Artistoric Wall Decorations

A set of three framed William Morris wallpaper panels in the Honeysuckle (yellow), Fritillary (teal), and Sunflower (red )patterns. The 'Honeysuckle' pattern wallpaper panel was des...

A 'Fritillary' pattern wallpaper panel designed by William Morris in 1885 and printed by Arthur Sanderson & Sons circa 1960 in a fabulous light green with mint colorway. William Morris’s wallpapers...

A 'Sunflower' pattern wallpaper panel designed by William Morris in 1879 and printed by Arthur Sanderson & Sons circa 1960 in a brilliant red and olive colorway. First designed in 1879, the William Morris ‘Sunflower’ wallpaper pattern has lasting appeal and has been printed for many generations of wallpaper enthusiasts. The sunflower as a design motif became extremely popular in the late 19th century in conjunction with the Arts & Crafts and Aesthetic Movements, which looked to nature for design inspiration. In 1940, Morris & Co. closed and their woodblocks and designs were acquired by Arthur Sanderson & Sons, who continues to print the wallpapers even today. This edition of the ‘Sunflower’ wallpaper was printed in the mid-20th century and features a vibrant red and olive colorway, a far cry from the natural palette of Morris’s original design. Dimensions: 52 3/8 in. H x 21 1/4 in. W (133.2 cm H x 54.2 cm W) Condition: Very good. Paper with slight warping. Framing prong overlaps wallpaper in two areas (see image). Not examined out of frame. References: Smithsonian, Cooper Hewitt, 1977-28-15-a/f William Morris Gallery...

A 'Honeysuckle' pattern wallpaper panel designed by May Morris in 1883 for Morris & Co. Although best known for her embroideries and textiles, May Morris also designed some wallpapers at her father’s firm Morris & Co. ‘Honeysuckle’ is her most famous wallpaper design; it was also one of the most popular patterns among consumers and is produced even today. May would have been about 21 years old when she created this pattern, and while she may have received some assistance from her father, the confident design shows an understanding of composition and color theory on the level of an experienced designer. Dimensions: 52 3/8 in. H x 21 1/4 in. W (133.2 cm H x 54.2 cm W) Condition: Very good. Paper with slight warping. Some slight creasing along selvedge. Light crease in center approximately 2 3/4 inches long. Not examined out of frame. References: Smithsonian, Cooper Hewitt, 1980461176 William Morris Gallery...

A French porcelain hand-painted plaque by Paul Milet created in the early 20th century. This plaque, created by Sèvres ceramicist Paul Milet in the early...

A pair of early transferware English porcelain saucers, made by the Worcester Porcelain Factory during the Barr, Flight & Barr period, 1807-1813. The late 18th and early 19th cent...

A Venetian opal glass plate from the early 18th century with stunning luminescent qualities. An epitome of Renaissance and Baroque Venetian cult...

An extraordinary azure maiolica dish in the Farnese service, made by Castelli d'Abuzzo between 1580 and 1589. In the peak of the High Renaissance, Cardinal Alessandro Farnese commissioned a dinner service from the Castelli maiolica...

A pair of framed Minton bird tiles designed by Christopher Dresser ca. 1875. These tiles are beautiful examples of Arts & Crafts pottery. Arts & Cr...

A Minton pottery tile designed by Christopher Dresser in 1873. This tile, designed by Christopher Dresser and made in 1873, exemplifies the Aesthetic Movement ethos of the home as...

An Arts & Crafts Minton tile in the Kingfisher pattern, designed by Christopher Dresser, ca. 1870. Arts & Crafts designer Christopher Dresser’s works were true to the movement’s c...

A pair of English porcelain soup dishes made by Chamberlains Worcester circa 1825. Made circa 1825, this pair of porcelain soup dishes is an excellent example of the stunning qual...