Skip to main content

Benny Andrews Art

American, 1930-2006

Using an innovative technique he called “rough collage,” Benny Andrews created vivid portraits of everyday people that mixed painting with pieces of clothing and other textural materials.

Andrews grew up in a family of sharecroppers in rural Georgia, his creativity nurtured by his father, who was a self-taught artist, and his mother, who believed in the importance of education. He was the first in his family to complete high school and attended Fort Valley State College on a 4-H Club scholarship. Andrews was limited by the lack of art courses available to him at Fort Valley, and in 1950 he enlisted in the Air Force and served in the Korean War. On the G.I. Bill, he studied at the School of the Art Institute of Chicago (SAIC). While fellow students focused on Abstract Expressionism, Andrews developed his own expressive style; one of his earliest portraits was of the janitors at SAIC. After he graduated in 1958, he moved to New York. ​​Andrews’s first solo show was in 1960 at Paul Kessler Gallery in Provincetown, Massachusetts.

Visibility and social justice were at the forefront of Benny Andrews’s paintings, which meditated on scenes of daily life, drawing on memories of the artist’s childhood in the South. His subjects included his family members as well as other artists, such as Alice Neel, Norman Lewis and Howardena Pindell.

A longtime educator, including for three decades at New York’s Queens College, Andrews avidly promoted opportunities for Black artists, such as cofounding with Clifford R. Joseph the Black Emergency Cultural Coalition in 1969, which advocated for inclusion in museum exhibitions. One of his final works —completed between 2004 and 2006 — was the Migrant Series in which he retraced the forced relocation of Indigenous people on the Trail of Tears, the Dust Bowl migration and the displacement of Hurricane Katrina survivors.

Andrews’s work has continued to garner acclaim after his death in 2006, with posthumous exhibitions including “Benny Andrews: Portraits, a Real Person Before the Eyes” at Michael Rosenfeld Gallery in New York in 2020.

Find Benny Andrews art on 1stDibs.

to
7
16
10
9
6
6
6
3
Composition, Everything That Rises Must Converge
Composition, Everything That Rises Must Converge

Composition, Everything That Rises Must Converge

By Benny Andrews

Located in Southampton, NY

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Category

Early 2000s Expressionist Benny Andrews Art

Materials

Etching

Moving On, Lithograph by Benny Andrews
Moving On, Lithograph by Benny Andrews

Moving On, Lithograph by Benny Andrews

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Moving On Year: 1980 Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil Edition: 275 Size: 30 in. x 22 in. (...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Glider, Abstract Lithograph by Benny Andrews
Glider, Abstract Lithograph by Benny Andrews

Glider, Abstract Lithograph by Benny Andrews

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Glider Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 275 Size: 30 in. x 22 in. (76.2 cm ...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Rollo Mixed Media Artwork, Contemporary, Signed, 1971, Framed, 24x15"

Rollo Mixed Media Artwork, Contemporary, Signed, 1971, Framed, 24x15"

By Benny Andrews

Located in New York, NY

Benny Andrews was an African-American artist, activist and educator. Born in Plainview, Georgia, Andrews earned a BFA in painting from the School of the Art Institute of Chicago in 1...

Category

1970s Contemporary Benny Andrews Art

Materials

Foil

'New York Cafe' by Benny Andrews
'New York Cafe' by Benny Andrews

'New York Cafe' by Benny Andrews

By Benny Andrews

Located in Forest Hills, NY

New York Café by Benny Andrews, A limited-edition lithograph ( 86/250), signed and numbered by the artist, and produced by Associated American Artists. Rendered in lithographic ink o...

