Susan Bolt Prints

Salvador Dali Lithograph From the 20th Century - Signed in Pencil on Paper Among his illustrations for Divine Comedy, the lithographs hold a special place—prints on paper that Dalí ...

Dimensions: 42"H x 32"W x 1 1/4inD This vintage Art Deco Erte (1892-1990) print "Soiree" is perfect for you and your home! Romain de Tirtoff (23 November 1892 – 21 April 1990), kno...

Victor Vasarely Mid Century Framed Serigraph This art measures: 36.75 wide x 1.5 deep x 37.75 inches high We take our photos in a controlled...

A wonderfully designed and richly colored woodcut image by New York City/American-born Jewish artist Irving Amen. Pencil signed, titled (Susan), and noted "artist proof" (likely a small edition after the initial run of 50-100 prints) by the artist. Would be a great eye-catching work in about any setting. Amen's work can be found in prominent collections and museums both domestically and internationally including: Museum of Modern Art, New York National Museum of American History, Washington, D.C. The Metropolitan Museum of Art, New York The National Gallery of Art Washington University of South Alabama – Mobile, Alabama Arizona State University – Tempe, Arizona Tucson Museum of Art – Tucson, Arizona Arkansas Art Center Foundation – Little Rock, Arkansas Arkansas State University – State University, Arkansas Judah L. Magnes Memorial Museum – Berkeley, California Skirball Museum Hebrew Union College – Los Angeles, California' Mills College – Oakland, California Stanford University Museum of Art – Stanford, California Hausatonic Museum – Bridgeport, Connecticut Yale University – New Haven, Connecticut University of Georgia – Athens, Georgia Honolulu Academy of Arts – Honolulu, Hawaii Art Institute of Chicago – Chicago, Illinois Quincy College Art Gallery – Quincy, Illinois Rosary College – River Forest, Illinois Illinois State Museum – Springfield, Illinois Lafayette Art Center – Lafayette, Indiana Art Gallery, University of Notre Dame – Notre Dame, Indiana Davenport Municipal Art Gallery – Davenport, Iowa Des Moines Art Center – Des Moines, Iowa University of Maine Art Gallery – Orono, Maine Baltimore Museum of Art – Baltimore, Maryland Boston Museum of Fine Arts – Boston, Massachusetts Harvard Art Museum – Boston, Massachusetts Town of Brookline Public Library – Brookline, Massachusetts Fogg Art Museum – Cambridge, Massachusetts De Cordova and Dana Museum – Lincoln, Massachusetts Art Museum Mount Holyoke College – South Hadley, Massachusetts Museum of Fine Arts – Springfield, Massachusetts Albion College – Albion, Michigan University of Minnesota – Minneapolis, Minnesota Central Missouri...

Anthony Quinn Mexican Artist: b.1915-2001. Artist and Actor Anthony Quinn was born in Chihuahua, Mexico and his family moved to Los Angeles when he was four years old. Before becomi...

Fabio Hurtado (Spanish, b. 1960), "Montreaux Crossing" is a limited edition serigraph on deckle edge paper, numbered 94/385. It is nicely framed and matt...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Art Acquisitions Of Peter Max " Impressions of a L...

Materic silkscreen print “Ondate di gelo” (Frost Waves) by Mario Schifano. Signature and numbering in pencil on front side. Dry stamp of the artist on front. Edition F.C. (Not for sale) 23/30. Framed work. The artwork for sale is part of the collection 'Best Seller: 31 graphic works by Mario Schifano' edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The painting is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mo...

Original serigraph on white cardboard, signed by Erwin Heerich below the image. Dimensions sheet: 50.0 x 70.0 cm. Dimensions illustration: 40.0 x 57.5 cm. Published by the Griffelkunst-Vereinigung, Hamburg, 1973. Griffelkunst, list of editions: choice 190 B1. 1 corner with crease (about 20 cm), very shlightly rubbed. Good condition. Erwin Heerich, born November 29, 1922 in Kassel, died November 6, 2004 in Meerbusch-Osterath. Studied from 1945 to 1950 at the Düsseldorf State Art Academy (with Ewald Mataré...

Louise Nevelson (American, 1899-1988) Untitled, 1980 Original five screen serigraph collage Signed and numbered in pencil by the artist. 147 of an edition of 150. See details in...

Jack Duganne (American, 1942-2020), "Hebridas", a serigraph on heavyweight wove paper. An ethereal mountainscape in colors ranging from golden yellow to brownish mauve. It is pencil ...