The logs appear as though arranged on a platter, presented to the viewer for contemplation. An intriguing aspect of this piece is the tiny box...

Ronald King Trooper II Year: 1970 Color Lithograph Size: 27.5x20.5in Edition: 50 Signed, inscribed and numbered by hand COA provided Ref.: 924802-1359 Bor...

Richard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 2 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 ...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Chevauchée - Rouge et Brun (M.541) ("Horse Ride - Red and Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left...

A very good impression of this lithograph on Arches Roll paper. Signed and numbered 25/35 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind...

“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...

Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...

A fine Raymond John 'Jack' Coutu (1924-2017) ARE, ARCA. color lithograph/ engraving. 'Tree Root'. 6th of a 50 handmade edition by the artist.. circa 1959. Well listed Modern Artist. Signed and presented in the original framing. Raymond John "Jack" Coutu ARE ARCA (13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art.Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School.[ On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore. At the end of WWII, he was in Kure, Japan, in the Hiroshima Prefecture. From 1947 to 1951, Coutu studied at the Farnham School of Art, followed by the Royal College of Art in London from 1951 to 1954 and the Central School of Art from 1951 to 1955. At the Central School of Art, Merlin Evans was an influence on Coutu's printmaking. Coutu taught printmaking at the Central School of Art from 1957 to 1965 and then at the West Surrey College of Art and Design in Farnham from 1965 to 1985. In 1968, he started to carve netsuke (as practised in Japan) and he joined the Netsuke Kenkyukai Society, based in the United StatesHe is also a member of the Royal Society of Painter-Etchers and Engravers and the Printmakers Council. Jack Coutu has exhibited at the Royal Academy in London, netsuke conventions, jointly with Michael Rothenstein...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. 1956 In storefront studio in Oakland, California, creates signed serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud, all faculty members of the art department at Northern Illinois University. 1986 Publishes Richard Hunt s Over Wisdom Bridge. 1987 Series IV of Plucked Chicken Press is published with works by Bustos, Archer, Martyl, Petersen, Smith, Gordon, Gadomski and Godfrey. 1990 Series V of Plucked Chicken Press is published with four floral lithographs by Winifred Godfrey...

Untitled (M.250) from the Album 19 suite is a lithograph on paper, image size 20 x 26.5 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower ri...