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Allan D'Arcangelo Abstract Prints

Allan D'Arcangelo was an American artist and printmaker. D'Arcangelo was born in Buffalo on June 16, 1930, to Italian immigrant parents. After earning a degree in history from the University of Buffalo, he moved to Mexico City where he studied art. In 1958, he held his first one-man show. His style, loosely termed Hard Edge or Constructivist Art, was based on spatial relationships. A keen sense of perception, complemented by expert use of color tones and shadows, points up these relationships in forceful compositions. It has been said that, “D'Arcangelo has the ability to defy, yet document, spatial relationships at the same time”. The recipient of 15 awards and commissions, D'Arcangelo had frequent one-man shows, many of which were in prominent museums throughout America. His selected exhibitions include, “American Landscape Painting” at Museum of Modern Art, “American Art Since 1945” at Museum of Modern Art, “Popular Imagery” in Sarah Lawrence College and “The Popular Image” at The Institute for Contemporary Art, were among some of them. D'Arcangelo passed away on December 17, 1998 in New York City due to complications with leukemia.

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Artist: Allan D'Arcangelo
14th New York Film Festival, Pop Art Screenprint by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
14th New York Film Festival Allan D’Arcangelo, American (1930–1998) Date: 1976 Screenprint, signed and numbered in pencil Edition of 107/144 Size: 40 x 59 in. (101.6 x 149.86 cm)
Category

1970s Abstract Geometric Allan D'Arcangelo Abstract Prints

Materials

Screen

Geometric Pop Art Silkscreen by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Untitled from Banner Year: 1968 Medium: Silkscreen on Card Stock Size: 7 x 7 inches Frame Size: 15 x 15 inches (Promotional ...
Category

1960s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Proposition, Pop Art Screenprint by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo (American, 1930-1998) Title: Proposition Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 30 in. x 26 in. (76.2 cm x 66.04 cm)
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Landscape, Pop Art Screenprint by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo (American, 1930-1998) Title: Landscape Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 28 in. x 22 in. (71.12 cm x 55.88 cm)
Category

1960s Op Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Resonance, Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Fairfield, CT
Artist: Allan D’Arcangelo (1930-1998) Title: Resonance Year: 1978 Edition: 98/150, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 26 inches Condition: Good Inscription: Si...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Peace, Pop Art Geometric Screenprint by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Peace Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 175 Size: 26 in. x 21 in. (66.04 cm x 53.34 cm) ...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Sky Bars, Pop Art Geometric Screenprint by Alan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Sky Bars Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150, T/P Image: 26.5 x 24 inches Paper Size: ...
Category

1970s Abstract Geometric Allan D'Arcangelo Abstract Prints

Materials

Screen

June, Pop Art Print by D'arcangelo 1969
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...
Category

1960s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Left Turn, Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Fairfield, CT
Artist: Allan D’Arcangelo (1930-1998) Title: Left Turn Year: 1979 Edition: 148/175, plus proofs Medium: Silkscreen on Arches paper Size: 34 x 26 inches Condition: Excellent Inscripti...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Yield from Homage to Picasso, Screenprint by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo Title: Yield from Homage to Picasso Year: 1973 Medium: Silkscreen, Signed and Numbered in Pencil Edition: 4/90 Size: 30 x 22 inches
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1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Mr. & Mrs. Moby Dick, Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Fairfield, CT
Artist: Allan D’Arcangelo (1930-1998) Title: Mr. & Mrs. Moby Dick Year: 1978 Edition: 75/150, plus proofs Medium: Silkscreen on Arches paper Size: 29 x 25 inches Condition: Good Insc...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Squared Star, Pop Abstract by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo (American, 1930-1998) Title: Squared Star Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 175, AP 30 Size: 30.5 in. x 26 in. (77.47 cm...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Left Turn, Screenprint by Allan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Pop art Screenprint by American artist Allan D'Arcangelo. Date: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 175 Size: 34 x 26 in. (86.36 x 66.04 cm)
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1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen

Caves, Pop Geometric Silkscreen by Alan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Caves Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: AP 30 Paper Size: 30.5 x 26 inches
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1970s Abstract Geometric Allan D'Arcangelo Abstract Prints

Materials

Screen

ARROW WITH RED END
By Allan D'Arcangelo 1
Located in Aventura, FL
Hand signed, dated and numbered lithograph. Sheet size 20 x 24 inches. Custom framed as pictured. From the edition of 100. Artwork is in excellent condition. Certificate of Authen...
Category

1960s Abstract Allan D'Arcangelo Abstract Prints

Materials

Paper, Lithograph

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Previously Available Items
Red Bridge
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Allan D'Arcangelo (1930-1998) Red Bridge, edition 120. Serigraph on Arches paper, 35 x 46 inches. Signed, dated and numbered in pencil, lower margins. Ship rolled in tube with glassi...
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U.S. Highway #1, Allan D'Arcangelo
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Beginning
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Landscape I from 11 Pop Artists by Allan D'Arcangelo
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Yield
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Artist: Allan D'Arcangelo (American, 1930-1998) Title: Yield Year: 1968 Medium: Silkscreen, signed and numbered in pencil Edition: 141/144 Size: 30 x 19.25 in. (76.2 x 48.9 cm)
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Descent from the Cross, Pop Geometric Silkscreen by Alan D'Arcangelo
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Resonance, Pop Geometric Silkscreen by Alan D'Arcangelo
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Resonance Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 150, T/P Image: 27 x 24 inches Paper Size: 30...
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Peace
By Allan D'Arcangelo 1
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Peace Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 30/175 Size: 26 in. x 21 in. (66.04 cm x 53.34 cm)
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1970s Pop Art Allan D'Arcangelo Abstract Prints

