Anthony Gibbs Animal Paintings

Eurasian woodcock wading in a Stream by Thure Wallner, Signed Th. Wallner, oil on panel. This charming small painting by Thure Wallner depicts an Eurasian woodcock wading in the flowing waters of a stream or brook. The bird is depicted navigating the shallow current in front of a large moss-covered stone, adding a sense of natural depth and tranquility to the composition. The soft, earthy tones and the movement of the water contribute to the atmospheric quality of the scene. Thure Vilhelm Wallner (1888–1965) was a Swedish painter and illustrator known for his meticulous depictions of Nordic wildlife and landscapes. He developed an early passion for drawing and painting, receiving private lessons from Artur Bianchini. Around 1910, he furthered his studies at Althins school of painting in Stockholm. Wallner suffered from poor health throughout his life, which led to isolation from other children. To occupy himself, he copied nature and animal studies from magazines, which later influenced his artistic direction. His first known work, a still life, was created in 1903. Over the years, he refined his technique, taking early inspiration from Bruno Liljefors, though his own style became highly detailed and realistic, with a deep focus on nature and wildlife. He primarily painted Swedish fauna and landscapes, particularly from Sörmland and the Swedish mountain...

Surrealist naturalistic jungle landscape painting by wildlife artist Bo Newell. The work features a pair of jaguars emerging from a picture of dense jungle foliage. Signed in the fro...

One wonderful thing about this painting is its light. It’s pitch-perfect: if it were a tad darker, it would be gloomy; a tad lighter, and it there would be less to discover. The joy ...

A female and male Goosander bird on ice floes. In the center, a small opening in ice covered waters. This painting, by Christian Berg (1893-1976) is quite interesting and unusual for...

John Trickett. English ( b.1952 ). Black Labrador. Oil On Board. Signed Lower Right. Image size 13.2 inches x 9.3 inches ( 33.5cm x 23.5cm ). Frame size 18.3 inches x 14.6 inches (...

An oil painting of a large octopus on a natural-colored ground. Painted from direct observation, in the style of classical realism. Framed in a simple 3-inch rustic wood frame w gold...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

This painting, created by the Swedish artist Georg Stoopendaal (1866–1953), captures a cherished Nordic tradition: a "julkärve" or Christmas sheaf. The sheaf, made of grain and hung ...

Clemens Freitag German, 1882/83-1969 Winter Landscape With Deer Oil on canvas 35 by 50 in. W/frame 45 by 60 in. Signed lower right Landscape and...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

Modern naturalistic portrait painting by well-known Houston-based artist Herb Mears. The work features a detailed rendering of a jockey wearing a yellow and blue outfit standing next to his wife and a young lion. Signed by the artist in the front lower right corner. Retains the original DuBose Gallery label on the reverse. Currently hung in a complementary frame. Dimensions Without Frame: H 48 in. x W 54 in. Artist Biography: Born in New York City in 1923, Herb Mears was interested in art from a young age. He studied under Fernand Leger in Paris and went on to paint and study in various studios in France and Italy before his arrival in Houston in 1951. With colleague David Adickes, whom he had met in Paris, Mears decided to open an art school. Their Studio of Contemporary Arts finally settled in an old building on Main Street with Mears and Adickes hoping to give classes to potential students. However money was tight and Mears found himself as a draftsman for Houston Lighting and Power Company, a job he excelled at and enjoyed. Later, Mears was involved in the Contemporary Arts Association, frequently making trips to ensure security in addition to enjoying the art scene the Association provided. From the CAA to the Art League of Houston and the Museum of Fine Arts, Mears began to gain recognition. An abstract, or non-objective piece as he called it, won a prize at a competition held by the Museum of Fine Arts, earning him a teaching position at the Museum School. Mears also taught at the Contemporary Arts Museum, University of Houston...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)