Arte Antiques Figurative Sculptures

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. Dimensions Height: 11.8" H. 30 cm Stamped underside ...

A sculpture by Orazio Andreoni from the late 19th to early 20th century portraying a veiled Cupid exudes an exquisite blend of classical artistry and romantic allure. Andreoni, known...

ART DECO SCULPTURE BY JOE DESCOMPS, 'young women in motion among the flowers', signed J.D Guirande , signed and numbered, JD GUIRANDE (Joe decomps) 1869-1950 Dimensions: Height: 19"...

Pair of French Bisque Porcelain Hand Painted Figural Sculptures, Circa 1900 Depicting male and female fruit pickers

Leon Salat Dancing Lady on Onyx Base Signed, Early 20th Century

This charming 19th century pair of Polichrome metal figures by Louis Hottot depict a young woman and a young man. Rendered in lifelike detail, these busts seem to show the pair in co...

Monumental and impressive Chinese carved serpentine sculpture depicting a continuous forest landscape with a cave, richly carved with all manner of f...

A beautiful pair of antique Italian hand carved alabaster lamps / torcheres depicting Venus and a cupid. One is a classic allegory to Titian's painting "Venus with a Mirror". Much li...

A large 19th century patinated bronze group titled: "Amalthea and Jupiter's Goat" after Pierre Julien (French 1731-1804) The goddess portrayed as nude but for drapery held across her breasts and falling to her lap, seated on the back of the goat with her right foot raised to rest on a rock outcrop. Signed: Julien Circa 1880. Height: 34" (86.3 cm) Width: 21" (53.3 cm) Depth: 15" (38.1 cm) Pierre Julien's model of Amalthée et la chèvre...

Large Meissen Porcelain modeled as a bust of a young child wearing a floral decorated cap, wearing open shirt with floral embellished sash. Late 19th century Crossed swords in ...

A magnificent pair of very large Meissen putti representing Day & Night by Heinrich Schwabe. Each figure wrapped in a cloth, float above the earth's atmo...

A lovely 19th century German Meissen porcelain figural group of a standing lady appealing to a standing gentleman and a musician sitting by their feet playing the drums. Late 19th century. Blue Meissen crossed sword...

Impressive large Imperial quality Chinese hand carved coral figural group depicting four female immortals with flowers, foliage and birds. Incredib...

A magnificent 19th Italian carved Carrara marble allegorical figure emblematic of Autumn, depicted as a youthful lady holding a goblet and a wine pitcher, vines and grapes in her hai...

This magnificent Italian marble figure depicts a woman sitting atop a stone, The details on her dress show it flowing carelessly by her feet, as she rests on an intricately designed...

This magnificent pair of antique Italian life-sized hand-carved marble figures depicts Romeo and Juliet, the young lovers in the famous play by William Shakespeare. One figure show...

"Le Marchand d'armes turc" (The Turkish arms merchant) This magnificent 19th century French patinated bronze figure depicts a standing man wearing headscarf (Ghutra or keffiyeh) holding a flintlock...

Pierre Louis Détrier (French, 1822–1897) This fine patinated bronze sculpture by Detrier depicts a mother and child. The attention to detail can be seen in the delicate treatment of ...

A large Italian hand carved white marble gilt-bronze mounted sculpture - bust of Minerva draped in classical attire, wearing a helmet on a white marble...

A stunning 19th century Neo-Classical style hand carved white Carrara marble figural group depicting a semi nude lady reclining by a Roman caesar seated o...

Antique Meissen complete 12 piece set - "Motto Children" after models by Acier (after drawings by Schoenau). Each figure with an inscribed motto in French on the base that reads as ...

