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Wall Street
By Joseph Pennell
Located in Storrs, CT
Wall Street. 1904. Etching. Wuerth 344. 11 3/4 x 7 7/16 (sheet 15 1/2 x 10 1/4). Edition about 75. A rich, tonal impression printed on Japanese mulberry paper. Signed in pencil. Hous...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
White Fronted Geese Flying above Reeds and Water.
By Ohara Koson
Located in Storrs, CT
White-Fronted Geese Flying above Reeds and Water. c. 1933. Shikishiban: 10 10/16 x 9 1/16 (sheet 10 14/16 x 9 12/16). Signed and sealed Shoson. Publisher: Watanabe Shozaburo. Illustrated: Crows, Cranes & Camellias, S11.6, p. 197. Stamped "made in Japan" verso, indicating that it was printed for the United States after 1921. A fine impression with subtle shading and gauffrauge in the 2 large birds' feathers. Based on the body markings, these actually appear to be mallard ducks, not geese. Good olor and condition Housed in a 20 x 16-inch archival mat.
Koson Ohara...
Category
Early 20th Century Showa Animal Prints
Materials
Color, Woodcut
From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category
1930s American Modern Landscape Prints
Materials
Etching, Aquatint
Dock Workers under the Brooklyn Bridge
By Martin Lewis
Located in Storrs, CT
Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching. McCarron 15. 17 3/4 x 23 3/4 (sheet 26 x 31). 5 recorde...
Category
1910s American Modern Figurative Prints
Materials
Etching, Aquatint
The Cornfield
By John Constable
Located in Storrs, CT
Mezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3 state 6.iv. Christopher Lennox-Boyd state vi/vi. London: Republished Feb.y 15, 1853, by Thomas Boys (of the late Firm of Moon, Boyd & Greaves,) Printseller to the Royal Family, 467, Oxford Street - Paris. E.Gambart & C. 9 Rue d'Orleans au Marais,-Depose. Originally Published July 1.1834. Image 22 1/4 x 19 1/2, plate 26 3/4 x 20 3/8, sheet 30 3/4 x 24 3/8. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint water stain in the top right-hand image and margin. Signed in the plate.
Housed in a double archival mat and a Hogarth 36.50 x 30.50 x 1.25-inch Hogarth frame with gilded corner ornaments.
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The Cornfield depicts Fen lane as it leads from East Bergholt towards Dedham; a village in the borough of Colchester. A flock of sheep are followed by a dog as the path winds towards figures active in a cornfield. A boy, prone and with his face on the surface of a stream, slakes his thirst. The church in the distance is thought to have been an invention on Constable's part.
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First exhibited at the Royal Academy in 1826, Constable's The Cornfield became one of the artist's most celebrated works. It was reproduced in mezzotint by David Lucas in 1834 and sold by J. McLean and Hodgson, Boys and Graves, and Rudolph Ackermann. This print, however, derives from a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. The series consisted of forty mezzotint engravings on steel plates; all of which were produced by Lucas.
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The Cornfield is one of Constable’s best-known works. It was also the first of his pictures to enter a public collection. Shortly after his death in 1837, a committee was set up to subscribe towards the purchase of a painting for the nation, and The Cornfield was bought for the National Gallery for 300 guineas. The list of subscribers included the poet William Wordsworth, the scientist Michael Faraday...
Category
19th Century Romantic Landscape Prints
Materials
Mezzotint
St. Mary's, Harrow-on-the-Hill
By Joseph Webb ARE
Located in Storrs, CT
Joseph Webb, A.R.E. 1908-1962. St. Mary's, Harrow-on-the-Hill. 1933. Etching. 6 7/8 x 11 7/8 (sheet 9 1/2 x 14 1/2). Guichard 43. 1st trial proof, before later addition of the sky. A...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching, Aquatint
{La raccolta delle mele: The Apple Harvest}
Located in Storrs, CT
Color print of 2 ladies in traditional dress, picking apples. The plate size is 12 x 8 1/2 (sheet size is 15 1/8 x 10 5/8). The mat dimensions are 18 x 14; frame dimensions are 24 1/...
Category
20th Century Realist Landscape Prints
Materials
Color
Junk Shop (Philadelphia)
By Earl Horter
Located in Storrs, CT
Junk Shop (Philadelphia). 1932. Aquatint. 10 1/16 x 13 (sheet 12 1/2 x 15 1/2). Awarded the Mr. and Mrs. Frank G. Logan 3rd prize, Art Institute of Chicago, March 24 - May 15, 1932. A subtle tonal impression printed on cream wove paper. Unsigned.
