A Large French Bronze Sculpture "Amalthea & Jupiter's Goat" after Pierre Julien

A 19th C. French Patinated Bronze of a Standing Peasant Women After Eug Marioton Depicting a standing peasant woman holding a branch, raised on a circular naturalistic base Fra...

A fine 19th Century French Patinated Bronze Sculpture - "Gloria Patria" (Homeland Glory) by Eugene Marioton. Titled on the front of the base: Gloria Patria Signed: Marioton Dimens...

Monumental 19th Century French Bronze Depicting Prince Hamlet & the Gravedigger, from Act V, scene i. of shakespeare's tragedy. Cast by Victor Thiebaut, Paris. Signed on base: Par Vor Thiebaut 1865. and Costa de B. Height: 51" (129.5 cm) Width: 33" (83.8 cm) Depth: 23" 58.4 cm) Victor Adolphe Thiébaut , born in 1828 and died in 1888 was one of the most illustrious founders of French art. He was the creator of the Art Foundry Thiebaut Brothers ,one of the largest and most prestigious art foundries in France during the 19th and 20th centuries. His achievements are visible throughout the world and especially in Paris. In 1849, after being associated with him, his father Charles Antoine Floréal left him the reins of the family foundry " Thiébaut & Fils ", a company manufacturing loops and medals, cylinders for printing canvas and paper, machine parts steam and other industrial objects made of bronze and copper. Two years later, in 1851, Victor Thiébaut decided to start a new activity of art foundry. He created the "Thiébaut Frères Art Foundry". It is from this time that the house will experience great prosperity and international artistic renown. Victor Thiébaut was a perfectionist. He believed that the perfection of cast iron was the main point of making a work. This way of thinking earned him the trust, the friendship and the advice of the sculptors of the time. The first works of Victor Thiébaut are exhibited throughout Europe. The London Exhibition in 1862 gave him the Knight's Cross of the Legion of Honor . That same year, he was elected mayor of the 10th arrondissement of Paris . Over the years, the fame of the Thiébaut Frères Art Foundry enabled the company to produce more and more important works in collaboration with prestigious artists. In 1860, Victor Thiébaut realized his first Parisian work: the fonts of "Agriculture" and the "Work" of Gumery. These works are visible on one of the fountains of the square-Émile Chautemps. In 1861, he produced a monumental work for the city of Paris: the bronze group "Saint Michael slaying the devil" by Duret, installed on the fountain Saint Michel. In 1863, another monumental work installed in the heart of the capital. Victor Thiebaut performs the statue of Napoleon I er , installed at the top of the Vendôme column . The statue was shot down in 1871 and repaired in 1875 by the Thiébaut Frères Art Foundry. Between 1864 and 1899, Victor Thiébaut realized many monumental works, still today, throughout the capital, including " The Triumph of the Republic ", place de la Nation , the "monument to Joan of Arc", place the Pyramids , the "Lioness of the Sahara", the Louvre palace , many works present in the Luxembourg gardens , the Tuileries gardens , the Jardin des Plantes , and in many other places. In 1878, the "Thiébaut Frères Art Foundry" cast the work " Charlemagne and its Leudes ", installed on parvis Notre-Dame . Victor Thiébaut died in 1888, leaving his sons Victor and Jules with orders for the family business. Until his last days, Victor Thiébaut worked on two monumental orders that will be completed and installed after his death. One of the most visible works made by the "Fonderie Thiébaut Frères" was undoubtedly the replica of the "Statue of Liberty", installed on the bridge of Grenelle ( Swan...

A Large 19th Century French Gilt-Bronze Ink Well with Handle France, Circa 1890 Dimension: Height: 6", Width: 20", Depth: 9" Excellent Cond...

A Signed Contemporary Bronze Floridian Lobster Sculpture Period: Late 20th Century Origin: Florida Height: 15" Width: 9.5" Depth: 9.5" Style: American Modern The i...

A French patinated bronze sculpture of a grouse with wings spread, carrying a sheaf of wheat in its beak, raised on oval base, after a model by Alfred Barye (1839-1882) Incised: BAR...

'Goat' bronze sculpture created by Studio Rinat Design, molded and cast in bronze in the lost wax process. The sculpture is available to order in other patinas and in gold finish. Li...

An equestrian sculpture after Pierre-Jules Mêne A naturalistic, carefully detailed and beautifully patinated bronze model of a jockey on his galloping horse, the realistic topogr...

A bronze cast of Diana, Goddess of the Hunt, after Pierre Roche (French 1955 - 1922). The sculpture stands on a square green marble base. Dimensions: Base: 8" x 8" Overall: 10.5" ...

AFTER THE ORIGINAL MODEL BY PIERRE EMILE HEBERT French, 1828-1893 "Thetis, Olympian" Item # 301THW19P A very nice cabinet bronze depicting the Greek goddess Thetis, the sculpture...

PIERRE JULES MÊNE French, 1810-1879 "Cheval Libre no. 1" (The Free Horse) Sand-cast and patinated bronze cast signature "P.J. MÊNE" atelier Mêne-Cain, cast circa 1900 Item # 308KNM08Q Cast from an early mold with brilliant surface texture captured directly from the wax and transferred to the bronze, the present example is an atelier Mêne-Cain cast circa 1879-1908. It features a lively surface that is finished in a very dark brown patina with reddish undertones, the darker chemical patina being captured in the slashes and cuts of the sculptor's stylus that remain captured throughout the flesh of the stallion. It remains in an exquisite state of preservation throughout with the original patina sealed under a glowing wax layer. The underside shows the horse joined thorugh the base with large threaded rods tightened with torch-cut nuts. The model is listed in Mêne's catalogue as no. 39 and it is an individual portrait of the stallion separated out from his most celebrated L'Accolade with some slight alterations to the horse's pose make the figure more appropriate as a stand-alone work. The dramatic pose is highly Romantic and reminiscent of the posturing and composition found in the brilliant equestrian portrait...

A very good quality large 19th century bronze statue of a semi nude female of Amalthea in Marie Antoinette’s dairy. The original is marble from 1787.. There were different traditions regarding Amaltheia.[3] Amaltheia is sometimes represented as the goat who nurtured the infant-god in a cave in Cretan Mount Aigaion ("Goat Mountain"),[4] sometimes as a goat-tending nymph[5] of uncertain parentage (the daughter of Oceanus,[6] Helios,[7] Haemonius,[8] or—according to Lactantius—Melisseus[9]).[10] The possession of multiple and uncertain mythological parents indicates wide worship of a deity in many cultures having varying local traditions. Other names, like Adrasteia, Ide, the nymph of Mount Ida...