Vincenzo Camuccini, sometimes also referred to as Camucini, was one of the most important Italian Neoclassicists and history painters, despite having lived in a period in which romantic culture had taken hold within the European artistic-literary landscape. It was Pietro, Camuccini's brother, who became famous for cleaning up Michelangelo's Last Judgment in 1824-25, and who carried out various restorations for the Borghese, to push Vincenzo towards art. Every day, Camuccini visited Raphael's Rooms and trained himself to copy the style of that period. In adolescence, he first went to the school of Domenico Corvi and later to the most famous of David. In addition to studying the masterpieces of classical sculpture and Renaissance painting, Camuccini was very fond of representing everyday reality, portraying both nature and the people of the street to study their expressions and give their paintings as realistic a note as possible. Probably in this, the painter was influenced by Romanticism, very attentive to the beauty and grandeur of nature, in all its details. His interest in the realistic rendering of the subjects led him to attend hospital environments to perform studies on corpses. After spending years copying the greatest of art history, Camuccini began to create works of his own invention. His fame grew over the years, leading him to receive increasingly important commissions, up to the appointment by Pope Pius VII as director general of the Fabbrica di San Pietro and to the superintendency of the Vatican Museums, which over the years had been illustrious by artists such as Michelangelo, Maderno and Bernini. For the pontiff, he created The Incredulity of St. Thomas and a St. Simon and Judas, two large canvases for St. Peter's Basilica. At the same time, Vincenzo Camuccini opened an important atelier in Rome, frequented by many Italian and foreign artists.
Dipinto neoclassico figurativo storico italiano del XIX secolo
By Vincenzo Camuccini
Located in Florence, IT
Il dipinto è uno studio piuttosto elaborato e finito della figura del decemviro Appio Claudio, e del suo entourage con i littori, che primeggia nella parte sinistra della monumentale...
Canvas, Oil
Francesco I and Titian in the Painter's Studio - Drawing 1824
By Vincenzo Camuccini
Located in Roma, IT
Francesco I and Titian in the painter's studio is a wonderful original painting (graphite pencil, pen, China ink and watercolor) on squared paper, realized by Francesco Camuccini (Ro...
Ink, Watercolor
$5,200Sale Price|20% Off
H 26 in W 32 in
"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII
By David Fredenthal
Located in New York, NY
"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...
Paper, Watercolor
$646Sale Price|25% Off
H 6.11 in W 8.47 in
France 19th century, The Bohème artist in his workshop, watercolor
Located in Paris, FR
France circa 1850 The Bohème artist in his workshop Watercolor on paper 15.5 x 21.5 cm In good condition except a small tear (visible on the photographs) on the upper right border. I...
Watercolor
$1,435Sale Price|20% Off
H 14.26 in W 9.85 in
After Heemskerck, Two Old Men siiting in an Inn, Drinking Scene, Old Master
By Egbert Van Heemskerck the Elder
Located in Greven, DE
After Heemskerck, Painting in the style of Heemskerck and Dutch Master, probably painted in the 19th Century.
Canvas, Oil
$7,300
H 36 in W 48 in D 0.875 in
"Dancer's Dream" Large Original Oil Painting by Robert White, Frameless Display
Located in Encino, CA
“Dancer's Dream,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of greens, browns, and whites project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for dancers, the ballet, portraits, and color-rich works of art. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...
Oil, Canvas
$4,307Sale Price|20% Off
H 7.68 in W 11.82 in
Circle Wouwerman, Horseman by a Tent, Riders Playing Cards, Dutch Old Master
By Philips Wouwerman
Located in Greven, DE
Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling
Canvas, Oil
$41,880
H 27.56 in W 35.44 in D 1.97 in
View on the Governor’s Palace in Paramaribo, Surinam
Located in Amsterdam, NL
GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...
Canvas, Oil
$5,500
H 16 in W 15 in
NYC Subway Mid 20th Century American Scene Social Realism WPA Modern 1930s
By Daniel Ralph Celentano
Located in New York, NY
NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s Daniel Celentano (1902 - 1980) Subway Scene, 1930s 8 x 9 inches Ink and wash on paper Singed lower ...
Paper, Ink, Gouache
$28,718Sale Price|25% Off
H 12.21 in W 8.08 in
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Canvas, Oil, Handmade Paper
$2,200Sale Price|20% Off
H 13.75 in W 8.5 in
'Study for a Stained Glass Window', Devotional, Ecclesiastical, Pre-Raphaelite
Located in Santa Cruz, CA
A sensitively drawn and highly-detailed study for a three-panel set of stained glass windows showing the ascension of Jesus by angels and mortals. Initialed, lower right, 'EB-J', an...
Ink, Watercolor, Gouache
$18,000
H 28.5 in W 36.5 in
"Susannah and the Elders" Ben Shahn, Social Realist, Biblical Scene, Mid-Century
By Ben Shahn
Located in New York, NY
Ben Shahn Susannah and the Elders, 1947 Signed lower right Watercolor and ink on paper 22 x 29 3/4 inches Provenance The artist The Downtown Gallery, New York Felix Landau Gallery, ...
Paper, Ink, Watercolor
$2,000Sale Price|20% Off
H 13.75 in W 9.25 in
Portrait of Young Woman, Raoul Dupoux
Located in Fairfield, CT
Artist: Raoul Dupoux (1906-1988) Title: Untitled Year: circa 1965 Medium: Watercolor and pastel on wove paper Size: 26 x 27 inches Condition: Good Inscrip...
Pastel, Watercolor
$3,468
H 30.5 in W 45.5 in
Claude Shepperson - Petrushka - Watercolour scene from the Ballets Russes
By Claude Allin Shepperson
Located in London, GB
CLAUDE ALLIN SHEPPERSON, ARA, ARWS (1867-1921) Petrushka – Scene from the Ballets Russes Signed l.l.: Shepperson Watercolour over traces of pencil on paper Framed 30.5 by 45.5 cm., 12 by 18 in. (frame size 52.5 by 66 cm., 20 ¾ by 26 in.) Provenance: Richard C Davis...
Watercolor, Paper