Junk Shop (Philadelphia). 1932. Aquatint. 10 1/16 x 13 (sheet 12 1/2 x 15 1/2). Awarded the Mr. and Mrs. Frank G. Logan 3rd prize, Art Institute of Chicago, March 24 - May 15, 1932. A subtle tonal impression printed on cream wove paper. Unsigned. Housed in a 16 x 20-inch archival mat, suitable for framing.
Earl Horter...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
The Arthur Williams Estate
By Earl Horter
Located in Storrs, CT
The Arthur Williams Estate. c. 1916. Etching and drypoint. 4 3/4 x 9 (sheet 8 x 10 7/8). A rich impression printed on dark cream wove paper. Water stai...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Drypoint
New England Winter: The Old Homestead.
By Gustave Adolph Hoffman
Located in Storrs, CT
New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...
Category
Late 19th Century American Modern Landscape Prints
Materials
Etching, Aquatint
The Dance of Death. 1914-1918
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Figurative Prints
Materials
Drypoint
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist Figurative Prints
Materials
Etching
Rooftop
By Armin Landeck
Located in Storrs, CT
Rooftop. 1941. Engraving. Kraeft 84. 4 7/8 x 8 7/8 (sheet 8 7/8 x 12 3/4). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression printed on white wove...
Category
1940s American Modern Landscape Prints
Materials
Engraving
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
By John Taylor Arms
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category
1920s American Modern Landscape Prints
Materials
Etching
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Figurative Prints
Materials
Drypoint, Etching
The Anchor
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing.
The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject.
In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
Laguna Veneta.
By Otto Henry Bacher
Located in Storrs, CT
Laguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper.
Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire.
Housed in a 16 x 20-inch archival mat, suitable for framing.
The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving.
Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...
Category
19th Century American Impressionist Landscape Prints
Materials
Etching
Skyline, New York
By Martin Lewis
Located in Storrs, CT
Skyline, New York. 1919. Etching and drypoint. McCarron 36. 8 7/8 x 10 3/8 (sheet 12 1/4 x 14 . 11 recorded impressions (intended edition 50. Lewis states that he destroyed 6 of the ...
Category
1920s American Modern Abstract Prints
Materials
Drypoint, Etching
The Thames Barge Race: the Start
By James McBey
Located in Storrs, CT
The Thames Barge Race: the Start. 1936. Etching. Hardie 272. 7 1/8 x 14 3/8 (sheet 11 5/16 x 18 3/18). Edition 80, #14. Illustrated: Fine Prints of the Ye...
Category
1930s Modern Landscape Prints
Materials
Drypoint, Etching
The Fisherman's Return
By Edmund Blampied
Located in Storrs, CT
The Fisherman's Return. 1922. Drypoint. Appleby 83. 6 5/8 x 9 1/4 (sheet 9 1/8 x 14 7/8). Edition 100. A rich impression with drypoint burr printed on cr...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching
A Roman Canal (after the water-colour drawing by Peter De Wint, 1784--1849).
By Sir Frank Short
Located in Storrs, CT
6 3/4 x 15 (sheet 15 4/1 x 22).. A fine impression printed in black on chine-appliqué affixed to white wove paper. Housed in a 21 x 27 1/2-inch black and silver wood frame.
"From ...
Category
Early 20th Century Modern Landscape Prints
Materials
Mezzotint
Ehrenbreitstein to Coblenz, No. 2
By Sir Frank Short
Located in Storrs, CT
Ehrenbreitstein to Coblenz, No. 2 (after the watercolor by J.M.W. Turner, R.A., 1775-1851.) 1913. Mezzotint. Hardie catalog 95. Image 9 1/2 x 14 3/4; plate 10 7/8 x 15 3/4; sheet 12 ...
Category
Early 20th Century Modern Landscape Prints
Materials
Mezzotint
Rio del Santi Apostoli, Venice.
By John Taylor Arms
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category
1920s American Modern Landscape Prints
Materials
Etching
The First Sight of Jerusalem, Nebi Samwil (No. 2).
