Tamura Ceramics

A Palace Size Japanese Meiji Period (1868-1912) Blue and White Vase with Phoenix Decoration. This vase is absolutely beautiful with an incredible array of hand-painted blue decoratio...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...

A very beautiful pair of Chinese brass and cloisonné enamel vases with dragon design, circa early to mid-20th century, China. Vases are predominantly blue; Other colors include white...

This is a very decorative Chinese cloisonné vase dating to the mid 19th Century, Qing period. The vase has a good baluster shape. It has been well made of a bronze alloy with rich ...

This is a very decorative small cloisonné vase, made in China and dating to the first quarter of the 20th Century. The vase has a good globular baluster shape. It has been well mad...

These are a very decorative pair of cloisonné vases, made in Japan and dating to the 19th Meiji Period, circa 1875. The vases have a good baluster shape with a circular form. They...

An Exceptionally Fine Quality Pair of Miniature Japanese Meiji Period Cloisonne Enamel Vases of unusually small proportions, early Meiji period (1868-1912) and of Museum quality, com...

This is a very decorative small cloisonné vase, made in China and dating to the second half of the 19th Century, Qing period. The vase has a g...

Of ovoid form, with a narrow neck and outward flaring rim, on dark blue ground depicting wisteria blossoms in white and purple cascading from the shoulder with birds throughout and w...

A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period. The vase is of an elegant and relatively rare form with a trumpet shape body and the so-called garlic neck and opening. The surface is exquisitely decorated in a floral scheme with gilt and a light jewel-tone enamel. The top part showcases large bundles of wisteria blossom in white and purple, cascading down from a gilt wood trellis...

A beautiful pair of vintage yellow, black and green Asian Cloisonné enamel and brass vases, circa early to mid- 20th century, China. Vases have a yello...