Käthe Kollwitz Art

Council Kathe Kollwitz (After) German (1867–1945) Date: original: 1895; printed circa 1948 - 1963 Etching Image Size: 11.5 x 6.5 inches Size: 18.75 x 13.75 in. (47.63 x 34.93 cm) F...

Portrait of a Woman With Folded Hands by Kathe Kollwitz. Offered framed. Frame size: 20 x 17.5 inches Paper size: 12 x 10 inches Käthe Kollwitz filtered the concerns of Social Real...

Kollwitz, Kathe (German, 1867-1945). SELBSTBILDNIS (SELF-PORTRAIT). Klipstein122VII(b), Knesebeck 126. Etching and drypoint, 1912. The final state. There were no editions in the earl...

KATHE KOLLWITZ (1867-1945) LOSBRUCH, 1903 (Klipstein 66 viii/xi). Etching and soft ground signed in pencil lower left below image slightly rubbed. Plate 5 from Bauernkrieg. Signed &...

KATHE KOLLWITZ (1867-1945) AN DER KIRCHENMAUER (At The Church Wall), 1893 (45) (Klipstein 19 vi/vi: Knesebeck 19) Etching and drypoint on wove paper. Unsigned; with the Alexander ...

KATHE KOLLWITZ (German 1867 -1945) STADTISCHES OBDACH (Urban Shelter) 1926 (Knesebeck 226, Klipstein 219.bB), Lithograph from the unsigned edition for the annual edition of the Kuns...

Käthe Kollwitz (German, 1867-1945) Deutschlands Kindern Hungern (Germany's Children Are Starving), 1924 Lithograph on paper after original charcoal drawing Sight: 17 1/2 x 12 in. Fr...

KATHE KOLLWITZ (1867-1945) GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states) Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...

KATHE KOLLWITZ (German 1867 -1945) WOMAN WITH SCYTHE / BEIM DENGELN 1905 Klipstein (90 xii/xii) Etching on heavy wove paper, unsigned. 11 3/8 × 11 1/8 inches, Full sheet with deckle edge all around. With the date 1921 & the von de Becke blind stamp in the lower right. Posthumously printed around 1945. Very faint remnants of mat line outside the image, very slight discoloration on the verso. Remnants of tape upper sheet edge. Very powerful German Expressionist Print...

Medium: original lithograph. Catalogue reference: Klipstein 145 1b. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig ...

This framed etching and drypoint print is entitled "Beim Dengeln" (Sharpening the Scythe) by Kathe Kollwitz from her Der Bauernkrieg (The Peasant War or Revolt) series. It was originally created in 1905, but reprinted later. It depicts a woman in half-length, sharpening a scythe very close to her face. Her expression reveals a great deal of emotion, including determination, as well as concern for her future, as well as her comrades during and following the coming conflict. Kollwitz' Peasant War series of seven prints was inspired by the German peasant outbreak of 1525, led by a woman named Black Anna. The peasants rebelled against the oppressive systems of serfdom and feudalism. Although the outbreak was brutally put down, it did mark a turning point for peasants, who realized that they could fight for a better life against the upper class. The seven images that make up The Peasant War images document the hardships of the peasants, the preparation for and the eventual battle scenes and the resultant sad fate of the peasants. Kollwitz' work demonstrates her unflagging commitment to the plight of the oppressed and disempowered in any era. The Peasant War series not only makes a socio-political statement about oppressed people, but also speaks to the role of strong female figures in their struggle for equality and a better life. Kollwitz broke with tradition by telling most of the story of the peasants revolt from the viewpoint of the women involved. In this revolt against the compulsory labor, cruel worker treatment and crippling taxes enforced on feudal peasantry, Kollwitz found similarities with the plight of the working class in Germany in the first half of the 20th century. In this series and specifically in this print, as well as her other works, Kollwitz demonstrates her genius at communicating the raw emotions, suffering and human power of her subjects, in this case the determination and desperation of the peasants, through mere etched and engraved lines and ink transferred to paper. This print with its full margins is presented in a bleached birch wood frame with a double white mat. The print and the frame are in very good condition. The frame measures 23.5" high, 22.5" wide and 1.75" deep. “1921” is printed in plate in the lower right corner. There is an adjacent von der Becke Berlin Halensee blindstamp at the lower right margin edge. References: Klipstein 90, Hinz 36, Knesebeck 88 xiv-c/xiv-c Käthe Kollwitz...

A superb, richly-inked impression of this woodcut on Japan paper with strong contrasts. Seventh state (of 7). Signed and numbered 5/100 in pencil. Printed by Fritz Voigt...