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Screen

Red Bridge
By Allan D'Arcangelo 1
Located in Wilton Manors, FL
Allan D'Arcangelo (1930-1998) Red Bridge, edition 120. Serigraph on Arches paper, 35 x 46 inches. Signed, dated and numbered in pencil, lower margins. Ship rolled in tube with glassi...
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Landscape 1 from 11 Pop Artists Series
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Located in San Francisco, CA
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Late 20th Century Pop Art Allan D'Arcangelo Abstract Prints

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Pop Art Abstract Road Sign American Hard Edged Silkscreen Screenprint
By Allan D'Arcangelo 1
Located in Surfside, FL
1976 hand pencil signed limited edition (AP XVII) on BFK Rives paper. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery, Los Angeles Galerie Ricke, Kassel, Germany, Obelisk Gallery, Boston, Minami Gallery, Tokyo, Württembergischer Kunstverein, Stuttgart, Germany Lambert Gallery, Paris Albright-Knox Art Gallery, Buffalo, Museum of Contemporary Art, Chicago, Marlborough GalleryPatricia Moore Gallery, Aspen, Colorado Hokin Gallery, Chicago Grace Borgenicht Gallery, Retrospettiva, Palazzina dei Giardini, Modena, Italy Mitchell Innes & Nash, Beyond Pop: Allan D'Arcangelo, Hollis Taggart Galleries, Garth Greenan Gallery, New York, Pi in the Sky, Waddington Custot, London, UK, Select Group Exhibitions Allan D'Arcangelo: Bilder und John Chamberlain: Plastiken, Galerie Rudolf Zwirner, Arakawa, Allan D'Arcangelo, Mark di Suervo, Robert Grosvenor, Anthony Magar, Neil Williams, Dwan Gallery, Los Angeles, American Painting Now, ACA Gallery, Boston Contemporary Drawings, New York University Pop Art Americana: D'Arcangelo, Jim Dine, Kelly, Lichtenstein, Claes Oldenburg, Phillips, Mel Ramos, James Rosenquist, George Segal, Warhol, John Wesley, Tom Wesselman, Galleria De' Foscherari, Bologna, Italy Frank O'Hara / In Memory of My Feelings, Museum of Modern Art, New York, Annual Exhibition of Contemporary American Painting Whitney Museum of American Art Beyond Literalism: An Exhibition of Painting and Sculpture by Allan D'Arcangelo, Charles Fahlen, Jack Krueger, Naoto Nakagawa...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Lithograph, Screen

Pop Art Abstract American Hard Edged Landscape with Bridge
By Allan D'Arcangelo 1
Located in Surfside, FL
1976 hand pencil signed limited edition (AP XVII) on BFK Rives paper. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery, Los Angeles Galerie Ricke, Kassel, Germany, Obelisk Gallery, Boston, Minami Gallery, Tokyo, Württembergischer Kunstverein, Stuttgart, Germany Lambert Gallery, Paris Albright-Knox Art Gallery, Buffalo, Museum of Contemporary Art, Chicago, Marlborough GalleryPatricia Moore Gallery, Aspen, Colorado Hokin Gallery, Chicago Grace Borgenicht Gallery, Retrospettiva, Palazzina dei Giardini, Modena, Italy Mitchell Innes & Nash, Beyond Pop: Allan D'Arcangelo, Hollis Taggart Galleries, Garth Greenan Gallery, New York, Pi in the Sky, Waddington Custot, London, UK, Select Group Exhibitions Allan D'Arcangelo: Bilder und John Chamberlain: Plastiken, Galerie Rudolf Zwirner, Arakawa, Allan D'Arcangelo, Mark di Suervo, Robert Grosvenor, Anthony Magar, Neil Williams, Dwan Gallery, Los Angeles, American Painting Now, ACA Gallery, Boston Contemporary Drawings, New York University Pop Art Americana: D'Arcangelo, Jim Dine, Kelly, Lichtenstein, Claes Oldenburg, Phillips, Mel Ramos, James Rosenquist, George Segal, Warhol, John Wesley, Tom Wesselman, Galleria De' Foscherari, Bologna, Italy Frank O'Hara / In Memory of My Feelings, Museum of Modern Art, New York, Annual Exhibition of Contemporary American Painting Whitney Museum of American Art Beyond Literalism: An Exhibition of Painting and Sculpture by Allan D'Arcangelo, Charles Fahlen, Jack Krueger, Naoto Nakagawa...
Category

1970s Pop Art Allan D'Arcangelo Abstract Prints

Materials

Screen, Lithograph

Allan D'arcangelo abstract prints for sale on 1stDibs.

Find a wide variety of authentic Allan D'Arcangelo abstract prints available for sale on 1stDibs. If you’re browsing the collection of abstract prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, green and other colors. You can also browse by medium to find art by Allan D'Arcangelo in screen print, lithograph, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Pop Art style. Not every interior allows for large Allan D'Arcangelo abstract prints, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of Joe Tilson, Harvey Daniels, and Larry Rivers. Allan D'Arcangelo abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $216 and tops out at $6,000, while the average work can sell for $1,068.

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