Hrair Diarbekirian Mixed Media

Costume is an original painting in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos. Very good conditions. Signed by artist's stamp....

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

Beautiful abstract expressionist collage by Bay Area artist Michael Pauker (American, b.1957). Composed of two contrasting sections of teal and yellow-brown, this piece has layers of...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 18 x 20 inches. Artwork size 12 x 13.75 inches...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 19.5 x 21 inches. Artwork size 12 x 13.50 inche...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Emilio Tadini (1927-2002) Original Collage, Gouache and Watercolor painting. Dimensions: 41 X 29.5. framed. 39.75 X 28 artwork Emilio Tadini (1927 – 2002 ) was an Italian painter,...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

Alan Partridge's Bleeding Heart - Abstract Expressionism Double-sided artwork: Backside abstract expressionism represents a dancer in a coral dress A subdued abstract painting in r...

Subaquatic Canyon - Abstract Expressionist on Paper Abstract in bold blue and red with textures created by salt in India ink and watercolor, by California-based artist Ricardo de Silva (Brazilian, 20th Century). Bonus sketch on verso of a person's face, perhaps a self-portrait of the artist. Unsigned, but was acquired with a collection of the artist's work. Paper size: 17.75"H x 12"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...