Frank T. Carter Paintings
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Artist: Frank T. Carter
Frank T. Carter (1853-1934) - 20th Century Oil, Windswept Moorland
By Frank T. Carter
Located in Corsham, GB
This atmospheric landscape painting captures a dramatic sky filled with rolling clouds above an expansive moorland vista. Inscribed with artist name verso. Presented in a swept gesso...
Category
20th Century Frank T. Carter Paintings
Materials
Oil
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Frank T Carter paintings for sale on 1stDibs.
Find a wide variety of authentic Frank T Carter paintings available for sale on 1stDibs. Customers who are interested in this artist might also find the work of Jonathan Shearer, Muriel Archer, and John Frederick Herring Jr..
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- Who was Frank Stella's father?1 Answer1stDibs ExpertOctober 24, 2024Frank Stella's father was also named Frank. Although he worked as a gynecologist, the elder Frank Stella was an art lover and fostered his son's love of painting. Stella's mother, Constance, attended art school and was a landscape painter. On 1stDibs, explore a variety of Frank Stella art from some of the world's top galleries and dealers.
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- 1stDibs ExpertOctober 24, 2024Frank Stella went to college at Princeton University, earning a bachelor of arts from the institution. While there, he studied art and color theory with Josef Albers and Hans Hofmann. Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s. After moving to New York in 1958, Stella gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns. On 1stDibs, shop a collection of Frank Stella art.
- 1stDibs ExpertOctober 24, 2024Frank Stella used a variety of techniques. The American artist eschewed sketches for his paintings and often used nontraditional materials, like house paint. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions. Following a solo show at the Museum of Modern Art in New York in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could be considered wall-mounted sculptures. Stella’s 1970–73 “Polish Village” series was inspired by documentary photographs and architectural drawings of Polish synagogues that had been destroyed by the Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series. Herman Melville's Moby-Dick was Stella's muse for a series of three-dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids played a prominent role. During this period, Stella embraced a new, exuberant style exemplified in his piece La Scienza della Fiacca. In addition to paintings and sculptural works, the artist also produced prints using lithography, serigraphy, etching and offset lithography techniques. Explore an assortment of Frank Stella art on 1stDibs.
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- 1stDibs ExpertAugust 29, 2024Frank Stella influenced art by encouraging the spread of Minimalism, an extreme form of abstraction that focuses on forms rather than meaning. Through his work, Stella challenged the notion that art must be a representation of something else. He believed that the art itself was the only true meaning of a piece. His philosophy influenced other artists and architects, such as Frank Gehry, Timothy App and Carl Andre. On 1stDibs, shop a range of Frank Stella art.
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- 1stDibs ExpertMay 7, 2024Frank Stella (1936–2024) made paintings, prints and sculptures. One of the central figures in postwar American art, Stella was a proponent of minimalism and non-representational abstraction. His famous works include Sinjerli Variation IV, Harran II and his “Eccentric Polygon” series.
Stella burst onto the scene barely out of college with his “Black Paintings,” sober geometric studies composed of wide black stripes separated by chalky white lines. These won him inclusion in “16 Americans,” the famed 1959–60 group show at New York’s Museum of Modern Art. He stayed at the forefront of art, working with famed gallerist Leo Castelli, relentlessly pursuing geometric form and never repeating himself.
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