Items Similar to A Yorkshire Dell or The Heron’s Pool.
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Sir Frank ShortA Yorkshire Dell or The Heron’s Pool.1905
1905
About the Item
A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-collé mounted on sturdy wove paper. 10 7/8 x 15 (sheet 14 x 18 1/4). A rich, velvety impression. Signed in pencil. Houses in a 20 x 24-inch archival mat, suitable for framing.
Strange writes, "From the water-colour by J. M. W. Turner, R.A., in the collection of the late J. E. Taylor, Esq. 1905.
Mr. A J. Finberg has identified a very slight chalk sketch of this subject in a sketch-book of subjects in Scotland; so the title might be A Scottish Dell." A few proofs of the etching exist.
Sir Frank Short (1857-1945) was an English printmaker from Stourbridge, Worcestershire. He was instrumental in the revival of mezzotint and aquatint practise and was elected as the head for the department of engraving at the Royal College of Art in 1933. An ardent student of the works of J.M.W Turner; Short's reproductions of the Liber Studiorum delineate his exacting skill as well as a sympathetic study of the originals. Upon completion of Turner's most famous series, Short turned to his more esoteric material and published subjects of which the artist and his assistants had left incomplete years before. Several fine plates resulted from this study. In addition to his plaudits as a Royal Academician, Short twice won the gold medal for engraving at the Paris International Exhibition and was later knighted.
Surrounded by large rocks, and at the foot of steep banks, the focus of this image is on a pool. Behind the boulders and the shallows, a cave occupies the central plane of the composition. In the secluded dell of Turner's view, the artist does not employ human staffage. Instead, a heron emerges from the hollow between the banks and flies towards the water. In conformity with the original watercolour, Short's mezzotint is indiscriminate and impressionistic. He contorts the technique of the medium in order to produce a hazy impression suited to the representation of Turner's briars and lagoons.
- Creator:Sir Frank Short (1857 - 1945, British)
- Creation Year:1905
- Dimensions:Height: 20 in (50.8 cm)Width: 14 in (35.56 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521740643
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
699 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The CornfieldBy John ConstableLocated in Storrs, CTMezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3 state 6.iv. Christopher Lennox-Boyd state vi/vi. London: Republished Feb.y 15, 1853, by Thomas Boys (of the late Firm of Moon, Boyd & Greaves,) Printseller to the Royal Family, 467, Oxford Street - Paris. E.Gambart & C. 9 Rue d'Orleans au Marais,-Depose. Originally Published July 1.1834. Image 22 1/4 x 19 1/2, plate 26 3/4 x 20 3/8, sheet 30 3/4 x 24 3/8. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint water stain in the top right-hand image and margin. Signed in the plate. Housed in a double archival mat and a Hogarth 36.50 x 30.50 x 1.25-inch Hogarth frame with gilded corner ornaments. ------------------------------------------------------------------------------------------------- The Cornfield depicts Fen lane as it leads from East Bergholt towards Dedham; a village in the borough of Colchester. A flock of sheep are followed by a dog as the path winds towards figures active in a cornfield. A boy, prone and with his face on the surface of a stream, slakes his thirst. The church in the distance is thought to have been an invention on Constable's part. --------------------------------------------------------------------------------------------------------- First exhibited at the Royal Academy in 1826, Constable's The Cornfield became one of the artist's most celebrated works. It was reproduced in mezzotint by David Lucas in 1834 and sold by J. McLean and Hodgson, Boys and Graves, and Rudolph Ackermann. This print, however, derives from a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. The series consisted of forty mezzotint engravings on steel plates; all of which were produced by Lucas. ---------------------------------------------------------------------------------------------------- The Cornfield is one of Constable’s best-known works. It was also the first of his pictures to enter a public collection. Shortly after his death in 1837, a committee was set up to subscribe towards the purchase of a painting for the nation, and The Cornfield was bought for the National Gallery for 300 guineas. The list of subscribers included the poet William Wordsworth, the scientist Michael Faraday...Category
19th Century Romantic Landscape Prints
MaterialsMezzotint
- Water MillBy Sir Frank ShortLocated in Storrs, CTWater Mill (after the drawing by J.M.W. Turner, R.A., 1775-1851). 1885. Mezzotint. Hardie 3.ii. With the publication line. 7 x 10 1/8 (sheet 12 1/4 x 16 5/8...Category
1880s Animal Prints
MaterialsMezzotint
- Misty Morning.By Edmund BlampiedLocated in Storrs, CTMisty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...Category
1920s Modern Landscape Prints
MaterialsDrypoint, Etching
- The Vraic Season (No 1).By Edmund BlampiedLocated in Storrs, CTThe Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...Category
1930s Modern Landscape Prints
MaterialsDrypoint, Etching
- Lumbermen.By Edmund BlampiedLocated in Storrs, CTLumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...Category
1920s Modern Landscape Prints
MaterialsDrypoint, Etching
- Ostend HorseBy Edmund BlampiedLocated in Storrs, CTOstend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...Category
1920s Modern Animal Prints
MaterialsDrypoint, Etching
You May Also Like
- Rainforest Tapestry(colorful image of birds, ferns and flowers found in tropics)By Sharon Augusta MitchellLocated in New Orleans, LASharon Augusta Mitchell created this vividly colored image of five toucans with bright yellow bills set against a background of green tropical ferns and bright orange flowers. The im...Category
Late 20th Century Contemporary Animal Prints
MaterialsDrypoint, Mezzotint, Aquatint
- Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting SceneLocated in Alamo, CA"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...Category
1830s Landscape Prints
MaterialsEngraving, Mezzotint
- Carpe Diem IBy Mikio WatanabeLocated in New Orleans, LAthis impression is #46 from edition of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black ...Category
Early 2000s American Modern Animal Prints
MaterialsMezzotint
- Crushed Beetle / Fragile SeriesBy Lois WardLocated in New Orleans, LALois Ward created a Fragile Series of images including "Crushed Beetle" in 1990 in a very small edition of just 9. This impression is #1 of 9. Ward has always been concerned with t...Category
1990s American Modern Animal Prints
MaterialsMezzotint
- Antique Dog Lithograph in the Taste of Alfred De Dreux, France circa 1870By Alfred de DreuxLocated in SANTA FE, NMAntique Dog Portrait Lithograph in the Taste of Alfred De Dreux Bulldog and Frog France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portr...Category
1870s Romantic Animal Prints
MaterialsLithograph
- Antique Dog Lithograph in the Taste of Alfred De Dreux, France circa 1870By Alfred de DreuxLocated in SANTA FE, NMAntique Dog Portrait Lithograph in the Taste of Alfred De Dreux Bulldog and Frog France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portr...Category
1870s Romantic Animal Prints
MaterialsLithograph
