Anne Youkeles Abstract Drawings and Watercolors

TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...

James Balla Untitled gouache painting, 1992 Mixed Media Oil on Linen Signed and dated on the front of the work; the verso of the frame bears the UFO (Albert Merola) gallery label. F...

James Siena "This is for Nadine", signed drawing, 2005 Original drawing done in black marker, bound in the title page of softcover PACE Gallery catalogue with stiff wraps hand signe...

"Crescent Rose" Mixed Media Handmade Paper Watercolor Abstract by Bruce Weinberg Soft lavenders, magentas and gray tones highlighted with purple thread and sheets of gold leaf mingle to create a soft and lovely abstract on handmade paper by California artist Bruce Weinberg (American, 1942-1994). Image is floated on a silk background. Pencil signed and dated "Bruce Weinberg 1980" lower right. Pencil signed title "Crescent Rose" lower left. Displayed in a giltwood frame with spacer. Image size: 24"H x 35"L. Framed size: 31"H x 43"W x 2"D. Bruce Weinberg was a long time resident of the San Francisco Bay Area. He studied Interior Design at the Philadelphia College of Art and Architectural Space Planning at Temple University. During the 1970s he studied printmaking and drawing at San Francisco's Fort Mason...

Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...

This captivating watercolor and ink abstract composition by Herbert Bayer (1900-1985) features dynamic shapes in brown, orange, and blue, framed by bold black parallel lines. The wor...

Notations P, 2007, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear ele...

Changing Perceptions 2, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of rectangular ...

Continuation 4, 2013, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear...

Larry Zox (1937-2006) was a central figure in the evolution of 20th century abstraction in America. Raised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went on to work under the tutelage of modernist Georg Grosz at the Des Moines Art Centre. Zox moved to New York City and established his reputation by the mid 1960's. His studio was located on 20th Street and he was surrounded and inspired by a melting pot of jazz artists, bikers, and boxers. Zox was one of the most successful practitioners of hard-edge or geometric abstraction and not surprisingly was championed by Frank Stella, amongst others. By the mid 1960's, Zox arrived at his most recognized style, utilizing hard-edge shapes in bold colors to create geometric patterns, which were often realized on raw canvas. Zox's hard-edge geometric creations from the late 1960's and early 1970's are arguably the most recognizable works from his oeuvre. Fittingly he had a retrospective at the Whitney Museum in 1973, that focused on such work. Today, numerous museums including the Whitney, the MoMA, the Tate and the Metropolitan all have examples of his work from this era in their permanent collections. While Zox is not directly associated with the Op Art movement, many of his works by nature of their patterns and colors create visual illusions in dimensionality. In "Mosaic" the kelly green band that intersect the composition helps give the overall work an appearance of a slanted stair. Frequently the artist seems to be inviting the viewer to find pattern within the work. In "Mosaic" we have both areas of synergy and dissonance. Can you find them? Questions about this piece? Contact us! Teal Top...

Larry Zox (1937-2006) was a central figure in the evolution of 20th century abstraction in America. Raised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went o...