By James McBey
Located in Storrs, CT
The First Sight of Jerusalem, Nebi Samwil (No. 2). The First Sight of Jerusalem, Nebi Samwil (No. 2). 1920. Etching. Hardie 197. 10 7/8 x 17 15/16 (sheet 12 5/8 x 19). Edition 76, #2...
Category
Early 20th Century Modern Figurative Prints
Materials
Etching, Drypoint
The Trawler
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Trawler. 1926. Etching. Hurst 176. 9 7/8 x 13 7/8 (sheet 11 3/8 x 15 3/4). Edition 75, #71. Mat line outside the image; otherwise excellent condition.A fine impression with plate tone, printed on antique cream laid paper. Signed and numbered in ink. Housed in a 16 x 20-inch archival mat, suitable for framing.
In 1899 Briscoe acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
1920s Modern Landscape Prints
Materials
Drypoint, Etching
Windy Night, Stockholm.
By Sir Muirhead Bone
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Landscape Prints
Materials
Etching, Drypoint
The Pool of London.
By William Lionel Wyllie
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Landscape Prints
Materials
Drypoint, Etching
Scene in the Campagna
By Sir Frank Short
Located in Storrs, CT
Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...
Category
1880s Figurative Prints
Materials
Mezzotint
Distant Salute (Venice)
By James McBey
Located in Storrs, CT
1925. Etching. Hardie/Carter 250. 7 x 15 (sheet 11 3/8 x 18 1/8). Edition 80, #28. Signed and numbered in ink. A fine impression with plate tone, printed on antique cream-colored wo...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Victoria Club
By James Abbott McNeill Whistler
Located in Storrs, CT
Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...
Category
Late 19th Century American Modern Figurative Prints
Materials
Lithograph
St.Paul's, London
By William Lionel Wyllie
Located in Storrs, CT
St. Paul's. c. 1920. Etching. 13 7/8 x 10 (sheet 16 5/8 x 13 7/8). Printed on the full sheet of simili-Japan paper. Signed and title in pencil.
Housed in a 20 x 16--inch archival ma...
Category
Mid-20th Century Modern Landscape Prints
Materials
Drypoint, Etching
Westminster Flood Tide
By William Lionel Wyllie
Located in Storrs, CT
Westminster, Flood Tide. c. 1924. Etching. 9 x 13 3/4 (sheet 13 3/8 x 17 5/8). A fine impression printed on cream wove paper. Signed in pencil.
Housed in a 16 x 20-inch archival ma...
Category
Mid-20th Century Modern Landscape Prints
Materials
Drypoint, Etching
The Turkish Fort
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Turkish Fort. 1909. Etching and drypoint. Rinder 409. 5 1/2 x 10 3/8. Signed in pencil. Housed in a 16 x 20-inch archival mat.
This print shows a fort on the Mokattam Hills, ne...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching
Demolition No. 1
By Armin Landeck
Located in Storrs, CT
Demolition No. 1. 1940. Drypoint. Kraeft 80. 4 7/8 x 8 7/8(sheet 12 x 13 7/8). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression with tonal wiping...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
House at Crossroads, Twilight, Froxfield.
By Allan Gwynne-Jones
Located in Storrs, CT
House at Crossroads, Twilight, Froxfield. 1926. Etching. Bassett 113. 6 1/4 x 7 15/16 (sheet 8 x 11 3/4). Printed on beige laid paper. Signed and dated numbered in pencil. Housed in...
Category
20th Century Modern Landscape Prints
Materials
Etching
Cottage and Harvesters
By Sir Frank Short
Located in Storrs, CT
Cottage and Harvesters (after a watercolor by Peter De Wint, 1784-1849). 1907. Mezzotint. Hardie 88. 6 5/8 x 10 11/16 (sheet 14 x 19 1/4). Edition 100. Housed in a 16 x 20 mat. A ver...
Category
Early 1900s Romantic Landscape Prints
Materials
Mezzotint
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)
By Louis Conrad Rosenberg
Located in Storrs, CT
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing.
Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed.
The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...
Category
1920s American Modern Landscape Prints
Materials
Drypoint
Albert Basin, Aberdeen, Scotland
By James McBey
Located in Storrs, CT
Albert Basin, Aberdeen. 1906. Etching and drypoint. Hardie 50. 5 7/8 x 9 1/2 (sheet 8 3/8 x 11 3/8). Edition 40, #39. Faint mat line; otherwise excellent condition. A richly inked impression with drypoint burr, on antique paper. Signed and numbered in ink. This is an extremely rare early McBey etching. Housed in a 16 x 20-inch archival mat, suitable for framing.
