Robert Ryman Art

Donald Judd Untitled, 1980 Signed "Judd" in pencil lower right margin and numbered Aquatint on etching paper Image 24 1/4 x 29 1/4 inches Sheet 29 1/8 x 34 inches Edition 29/150 Pro...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Castle No. 1 Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 13/60 Size: 30 in. x 22...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Sign No. 5 Year: 1971 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 38/110 I...

Jackie Ferrara Untitled, from the Atelier International Portfolio, 1986 Hand Colored Etching on paper with deckled edges. Publisher's and Printer's Blind Stamps. Hand Signed. Numbere...

A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Artist: Karl Fred Dahmen Title: Semiotische Komposition Year: 1977 Medium: Aquatint Etching, signed, numbered, dated, and titled in pencil Edition: 49/75 Image Size: 27.5 x 21.5 inc...

Brice Marden (American, b. 1938) Etching for Parkett, 1986 Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7 Dimensions: 25.5 x 21 cm Edition of 100: Hand-...

Artist: Jacqueline Debutler Title: Sans Titre Year: circa 1968 Medium: Aquatint Etching, signed and numbered in pencil Edition: 114/120 Image: 22 ...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Dimensions 1 Year: 1970 Medium: Etching with Aquatint with String Collage, signed and numbered in pencil Edition: 50 Image ...

Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 42 from the limited edition of 75 by the artist on the front ...