Marc Quinn Photography

Isabelle Schneider's meditative works converge shadows and light reflections. Her mixed-media Throughline #4, 2024 is a contemporary photographic resin work, capturing a peaceful sum...

June, 2025 by Isabelle Schneider is a contemporary photographic mixed-media work, focusing on a serene day in June. The reflections of white clouds and bright green tree leaves agai...

The contemporary work on paper is both art and photography, highlighting color fields. Tell Me A Story I, 2025 by Roberta Fineberg (RF) is 16 x 16in on Hahnemuhle paper, an origina...

Branching, 2025 by Isabelle Schneider is a contemporary photographic resin work. Branches and fragments of deep blue sky are reflected on a window shade, with soft light illuminating...

Very last of the "Falcon" edition available! Emerson has pioneered a technique of printing with delicate charcoal powders, which give the image a softne...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints formed into a collage mounted on a stretched canvas. Printed November 1989. Mounted December 1989. dated lower left. Includes protective canvas slip covering. Size: 81"H x 72"W (205.74 cm x 182.88 cm). Provenance: Bass Museum, Miami Beach, Florida This was exhibited at the Norton Museum in Palm Beach and Bears their exhibition label verso. Rafael Salazar (Cuban- American photographer) was born in Cuba in 1945 and has been a South Florida resident since 1965. He has photographed the development of the City of Miami as well as Miami’s budding art scene over the years. He is primarily known for his panoramic photographs and photo assemblage montages which have both a documentary quality to them but are full of enchantment and depth. Of great importance to him is the preservation on film of art works, especially those of a transitory nature, this has led him to photograph two of Christo and Jeanne-Claude projects; Miami’s Surrounded Islands and the Pont Neuf in Paris. He has also documented the works of Fernando García, Ed Ruscha, and Philip Johnson. His work draws inspiration from his love of the cosmos, spirituality, architecture, Eastern philosophy, and nature. He has been exhibiting his fine art both nationally and internationally for many years. Salazar’s images have earned him a reputation as an innovative and sensitive artist. He has close ties with the Miami-Dade Public Library System and photographed much of the development of Main Library as well as the early exhibitions and events held there. He photographed the library’s Artmobile, painted by New York Realist artist Lowell Nesbitt, an art gallery on wheels decorated with zebra patterns and native flowers that was in service from 1976 until 1992. He also documented the Grand Opening Celebration of the Metro-Dade Cultural Center held in 1986. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. "Fact and Fiction: The State of Florida Photography...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

Brigitte Bardot Large edition Charcoal and black glitter Screen print on 300 gsm Somerset Satin Paper Edition of 10 Price is for unframed, we are happy to coordinate framing for this piece at an extra cost. This new larger ‘Sparkle edition’ Brigitte Bardot is limited to just 10 and will create an impact on any wall. Originally released as a smaller print, it was dubbed ‘Beautiful, original and certainly collectable’ in the Sunday Times Style Magazine ‘, and was an instant sell out. The print features Emerson’s signature elongated figure combined with a delicate textural surface, which combines a unique black glitter and charcoal powder finish. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Silkscreen in 7 colors with diamond dust 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. F...

BANNED Finished Dimensions: 43.5''x33.5''x1.5" Grease Pencil on 40"x30" Photograph mounted on acid-free foamboard Unique Very hard to photograph due to paper shine & grease pencil s...

Digital phone art collage Available in two sizes: 24 x 36 in 36 x 48 in Robert Fleischman is a recording artist/singer songwriter/producer who played...

Muntadas 6 Mai 1994, 1994 Photo silkscreen 33 x 13 1/2 inches (image) 43 3/16 x 31 1/8 inches (frame) Edition 37 of 75 Signed