Hardie writes, "An avenue of ships' masts rising dark against an evening sky. The light gleams on the pathway of water down the centre. A man and woman, by a boat, in foreground, to the left.
Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon’s School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil’s and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category
Early 20th Century Modern Figurative Prints
Materials
Drypoint, Etching
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles).
By Mortimer Menpes
Located in Storrs, CT
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...
Category
Early 20th Century Modern Figurative Prints
Materials
Drypoint, Etching
Burns Brothers, Sutton Place
By Kerr Eby
Located in Storrs, CT
Burns Brothers, Sutton Place. 1922. Etching. Giardina catalog 90 state iv. 12 1/4 x 8 3/4 (sheet 16 x 12). Edition 50. A rich, tonal impression printed on...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Farmyard
By Herbert Gordon Warlow
Located in Storrs, CT
Farmyard. c. 1925. Etching and drypoint. 5 1/2 x 11 (sheet 10 x 15 1/4). Edition 75, #54. A rich impression with plate tone printed on cream wove paper. Signed and numbered in pencil...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching
Bailey's Beach, Newport, Rhode Island.
By Clifford Isaac Addams
Located in Storrs, CT
Bailey's Beach (Newport, Rhode Island). 1933. Etching. Hausberg 126 state v/vi. Edition 75. 6 x 7 7/8 (sheet 9 3/8 x 12 3/8). Printed with extensive plate tone with plate tone on 'Va...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
Bailey's Beach, Newport, Rhode Island.
By Clifford Isaac Addams
Located in Storrs, CT
Bailey's Beach (Newport, Rhode Island). c. 1931-1933. Etching and drypoint. Hausberg catalog 126 state vi. Edition 75. 6 x 7 7/8 (sheet 9 9/16 x 12 1/2). Printed on cream wove paper ...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
Caprice, or House on Cliff Walk, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
House on Cliff Walk, Newport, Rhode Island or Caprice, Newport, Rhode Island.. 1931/33. Etching. Hausberg catalog 138 state ii. 5 15/16 x 8 (sheet 7 7/8 x 9 5/8). A rich impression ...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
House on Cliff Walk, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
House on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
Old Colony Statehouse, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
Old Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Lindsey Row, Chelsea
By James Abbott McNeill Whistler
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
Category
Late 19th Century American Modern Landscape Prints
Materials
Lithograph
The Natural Law.
By David Jones, CH, CBE
Located in Storrs, CT
The Natural Law. 1924. Wood engraving. Cleverdon E8. 2 1/4 x 3 1/4 (sheet 3 1/2 x 4 7/8). A fine impression printed on cream japan paper. A proof aside from the published book editio...
Category
Early 20th Century Modern Nude Prints
Materials
Engraving, Woodcut
Windsor
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 23 1/4). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Signed in pencil. Housed in a 22 28-inch archival mat, suitable for framing.
Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850.
In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
Category
Late 19th Century Modern Landscape Prints
Materials
Etching
Temples of New York
By Christopher R. W. Nevinson
Located in Storrs, CT
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...
Category
1910s Futurist Landscape Prints
Materials
Drypoint
Jerusalem
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
1931. Pencil, ink and watercolor. 9 1/4 x 15 (framed 18 1/2 x 24 1/2). Signed and dated in pencil. Housed in a silk mat and an elegant carved gold leaf frame.
Twelve of the artist'...
Category
1930s Modern Landscape Prints
Materials
Ink, India Ink, Watercolor, Pencil
Breaking up of the Agamemnon, No 1
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
Category
Mid-19th Century Old Masters Landscape Prints
Materials
Drypoint, Etching
Royal Marine Artillery Camp. The Evening Before the Battle of Messines.
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
6 3/8 x 7 7/8 (sheet 9 1/4 x 10 1/2.) Series: Twelve Drypoints of the War 1914-1918. A rich impression with velvety drypoint burr, printed on cream wove paper. Signed and titled in p...
Category
Early 20th Century Modern Figurative Prints
Materials
Drypoint
"The Caissons Go Rolling Along".
By Kerr Eby
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof
Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category
1920s American Modern Landscape Prints
Materials
Etching
Dark House (Philadelphia).
By Earl Horter
Located in Storrs, CT
c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing.
Earl Horter...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching, Aquatint
