Lucien Mainssieux Prints and Multiples

Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...

Shungo Sekiguchi, (Japanese, 1911-2002): Lithograph in color on Rives paper Hand signed in pencil lower right, hand numbered It appears to be the village of Montmarte in Paris T...

Artist: Marc Chagall Title: Vision of Paris Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 22" x 19" Image Size: 12 1/2" x 9 1/2" Sh...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...

Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...

“After Matisse” La Chute d’Icare, pochoir, from Verve, Vol. IV, No. 13, “De la couleur” Éditions de la Revue Verve, Paris 1945. An unsigned and unnumber...

Maurice MARINOT (after) Montmartre : Dancing in Moulin de la Galette Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) ...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 74x52 cm. Frameless. Numbered 121/150 Barcelona, 1953 Painter, s...

Artist’s in-plate monogram lower left

Artist: Henri Matisse (after) Title: La Tristesse du Roi (The Sadness of the King) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: ...

Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...

Marie Laurencin (French, 1883-1956) Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle, Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame. Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...