This enchanting museum quality Carrara marble group is the work of Edward Russell Thaxter (born Yarmouth, ME 1857-died Naples, Italy 1881). The sculpture depicts a young girl sternly scolds her cat, who has just attacked a bird's nest. She clutches the cat to her chest and looks at it disapprovingly, while waving her hand in discipline. Meanwhile, a dead bird lies at her feet and feathers hang limply from the cat’s mouth. This scene is a prelude to the responsibilities of motherhood: the young girl who is now reprimanding her cat will have to ensure that her own children are well behaved in the future. The sculpture rests on a dark green serpentine marble pedestal. Although Edward Thaxter's life was short, he excelled in creating detailed neoclassical sculpture. Signed: E. R. Thaxter Titled: Reproof Circa 1878-1880 Measures: Height with pedestal 76" (193 cm) Height of sculpture 40" (101 cm) Another example of this marble figure is in the Smithsonian National Museum in Washington DC. Artist biography: Edward Russell Thaxter was only twenty-four years old when he died, but in his brief career as a sculptor he garnered praise for his work and was deemed an artist with a promising future. Born in Yarmouth, Maine, he is believed to have chosen to study sculpture after seeing the work of John Rogers. At the age of sixteen, Thaxter moved to Boston and studied with the portrait sculptor John D. Perry. In 1878 Thaxter left for Florence, Italy, where he took a studio and began to create the neoclassical works that won him critical attention. In 1881 he contracted typhoid fever, which left him in a weakened condition, and within the year the young sculptor died in Naples. Thaxter's untimely death was noted with genuine regret in the American press. The critic James Jackson...

This elegant Italian hand carved marble figure was made on early 20th century, and is a copy of the famous Venus De Milo marble sculpture (Aphorid...

A magnificent large 19th century Italian carved marble figure of a young lady wearing a laced bathing suit, stepping down from an old dock to test the temperature of the water with h...

A fine 19th century French patinated bronze figure of a standing draped classical woman with a wreath to her hair holding an urn. Titled: Antifonh Measures: Height 41.5" (105.4 cm)...

A French Antique Carved Marble Bust of Louis XIV, a masterful embodiment of artistry and historical grandeur. Crafted with precision and reverence, this carved marble bust captures t...

Robert Graham (1938-2008) "Kim" 1984 signed: R. Graham A large patinated bronze figure of a standing nude lady on a rotating pedestal. Measures: Height 77" Width 14" Depth 14" Ex...

Young Michelangelo Carrara marble. Signed: P. Bazzanti, Florence (Italian, 1825-1895) Circa 1870 This magnificent 19th-century hand-carved marble sculpture depicts the young artist...

A pair of late 19th century gilt bronze fireplace figural bronze andirons designed by Ernest coxhead. Depicting Pan & Nymph, circa 1890 Measur...

Superbly carved 19th century Italian alabaster group depicting a cavalier standing aside a sitting lady with a flower in hand. Raised on a green marble pedestal with a rectangular to...

A magnificent 19th century Italian carved marble figure of the son of William Tell kneeling under a tree trunk with a punched apple above his head. Raised on a contemporary solid marble pedestal. By Pasquale Romanelli (1812-1887) This model is recorded as the first sculpture exhibited by Pasquale Romanelli, it met with such success that it was subsequently given a prize at the New York Exhibition of 1854 and also at the 1861 first Great Italian exhibition which followed the Unification of Italy in 1860. The statue was bought by Italian king S.M. Vittorio Emanuele II. Signed: Romanelli, circa 1860 Dimensions: Height with pedestal 70.5" (179 cm) Diameter with pedestal 24" (61 cm) Height of sculpture 41.5" (105 cm) Diameter of sculpture 22" (55 cm) Pasquale Romanelli was born in Florence on May 28 1812. When he was 15 years old he entered the studio runned by Master Sculptor Luigi Pampaloni and later moved to Lorenzo Bartolini’s studio in Borgo San Frediano. Lorenzo Bartolini was a teacher at Accademia in 1837 and suggested the young pupil to attend proper sculpture training at the Accademia of Belle Arti. Soon he learned to sculpt in marble at such a high level that Bartolini himself did not need to finish his pieces if they have been carved by Pasquale. In 1840 he got his studio at the San Barnaba Monastry (nearby San Lorenzo church) and in this years he already took part in the political life, sure enough his subjects were connected to his political IDEA of freedom and independence of Italy. In 1850 Lorenzo Bartolini died his heirs had to deal with several sculptures uncompleted and sort out how to finish them without distorting either the original project and the Master’s style. As Bartolini was very jealous of his “last touch”, the heirs chose Pasquale Romanelli to complete most of his works, as he was the only assistant that could match the ability of the master. Just to mention some of this works, according to the tradition, the famous sculpture ”La fiducia in Dio” now housed at Hermitage Museum was sculpted by Pasquale Romanelli from an original model by Bartolini, as well as the “Monumento Demidoff” placed in Piazza Demidoff in Florence. Till the end of his life he worked on several commissions, either public monuments as the sculpture Francesco Ferrucci (Portico degli Uffizi) and private ones, mostly sold abroad. He was a renown portraitist and according to the tradition, luxury carriage...

