Max Weber Art
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The Staring Figures
By Max Weber
Located in New York, NY
The Staring Figures by Max Weber (1881-1961)
Ink, pencil, and watercolor on paper
10 ½ x 7 ½ inches unframed (26.67 x 19.05 cm)
16 ½ x 11 ½ inches framed (41.91 x 29.21 cm)
Descript...
Category
20th Century Max Weber Art
Materials
Pencil, Ink, Watercolor
Summer, 1910
By Max Weber
Located in Miami, FL
Complex study of nude figures grouping in landscape. Weber works in watercolor and pen with an electric brushstroke. Perhaps a study or a continuation for his major oil. Summer...
Category
Early 1900s Cubist Max Weber Art
Materials
Ink, Watercolor
Parisian Model
By Max Weber
Located in Palm Desert, CA
"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches.
"Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style.
Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly.
Provenance:
Estate of the Artist
Gerald Peters Gallery...
Category
Early 20th Century American Modern Max Weber Art
Materials
Canvas, Oil
original lithograph
By Max Weber
Located in Henderson, NV
Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...
Category
1950s Max Weber Art
Materials
Lithograph
Max Weber Woodcut Print from "Primitives" Poetry Book Signed
By Max Weber
Located in Detroit, MI
ONE WEEK ONLY SALE
This woodcut print is an expressionist print on one of the poems from Max Weber's poetry collection "Primitives: Poems and Woodcuts". This work is signed in penci...
Category
1920s Expressionist Max Weber Art
Materials
Woodcut
"Still Life" original lithograph
By Max Weber
Located in Henderson, NV
Medium: original lithograph. Printed in 1930 in an edition of 250 and published in New York by The Downtown Gallery. Size: 10 x 6 3/4 inches (252 x 172 mm). Signed in the plate; not ...
Category
1930s Max Weber Art
Materials
Lithograph
The Cocktail
By Max Weber
Located in Greenwich, CT
Max Weber was a Russian-born Jewish-American painter best known for introducing Cubism to the United States. Weber’s abstracted depictions of interiors, landscapes, and portraits, we...
Category
1910s Abstract Max Weber Art
Materials
Paper, Pastel
American Modernist Cubist Lithograph Screenprint "Reclining Woman" Max Weber
By Max Weber
Located in Surfside, FL
Reclining Cubist Nude Woman
Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman.
Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913.
In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States.
In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show."
The Cellist...
Category
Mid-20th Century Cubist Max Weber Art
Materials
Screen
Invocation
By Max Weber
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1
Invocation- – 1919-20, Color Woodcut.
Rubenstein 27. Proofs only. Signed in pencil.
Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category
1910s Cubist Max Weber Art
Materials
Woodcut
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Max Weber Art
Materials
Woodcut
Max Weber, Figure
By Max Weber
Located in New York, NY
One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...
Category
Early 20th Century Modern Max Weber Art
Materials
Woodcut
Padua near Venice
By Max Weber
Located in New York, NY
Equestrian Statue by Donatello- Padua near Venice, 1907, by Max Weber (1881-1961)
Ink wash and blue chalk on paper
4 x 5 inches unframed (10.16 x 12.7 cm)
10 ¾ x 12 ⅞ inches framed...
Category
Early 20th Century Post-Modern Max Weber Art
Materials
Chalk, Ink
Spring - American Cubism
By Max Weber
Located in Miami, FL
Cubist influence mixed with soft warm colors is on full display in this charming work.
Signed twice.
6 Gallery Tags on verso
Sotheby's
Kennedy Galleries
Barbara Mathes Gallery
Sid Deutsch Gallery
The Downtown Gallery
University of Arizona Art...
Category
1910s Cubist Max Weber Art
Materials
Pastel
Nude on Chair
By Max Weber
Located in Miami, FL
Heavy impasto pained in alla prima ( Wet-on-wet ) technique. Layer of damar varnish. Frame burn, On Masonite. Unframed
Signature: Signed Max Weber upper left.
Category
1940s Cubist Max Weber Art
Materials
Oil
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Previously Available Items
Nude Woman with Arm Upraised — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Nude Woman with Arm Upraised', linoleum cut, 1930-32, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 42. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (2 5/8 to 3 7/8 inches), in excellent condition. Image size 5 7/8 x 2 11/16 inches (149 x 68 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Matted to museum standards, unframed. Scarce.
Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints.
Collections: Detroit Institute of Arts, Library of Congress, National Gallery of Art, Los Angeles County Museum of Art, Philadelphia Museum of Art.
ABOUT THE ARTIST
"To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber
Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament.
Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905.
He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
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1920s Expressionist Max Weber Art
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Woodcut
Primitive Figure — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Primitive Figure', woodcut, 1921-25, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 40. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (1 1/8 to 3 inches), in excellent condition. This work features prominently in the artist's woodcut oeuvre in its relatively large scale: image size 9 15/16 x 3 1/16 inches (252 x 78 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Scarce. Matted to museum standards, unframed.
Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints.
Collections: Art Institute of Chicago, Detroit Institute of Arts, National Gallery of Art, Museum of Modern Art, Philadelphia Museum of Art, Los Angeles County Museum of Art, Whitney Museum of American Art.
ABOUT MAX WEBER'S RELIEF PRINTS
"In summary, Weber’s relief prints cannot be called just primitives or cubist forms. No single stylistic term is a satisfactory label. Collectively they suggest some common denominators: independence from academic traditions, interest in the element of design rather optical realism, simplicity and unpretentiousness in execution, craftlike tradition underlying their formulation and the desire to eschew the exactitude and dryness of wood engraving for the imprecision and painterly of hand-blocked work. The work was not a conscious effort at naiveté or lack of sophistication; on the contrary it was an attempt to approach the origins of art.
"In an age which has seen the machine take the feeling of material from the hands of man, these relief prints describe a spirit of craftsmanship and an originality of abstract design that is unique to Max Weber’s artistic oeuvre, to American art, and to the tradition of relief printing."
— Daryl R. Rubenstein, 'Max Weber, A Catalogue Raisonné of His Graphic Work', The University of Chicago Press, 1980.
ABOUT THE ARTIST
"To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber
Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament.
Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905.
He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
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1920s Expressionist Max Weber Art
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Nude with Upraised Arms
By Max Weber
Located in Fairlawn, OH
Nude with Upraised Arms
Honeycomb-basswood relief print, 1919-1920
Unsigned as usual for this edition
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual ...
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American Modernist Cubist Color Screenprint - "Reclining Woman" Max Weber
By Max Weber
Located in Surfside, FL
Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman.
Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913.
In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce...
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Mid-20th Century Cubist Max Weber Art
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Dancing Nudes
By Max Weber
Located in Fairlawn, OH
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publishe...
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1910s Cubist Max Weber Art
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Woodcut
Mother and Child
By Max Weber
Located in Fairlawn, OH
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
Note: Many of the images are influenced by Picasso, Matisse, Gauguin and other important European artists of the time. He was a friend and advocate of Henri Rousseau, along with Picasso. He exhibited at Stieglitz’s 291 Gallery. Weber’s work was admired and collected
by the famous photographers, Alvin Langdon...
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1910s American Modern Max Weber Art
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Woodcut
Figure
By Max Weber
Located in Fairlawn, OH
Unsigned (as usual for this edition)
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
Heavily inspired by Picasso, his friend and mentor
Note: Many of the images are influenced by Picasso, Matisse, Gauguin and other important European artists of the time. He was a friend and advocate of Henri Rousseau, along with Picasso. He exhibited at Stieglitz’s 291 Gallery. Weber’s work was admired and collected
by the famous photographers, Alvin Langdon Coburn...
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1910s Cubist Max Weber Art
Materials
Woodcut
Primitives, Poems and Woodcuts.
By Max Weber
Located in New York, NY
WEBER, Max. Primitives, Poems and Woodcuts. [36] pp. Illustrated with 11 woodcuts by Weber. 8vo., bound in publisher's original decorated boards in a new gray cloth folding box, ...
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1920s Cubist Max Weber Art
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Paper
Head
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Head', woodcut, 1919-1920, edition unknown, Rubenstein 21. Signed in pencil. A fine impression, on cream wove Japan paper, with wide margins (1 1/2 to 2 1/2 inches); slig...
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Early 20th Century Expressionist Max Weber Art
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Woodcut
Mother Love (Madonna and Child)
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition unknown, Rubenstein 35. Signed in pencil. A fine, well-inked impression, on cream wov...
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1920s Expressionist Max Weber Art
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“Portrait of a Hasidic”
By Max Weber
Located in Southampton, NY
Watercolor and oil pastel on paper by the well known American artist, Max Weber. Circa 1945. Signed in pencil lower right. Condition: Excellent. Provenance: Hertz Gallery, Lawrenc...
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Max Weber, an American Cubist in Paris and London, 1905-1915
By Max Weber, David J. Glasser
Located in London, GB
First edition published by Ben Uri & Lund Humphries, 2014
A biographical monograph of the life and work of Jewish-American painter Max Weber during the 10 years he spent in Paris and London. Weber immersed himself in the Paris art scene, befriending Rousseau, Matisse, Picasso and many other prominent figures of the era, but his paintings were not short of critics, and Weber struggled for many years for true recognition. There are numerous full color reproductions of Weber’s influential works, and pieces from his contemporaries. With an introduction by David J Glasser, and essays from Sarah MacDougall, Percy North, Nancy Ireson, Anna Gruetzner, Lionel Kelly and Pamela G Roberts...
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Max Weber art for sale on 1stDibs.
Find a wide variety of authentic Max Weber art available for sale on 1stDibs. You can also browse by medium to find art by Max Weber in woodcut print, ink, paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Max Weber art, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of André Lhote, Léopold Survage, and Miette Braive. Max Weber art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $215,000, while the average work can sell for $7,500.