Category

20th Century American Mid-Century Modern Benny Andrews Art

Materials

Wood

Composition, Everything That Rises Must Converge
Composition, Everything That Rises Must Converge

Composition, Everything That Rises Must Converge

By Benny Andrews

Located in Southampton, NY

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Category

Early 2000s Expressionist Benny Andrews Art

Materials

Etching

Composition, Everything That Rises Must Converge
Composition, Everything That Rises Must Converge

Composition, Everything That Rises Must Converge

By Benny Andrews

Located in Southampton, NY

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Category

Early 2000s Expressionist Benny Andrews Art

Materials

Etching

Composition, Everything That Rises Must Converge
Composition, Everything That Rises Must Converge

Composition, Everything That Rises Must Converge

By Benny Andrews

Located in Southampton, NY

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Category

Early 2000s Expressionist Benny Andrews Art

Materials

Etching

Composition, Everything That Rises Must Converge
Composition, Everything That Rises Must Converge

Composition, Everything That Rises Must Converge

By Benny Andrews

Located in Southampton, NY

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Category

Early 2000s Expressionist Benny Andrews Art

Materials

Etching

Moving On, Contemporary Lithograph by Benny Andrews

Moving On, Contemporary Lithograph by Benny Andrews

By Benny Andrews

Located in Long Island City, NY

Benny Andrews, American (1930 - 2006) - Moving On, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 275, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), Frame ...

Category

1980s Contemporary Benny Andrews Art

Materials

Lithograph

Black Bird, Modern Lithograph by Benny Andrews
Black Bird, Modern Lithograph by Benny Andrews

Black Bird, Modern Lithograph by Benny Andrews

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Black Bird Year: 1980 Medium: Lithograph on Cream BFK Rives Paper, signed, titled and numbered in penci...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Black Bird
Black Bird

Black Bird

By Benny Andrews

Located in New York, NY

Benny Andrews (American, 1930-2006) "Black Bird", Abstract Lithograph signed in rear of Print, 30 x 22.25, Late 20th Century, 1980 Colors: Black, Grey, Whi...

Category

1980s Abstract Benny Andrews Art

Materials

Lithograph

Composition, Everything That Rises Must Converge
Composition, Everything That Rises Must Converge

Composition, Everything That Rises Must Converge

By Benny Andrews

Located in Southampton, NY

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Category

Early 2000s Expressionist Benny Andrews Art

Materials

Etching

Upim Mixed Media Artwork, Watercolor and Gouache on Paper, 1971

Upim Mixed Media Artwork, Watercolor and Gouache on Paper, 1971

By Benny Andrews

Located in New York, NY

Benny Andrews was an African-American artist, activist and educator. Born in Plainview, Georgia, Andrews earned a BFA in painting from the School of the Art Institute of Chicago in 1...

Category

1970s Contemporary Benny Andrews Art

Materials

Foil

Woman with Flowers
Woman with Flowers

Woman with Flowers

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Woman with Flowers Year: 1976 Medium: Oil and Collage on Canvas, signed and dated l.r. (and ...

Category

1970s Contemporary Benny Andrews Art

Materials

Oil, Canvas

Related Items
Excelsior by Simon Tozer, Limited edition, Sailing, Landscape, Figurative art
Excelsior by Simon Tozer, Limited edition, Sailing, Landscape, Figurative art

Excelsior by Simon Tozer, Limited edition, Sailing, Landscape, Figurative art

By Simon Tozer

Located in Deddington, GB

Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...

Category

21st Century and Contemporary Expressionist Benny Andrews Art

Materials

Paper, Screen

Behind the Frog - 21st Century Contemporary Landscape Etching
Behind the Frog - 21st Century Contemporary Landscape Etching

Behind the Frog - 21st Century Contemporary Landscape Etching

By Charles Donker

Located in Nuenen, Noord Brabant

Charles Donker Behind the Frog 20 x 38,5 (Framed included in price, 42 x 59 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and...

Category

2010s Contemporary Benny Andrews Art

Materials

Etching

LOBSTER and  OCTOPUS (KAMPF - BATTLE)
LOBSTER and  OCTOPUS (KAMPF - BATTLE)

LOBSTER and OCTOPUS (KAMPF - BATTLE)

By Norbertine Bresslern-Roth

Located in Santa Monica, CA

NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...

