Elisée Maclet Still-life Paintings

Josep Puigdengolas Barella (1906-1987) - Still Life - Oil on canvas Oil measures 89x116 cm. Frameless Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape ...

Frame size 75x55 cm. Contemporary Barcelona painter. She began to present her work on the occasion of the Women's Salons held in her city in 1949 and 1950 (Casa del Libro). He also ...

Maurice Asselin (1882-1947) A Bunch of anemones and daffodils in a vase Signed lower left Oil on canvas In good condition 36 x 31 cm In its original frame : 51 x 46 cm Maurice As...

"Duo of Colorful Seaweed" is an acrylic painting on high-quality watercolor paper of minimal botanical algae, drawn and painted in the style of Henry Matisse...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...

Signed lower right, 'S. L. Kramer' (American, 20th century) and painted circa 1960. A mid-century, oil still-life showing a bouquet of spring flowers informally arranged in a glass ...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Signed on old label, verso, 'Anthony Cooper' (Lithuanian-American, 1907-1992), titled, 'Spring Bouquet' and painted circa 1955. Antanas Skupas, also kn...

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild.

Artist/ School: Robert Sales, French second half 20th century, signed Title: Still Life Medium: oil painting on canvas, unframed Size: painting: 28.75 x 23.75 inches Provenance: ...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

Early Twentieth Century Newlyn School Painting of Still Life with Lobster and Wine Glass set on a Table, Large Framed Oil Painting. This painting by Wolseley is a marvellous study i...