This charming 19th century Italian carved white Carrara marble group depicts six children in a boat. Three children playing musical instruments (violin, flute and angel harp), one ch...

Carved Italian Alabaster sculpture of a maiden at the water fountain Italy, circa 1900. Depicting a young maiden leaning on a decora...

A lovely 19th century carved Carrara marble figure of a young girl waving her right hand as a dove rests on her dress, she is standing aside a basket with a ball of string and a gar...

Art Deco carved alabaster figure of a posing nude lady France, circa 1920 Hand-carved depicting a nude lady wearing a necklace and head band on the original carved marble base.  

A pair of large French Napoleon III style metal thirteen-light figural torchières.depicting two winged cherubs holding up a thirteen-light torchère, standing on bases with gold highl...

Monumental 19th Century French Bronze Depicting Prince Hamlet & the Gravedigger, from Act V, scene i. of shakespeare's tragedy. Cast by Victor Thiebaut, Paris. Signed on base: Par Vor Thiebaut 1865. and Costa de B. Height: 51" (129.5 cm) Width: 33" (83.8 cm) Depth: 23" 58.4 cm) Victor Adolphe Thiébaut , born in 1828 and died in 1888 was one of the most illustrious founders of French art. He was the creator of the Art Foundry Thiebaut Brothers ,one of the largest and most prestigious art foundries in France during the 19th and 20th centuries. His achievements are visible throughout the world and especially in Paris. In 1849, after being associated with him, his father Charles Antoine Floréal left him the reins of the family foundry " Thiébaut & Fils ", a company manufacturing loops and medals, cylinders for printing canvas and paper, machine parts steam and other industrial objects made of bronze and copper. Two years later, in 1851, Victor Thiébaut decided to start a new activity of art foundry. He created the "Thiébaut Frères Art Foundry". It is from this time that the house will experience great prosperity and international artistic renown. Victor Thiébaut was a perfectionist. He believed that the perfection of cast iron was the main point of making a work. This way of thinking earned him the trust, the friendship and the advice of the sculptors of the time. The first works of Victor Thiébaut are exhibited throughout Europe. The London Exhibition in 1862 gave him the Knight's Cross of the Legion of Honor . That same year, he was elected mayor of the 10th arrondissement of Paris . Over the years, the fame of the Thiébaut Frères Art Foundry enabled the company to produce more and more important works in collaboration with prestigious artists. In 1860, Victor Thiébaut realized his first Parisian work: the fonts of "Agriculture" and the "Work" of Gumery. These works are visible on one of the fountains of the square-Émile Chautemps. In 1861, he produced a monumental work for the city of Paris: the bronze group "Saint Michael slaying the devil" by Duret, installed on the fountain Saint Michel. In 1863, another monumental work installed in the heart of the capital. Victor Thiebaut performs the statue of Napoleon I er , installed at the top of the Vendôme column . The statue was shot down in 1871 and repaired in 1875 by the Thiébaut Frères Art Foundry. Between 1864 and 1899, Victor Thiébaut realized many monumental works, still today, throughout the capital, including " The Triumph of the Republic ", place de la Nation , the "monument to Joan of Arc", place the Pyramids , the "Lioness of the Sahara", the Louvre palace , many works present in the Luxembourg gardens , the Tuileries gardens , the Jardin des Plantes , and in many other places. In 1878, the "Thiébaut Frères Art Foundry" cast the work " Charlemagne and its Leudes ", installed on parvis Notre-Dame . Victor Thiébaut died in 1888, leaving his sons Victor and Jules with orders for the family business. Until his last days, Victor Thiébaut worked on two monumental orders that will be completed and installed after his death. One of the most visible works made by the "Fonderie Thiébaut Frères" was undoubtedly the replica of the "Statue of Liberty", installed on the bridge of Grenelle ( Swan...

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

A white carved marble figure of Napoleon Bonaparte standing with one hand in his jacket, raised on a gilt bronze mounted white marble pedestal. Overall height: 75" Sculpture height...

A Meissen Porcelain articulated nodding head pagoda figure. 20th century, blue crossed swords mark on the neck, numbered 67827, painter 126D, body mark...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

A Signed Contemporary Bronze Floridian Lobster Sculpture Period: Late 20th Century Origin: Florida Height: 15" Width: 9.5" Depth: 9.5" Style: American Modern The i...