Category

1920s Vienna Secession Benny Andrews Art

Materials

Linocut

Marc Chagall, Paradise II, from Drawings for the Bible, 1960
Marc Chagall, Paradise II, from Drawings for the Bible, 1960

Marc Chagall, Paradise II, from Drawings for the Bible, 1960

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradise II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical paradise, evoking a realm of harmony, innocence, and divine presence through his luminous color and dreamlike symbolism. The flowing forms and radiant imagery convey a sense of spiritual unity and transcendence, capturing the timeless serenity and mystical beauty of Eden within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of paradise and the enduring connection between humanity and the divine. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradise II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, July 29, 1960 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, published by Editions de la revue Verve, Paris, 1960 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

Category

1960s Expressionist Benny Andrews Art

Materials

Lithograph

Large Framed Lithograph by Tony Friedlaender
Large Framed Lithograph by Tony Friedlaender

Large Framed Lithograph by Tony Friedlaender

By Frederic Weinberg

Located in Los Angeles, CA

Large Framed Lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Category

1960s American Mid-Century Modern Vintage Benny Andrews Art

Materials

Glass, Wood, Paper

Waning Moon - 21st Century Contemporary Landscape Etching
Waning Moon - 21st Century Contemporary Landscape Etching

Waning Moon - 21st Century Contemporary Landscape Etching

By Charles Donker

Located in Nuenen, Noord Brabant

Charles Donker Waning Moon 23,5 x 18 (Framed included in price, 44,5 x 37 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and a...

Category

2010s Contemporary Benny Andrews Art

Materials

Etching

Girl in the Garden (Gelburd/Rosenberg 62), Romare Bearden
Girl in the Garden (Gelburd/Rosenberg 62), Romare Bearden

Girl in the Garden (Gelburd/Rosenberg 62), Romare Bearden

By Romare Bearden

Located in Fairfield, CT

Artist: Romare Bearden (1911-1988) Title: Girl in the Garden (Gelburd/Rosenberg 62) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 33/150, plus proofs Size: 28.75 x 2...

Category

1970s Expressionist Benny Andrews Art

Materials

Lithograph

Chagall, Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera (after)

Chagall, Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera (after)

By Marc Chagall

Located in Fairfield, CT

Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...

Category

1970s Expressionist Benny Andrews Art

Materials

Lithograph

Large Framed Lithograph by Tony Friedlaender
Large Framed Lithograph by Tony Friedlaender

Large Framed Lithograph by Tony Friedlaender

By Frederic Weinberg

Located in Los Angeles, CA

Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Category

1960s American Mid-Century Modern Vintage Benny Andrews Art

Materials

Glass, Wood, Paper

Large Framed Lithograph by Tony Friedlaender
Large Framed Lithograph by Tony Friedlaender

Large Framed Lithograph by Tony Friedlaender

By Frederic Weinberg

Located in Los Angeles, CA

Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Category

1960s American Mid-Century Modern Vintage Benny Andrews Art

Materials

Glass, Wood, Paper

something better: Contemporary Mixed Media Artwork, Framed
something better: Contemporary Mixed Media Artwork, Framed

something better: Contemporary Mixed Media Artwork, Framed

By Miriam Singer

Located in Philadelphia, PA

This piece titled "something better" is an original artwork made from pencil, marker, watercolor, acrylic gouache on paper by Miriam Singer. This piece measures 13"h x 10"w framed.

Category

21st Century and Contemporary Contemporary Benny Andrews Art

Materials

Paper, Watercolor, Gouache, Permanent Marker, Pencil

Forest VII - 21st Century Contemporary Landscape Etching
Forest VII - 21st Century Contemporary Landscape Etching

Forest VII - 21st Century Contemporary Landscape Etching

By Charles Donker

Located in Nuenen, Noord Brabant

Charles Donker Forest VII 29,5 x 23,8 (Framed included in price, 52,5 x 45 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and ...

