Piet Mondrian Furniture

Original program for the Nantucket Stage Company Production of "Dracula", signed by Edward Gorey, 1973. The Nantucket Stage Company (which became the Stra...

Piet Hein & Bruno Mathsson ellipse dining table white laminate. Alu list on the side. Legs in chromed steel. Made by Fritz Hansen.   

The Beatles by Richard Avedon, offset lithographs, for Look Magazine. Set of 4 Look Magazine Beatles posters with bright colors and minor toning and handling wear. The posters are in very good condition - having been stored in the original shipping tube (included in the listing). Each poster has been archivally floated on a white matte board, under UV plexiglass and framed in a 1.25 inch white lacquer wood cube molding. Measurements: Sheet image sizes: 31 inches H; x 22.5 inches W; Framed size: 39 inches H x 30 inches W x 1.25 inches D. Printed in the lower left of each poster is the band member's name; E.g., JOHN LENNON photographed by Richard Avedon for Look Magazine. Original Look Magazine shipping tube is emblazoned with groovy psychedelic "Beatles", shows the recipient's address and the sender's return address: Beatles Posters Box 1 Look Building Des Moines, IA. 50304 Background of Avedon/Beatles Collaboration: The Beatles were photographed by Richard Avedon on August 11th, 1967. The shoot took place at a photography studio in a penthouse at Thompson House, 200 Gray's Inn Road, London, England. The American photographer took a number of shots of the group, four of which were later embellished with psychedelic effects. The posters were printed by Waterlow & Sons Ltd of London/ The publisher's information appears in the lower right margin of each poster. One a side note, Avedon sold the copyrights of both the photos he took that day and his psychedelic embellishments, executed in post production, to NEMS Enterprises, Ltd. - a firm run by the Beatles music manager Brian Epstein. On Aug 27, 1967, sixteen days after Avedon’s Beatles photo session, Beatles manager Brian Epstein died from an overdose of Carbitol. The Beatles were shocked. By strange twist of fate, the Beatles were attending Maharishi Mahesh Yogi’s meditation seminar at Bangor, North Wales. The guru they had just met in London became a substitute for their use of psychedelics and a cushion for their bereavement. Avedon, unknowingly to the Beatles, or even himself, had captured this true spiritual essence just weeks before. January 1968 was the initial concurrent publication of the Avedon photos...

Piet Hein & Bruno Mathsson ellipse dining table new laquererd black. With alu side. Legs in chromed steel. Made by Fritz Hansen.  

Piet Hein & Bruno Mathsson Elipse dining table white lacquered. Legs in chromed steel. Made by Fritz Hansen. New lacquered by professional...

This super-circular dining table was designed by Piet Hein & Bruno Mathsson during the 1960s and manufactured in 1993 by Fritz Hansen in Denmark, as indicated on the label. The table...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

Piet Hein & Bruno Mathsson Elipse dining table white lacquered. Legs in chromed steel. Made by Fritz Hansen. New lacquered by professional...

A large and early Folk Art paper banner (on linen backing) promoting famous American magician, Charles Joseph Carter (1874-1936), known as 'Carter the Great...

This color lithograph is by Victoria Montesinos. It features an elegant lady from early 20th Century holding a rose in her right hand. The artist m...

Original English 1960's coach panel poster promoting holidays to Paris, Brittany, Belgium and Holland in continental Europe. This rare poster would ...

A ‘Super-Elliptical’ dining table designed by Piet Hein & Bruno Mathsson in 1968. This example features a white laminated top with an aluminum edge, combined with the signature chrom...