Century Design Ltd. Prints

Original modern art lithograph by Japanese artist Aki Kimoto. This colorful piece bears an original signature and is number 12/150 of the limited edition. Combining cubic images as w...

Vintage Richard Anuszkiewicz lithograph, 1970: Title: "Yellow Reversed". Off-set lithograph in colors. Size: 11.25 x 16.75 inches. Center fold-line as originally issued; Very goo...

Louis Icart (French, 1888-1950) Modern Eve (H., C. & I. 424), 1933. Etching, drypoint and aquatint with handcoloring on wove paper, signed in pencil, with the blindstamp of the arti...

A very colorful lithograph professionally framed, signed. This interesting work of art is attributed to Bernard Gatner. Will enhance any space. Measures: 26 1/8" H x 33 5/8" W x 1...

Art Deco engraving dated 1935. Model: "Ballerina at Rest." Signed Louis Icart. In good condition, some yellowing. Height: 50.5 cm Width: 59.5 cm Weight: 2.1 kg Louis Icart (1888-19...

A beautiful lithographic print by Argentinian-born Italian surrealist painter, designer, illustrator, and author Leonor Fini titled "Deux Femmes". Leonor Fini was arguably the most ferociously and heroically independent woman artist of the 20th century. Fini herself never accepted the label of "woman artist," and likewise, never considered herself a Surrealist despite her works having been included in nearly every major Surrealism exhibition from 1936 to the present. In the 1930s she lived in Paris, France where she collaborated with, or who were influenced by such prominent 20th-century artists as Jean Cocteau, Man Ray, Leonora Carrington, Salvador Dalí, Joseph Cornell, Dora Maar, Anna Magnani, Albert Camus, Jean Genet...

Louis Icart (1888-1950). Etching on paper. "Madame Butterfly". Dated 1927. Visible dimensions: 51 x 35 cm. Total dimensions incl. passepartout: 66 x 47 cm. The frame measures: 4 c...

Pop Art screen-print on silver metallic board featuring graphic magenta, blue, orange bullseye targets. Signed Peter Gee 1967. Professionally framed in a white wood frame with glare ...

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Selection of modernist art serigraphs or lithographs, circa 1950s-1970s. They are: 1) Victor Vasarely color lithograph, circa 1960s. It has been recently reframed in a clean lined bl...

A tranquil, gorgeously composed, quite large limited edition print by American artist Will Barnet. The print is pencil signed, titled, dated (1980) and numbered (256/300) by the artist. This is one of Barnet's most sought after images. Clearly, a standout work. The print has been professionally framed. Framed dimensions: 30" H, 45.5" W, 1.75" D Barnet studied at the Boston Museum of Fine Arts School and then at the Art Students League in New York. He is the recipient of the following awards: Artist's Lifetime Achievement Award Medal The College Art Association’s Lifetime Achievement Award The Philadelphia Academy of Fine Art’s Lippincott Prize The American Academy and Institute of Arts and Letters’ Childe Hassam Prize. His work can be found in many permanent collections including: Albright-Knox Art Gallery Art Institute of Chicago Corcoran Gallery of Art Solomon R. Guggenheim Museum Metropolitan Museum of Art Museum of Modern Art Museum of Fine Art, Boston National Gallery of Art Phillips...

Original 1970s Op Art multicolored serigraph, TUZ’MC, by Victor Vasarely. Signed in the lower right hand corner. Victor Vasarely (French/Hungarian, 1906–1997) is known as the father...