Category

2010s Contemporary Benny Andrews Art

Materials

Etching

Previously Available Items
"New York Cafe" Benny Andrews, 1966 African-American Social Realist Work
"New York Cafe" Benny Andrews, 1966 African-American Social Realist Work

"New York Cafe" Benny Andrews, 1966 African-American Social Realist Work

By Benny Andrews

Located in New York, NY

Benny Andrews New York Cafe, 1966 Signed, titled and numbered in pencil, lower margin Lithograph on wove paper Image 10 1/2 x 14 1/4 inches Sheet 13 x 18 inches Edition 201/250 Ben...

Category

1960s Realist Benny Andrews Art

Materials

Paper, Lithograph

"Crazy Birds" Benny Andrews, 1964 Birds Stylized Surrealist Animal Sketch
"Crazy Birds" Benny Andrews, 1964 Birds Stylized Surrealist Animal Sketch

"Crazy Birds" Benny Andrews, 1964 Birds Stylized Surrealist Animal Sketch

By Benny Andrews

Located in New York, NY

Benny Andrews Crazy Birds, 1964 Signed and dated lower right "Aug 11, 64" Inscribed on verso Ink on paper 11 x 15 inches Benny Andrews was an artist, educator and activist. He was ...

Category

1960s Modern Benny Andrews Art

Materials

Paper, Ink

"The Reaper" Abstract Assemblage Figurative Painting
"The Reaper" Abstract Assemblage Figurative Painting

"The Reaper" Abstract Assemblage Figurative Painting

By Benny Andrews

Located in Houston, TX

Painting of an African American woman with short hair standing next to an abstract tree by southern artist Benny Andrews in 1975. Signed and dated in lower right corner. Hung in a decorative frame with a simple white mat. Dimensions Without Frame: H 29 in. x W 21 in. Artist Biography: Born in 1930, one of ten children in a Georgia farming family, Benny Andrews grew up desperately poor. After serving in the U.S. Air Force, he studied at the Art Institute of Chicago on the G.I. Bill. He differed from his fellow students, mostly Abstract Expressionists, by going off to jazz clubs to draw. In 1958, he moved to New York, where his artist friends included Red Grooms, Bob Thompson and the Soyer brothers. For two years (1982-84), he served as director of the Visual Art Program for the National Endowment for the Arts, after which he returned to full-time painting. Two kinds of influence coexist in Andrews's art. The first is an exuberant regionalism that takes into account the lives of the poor; Andrews sees a precedent in the work of Thomas Hart Benton. The second is the narrative impulse of much African-American painting...

Category

1970s American Modern Benny Andrews Art

Materials

Mixed Media, Watercolor

Black Bird
Black Bird

Black Bird

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Black Bird Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 275 Paper Size: 30 x 2...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Turtle Dove
Turtle Dove

Turtle Dove

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Turtle Dove Year: 1980 Medium: Lithograph on BFK Rives, signed and numbered in pencil Edition: 275 Pap...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Glider, Abstract Lithograph by Benny Andrews
Glider, Abstract Lithograph by Benny Andrews

Glider, Abstract Lithograph by Benny Andrews

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Glider Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 275 Size: 30 in. x 22 in. (76.2 cm ...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Moving On
Moving On

Benny AndrewsMoving On, 1980

Sold

H 30 in W 22 in

Moving On

By Benny Andrews

Located in Long Island City, NY

Artist: Benny Andrews, American (1930 - 2006) Title: Moving On Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 275 Size: 30 in. x 22 i...

Category

1980s Expressionist Benny Andrews Art

Materials

Lithograph

Benny Andrews art for sale on 1stDibs.

Find a wide variety of authentic Benny Andrews art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Benny Andrews in lithograph, canvas, fabric and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Benny Andrews art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Bruno Zupan, Ernst Barlach, and Otto Dix. Benny Andrews art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $720 and tops out at $250,000, while the average work can sell for $900.

Artists Similar to Benny Andrews

Questions About Benny Andrews Art
  • 1stDibs ExpertMarch 22, 2022
    Benny Andrews was from Plainview, Georgia. He received his formal artistic training at the School of the Art Institute of Chicago in Chicago, Illinois, and then moved to New York, New York, in 1958. Andrews died on November 10, 2006 in Brooklyn, New York. On 1stDibs, shop a collection of Benny Andrews art.