Erich Heckel Art

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx in a bespoke cardboard box ...

Beautiful watercolor of London Bridge in Lake Havasu City, Arizona, a landscape of boats in the harbor by Bernard Epstein (Polish/American, 1910-2003). Presented in a blue wooden frame. Signed "Bernard Epstein" lower right. Image: 17.5"H x 23.5"W. Bernard Epstein was born in Grodno Poland in 1910. He came to Worcester MA in 1921, where he studied art at the Worcester Art Museum School. He pursued his art studies in Boston, graduating with a B.A. from Massachusetts College of Art in Boston and with a Master’s Degree in Fine Arts from Boston University. He continued his art studies in New York, where he attended the National Academy of Fine Arts in New York City, studying under the tutelage of Leon Kroll and Herbert Barnett. (2) He was the Art supervisor for the Uxbridge Public Schools for over 30 years, retiring in 1970 to pursue his interest in watercolors, oils and pottery. He opened an art gallery and pottery shop in North Eastham, MA that he operated for 26 years, retiring in 1996. (3) For over 50 years Mr. Epstein painted in his favorite haunts: Gloucester, Worcester, Provincetown and Lower Cape in MA; Old Orchard Beach...

Campendonk, Heinrich. SITZENDER HARLEKIN. Engels/Sohn 59. Woodcut, 1922. 15 x 11 3/8 inches; 380 x 290 mm. Signed in pencil. In Excellent condition. Framed.

Original Vintage Poster by the Austrian artist Ferdinand Ludwig Graf, a member of the Hagenbund. This Viennese artist association moved as soon a...

Oscar M. Dominguez (1906-1957) Surrealist still life in front of a window. Lithograph on paper. The piece is signed lower left in pencil, Dominguez and an edition of 137/200. Blind s...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Antique Greek Amphorae with Classical Figures Double-Page Lithograph, 1883 Original antique color lithograph depicting two elaborately decorated ancient Greek amphorae, published in...

Edvard MUNCH (1863 - 1944) The Scream Lithograph Signed on the plate Proof, HC On Arches vellum, 65 x 50 cm (c. 25.6 x 19.7 in) INFORMATION: Published by Art.Paris based on the ori...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

"Narrow is the Way Which Leads" is an original watercolor on paper by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a forest in fall. 11" x 15" art Co...

Signed by the artist and numbered 49/50 lower left in pencil. Color lithograph on mauve Wookey Hole handmade waterleaf paper. This print features the encounter between an alluring ...

Offered here is a compelling later impression of one of Rembrandt’s most intimate biblical subjects, Christ Between His Parents, Returning from the Temple. Executed originally in 1654, the composition captures the youthful Christ walking between Mary and Joseph following the episode in Jerusalem, rendered with remarkable psychological nuance and economy of line. This impression was printed in the early nineteenth century from Rembrandt’s original copperplate and is accompanied by a historical letter attesting to its authenticity and dating. The letter states in part: “In my opinion and to the best of my knowledge, the etching presented to me by Antonio’s Collection and entitled Rembrandt E van RIJM is an authentic Rembrandt etching made from the plates owned by the Museum of Amsterdam. It is probably an etching third state and would date approximately 1820.” The reference to plates held by the Rijksmuseum situates this impression within the long tradition of posthumous printings drawn from Rembrandt’s original matrices—objects that have been preserved, studied, and occasionally re-inked for carefully supervised editions. With its rich burr, velvety shadows, and expressive linear handling, this impression remains faithful to the master’s conception while offering collectors the opportunity to acquire an authentic Rembrandt etching from a later, historically significant printing. Like many of Rembrandt’s etched works, Christ Between His Parents, Returning from the Temple exists in several states, meaning the copperplate was altered over time as the artist reworked details, added lines, or strengthened passages of shadow. First State (1654) The earliest impressions are prized for their freshness and painterly light effects, with delicate burr and subtle modeling in the figures’ garments and faces. These are rare and typically reside in museum collections. Subsequent States Later states reflect adjustments to shading, contours, and background architecture—often deepening contrasts or clarifying forms as Rembrandt refined the narrative focus of the scene. Third State (circa 1820) By the early nineteenth century, impressions were occasionally pulled from the preserved original plates, producing prints that retain the fully developed image while often showing slightly firmer lines and less burr than seventeenth-century impressions. Such examples are historically important, documenting the continued reverence for Rembrandt’s graphic work and the custodial role of European institutions in safeguarding his plates. The accompanying letter provides valuable documentary support, linking this impression to early twentieth-century scholarship and reinforcing its status as an authentic pull from Rembrandt’s plate...

Hand signed in pencil, woodblock print woodcut. Jacob Steinhardt 1887-1968 Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote,...

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...