Charles Morin Fine Art Paintings

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Size: 12 x 16 Frame: 16 x 20 Medium: Oil "Autumn Path" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landsca...

Randy Peyton (1958 - present) San Antonio Artist Size: 20 x 24 Frame: 28 x 32 Medium: Oil on Canvas 2004 "Fireworks over Mission San Jose" Biography Randy Peyton (1958 - present) Tex...

Cliff Cavin Texas Artist Size: 24 x 30 Frame: 30.5 x 36.5 Medium: Oil 2022 "Springtime Blues" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas, is a landscape artist...

Cliff Cavin Texas Artist Image Size: 26 x 30 Frame Size: 33 x 37 Medium: Oil "Around The Bend" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas, is a landscape artis...

Gary Lynn Roberts (Born 1953) Texas Artist Image Size: 20 x 16 Frame Size: 28.5 x 24.5 Medium: Oil Dated 1973 "Fall Landscape" Gary Lynn Roberts (Born 1953) ...

Margaret Flowers San Antonio Artist Image Size: 9.75 x 13 Frame Size: 14 x 17.5 Medium: Watercolor and Ink "Coastline" Margaret Flowers Study Art Pottery under Harding Black. Painte...

Carl Hoppe 1897-1981 San Antonio Artist Image Size: 28 x 28 Frame Size: 33.5 x 33.5 Medium: Oil "Lost Maples" Texas Biography Carl Hoppe 1897-1981 Carl Thomas Hoppe, born 22 August 1897 in San Antonio, TX, son of German immigrants August and Teresa Hoppe, died 15 January 1981 in San Antonio at age 83 [San Antonio Express-News, 16 January 1981]. A resident of the Alamo Heights district, his primary employment was salesman at Joske's Department Store in San Antonio [San Antonio City Directory]. In the 1920s, he married Frances Rose, but they apparently had no surviving children. He was active as an artist in the mid 1900s through at least the 1960s. He is best known for landscapes in an impressionistic style. He signed his works with a simple "C. Hoppe" and sometimes included a brief descriptive phrase on the back of the painting or in pen & ink on a paper label with an inscription about the painting or the person to whom it was presented. Some of his original frames appear to be home-crafted. He is reported to have studied under several more-notable Texas artists who worked in the San Antonio area, including Porfirio Salinas, Robert Wood, Jose Arpa, and Julian Onderdonk. Upon opening an exhibit of his works at the Panhandle-Plains Historical Museum in Canyon, Texas in 1997, the museum curator stated "Hoppe's high place in the Hill Country art...

Walton Leader (1877-1966) Austin Artist Image Size: 21 X 24 Frame Size: 26 X 30 Medium: Oil 1930s / 1940s Barton Creek Biography Walton Leader (1877-1966) Morris Walton Leader was born in Marshall, Texas in 1877. He died in Austin, Texas where he lived since a young boy. He studied with San Antonio Artists Harry Anthony DeYoung...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 16 x 20 Frame Size: 24 x 28 Medium: Oil "Spring Creek Phlox" Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields...

Paul Schumann 1876-1946 Galveston Artist Size: 9 x 12 Frame: 13.75 x 16.75 Medium: Oil "Crashing Waves" Paul R. Schumann was born in Reichersdorf in the German state of Saxony in 1876, one of four children of Albert F. Schumann and Mina Clara Zincke. Only he and his brother Albert Otto survived infancy. The family emigrated to the United States in 1879 and settled in Galveston, Texas, where he lived until his death. Schumann evinced an early interest in art and received encouragement from the superintendent of the Galveston Public Schools. He studied painting with local painter Julius Stockfleth...

D. Robins Image Size: 18 x 36 Frame Size: 24 x 42 Medium: Oil "Rushing River"

Emma Richardson Cherry (1859 - 1954) Houston Artist Size: 20 x 16 Frame: 22.5 x 18.5 Medium: Oil on Board "Magnolias" Biography Emma Richardson Cherry (1859 - 1954) Emma Richardson Cherry, known as the "Dean of Houston Art," is credited with introducing many Houstonians to fine art. Emma Richardson was born in Aurora, Illinois in 1860. She was recognized as an artist by the age of 18. She met her husband, Dillon Brooke Cherry, while teaching art in Nebraska. Mrs. Cherry studied in New York, Paris, and Italy before moving to Houston in 1892. Cherry began teaching art in her home, and continued to do so for half a century. Cherry organized the Houston Public School Art League* in 1900 with four other art advocates: Mrs. Robert S. Lovett, Miss Lydia Adkisson, Miss Roberta Lavender and Miss Cara Redwood. The group would obtain examples of fine art masterpieces and bring them to the schools. One attempt was not favorably received- a replica plaster of Paris nude Venus de Milo was offered to Central High School; the School Board thought it would corrupt students morals and refused to accept it. The League gave the statue to the public library instead (today it can be seen on the second floor of the Julia Ideson Building). According to one newspaper account, parents would warn their children: "You may go down to the library, my dears, but don't go near that Venus." (Houston Post 4-12-1953) The independent spirit was recognized in a 1923 Houston Chroniclearticle: "Mrs. Cherry's work has always been characterized by an independent spirit and forward-looking attitude." In 1913, the group she had organized shortened their name to the Houston Art League*, setting its sights on raising money to open a fine arts museum in the city. The Museum of Fine Arts, Houston opened in 1924. Emma Richardson Cherry was the first woman to have a solo exhibit at the museum. Cherry worked in oil, watercolors, pastels, pencil and charcoal, and considered herself a modernist, but she painted a number of traditional portraits while living in Houston. She is known for her paintings of flowers, and in 1937 did a study of oleanders to be presented to President Franklin Roosevelt during his visit to Galveston. Her four most popular works are of the Texas Republic...

Joe Rader Roberts (1925 - 1982) Lockhart/Houston Artist Image Size: 20 x 16 Frame Size: 25 x 21 Medium: Oil Circa 1971 "Bakers Farm" Joe Rader Roberts (1925-1982) Born in Lockhart, ...

Everett Spruce (1908 - 2002) Austin Artist Image Size: 18 x 15 Frame Size: 28 x 25 Medium: Oil on paper / Mixed Exhibited at a University of Texas Faculty art show in 1947 Unsigned Biography Everett Spruce (1908 - 2002) The following, submitted by a researcher of the Ashworth Collection of Native American and Western Art, is from the artist's obituary in the Fort Smith, Arkansas "Times Record" newspaper, October 20, 2002. Everett F. Spruce, well-known artist, teacher, professor emeritus, died Friday, Oct. 18, 2002, at age 94. Everett Spruce was born on a farm in Conway to William E. and Fannie McCarty Spruce. He came to Dallas, at age 17, on a scholarship to study at the Dallas Art Institute, under Olin Travis and Thomas M. Stell Jr. In 1931, he became gallery assistant at the Dallas Museum of Fine Arts and in 1934 married Alice V. Kramer, a fellow art student. He was one of the "Dallas Nine" group of Southwest artists...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 28 Frame Size: 43 x 41 Medium: Oil 2003 "Sounds of Spring" Waterfall G. Ha...

Jose Vives-Atsara Catalonia Village (1919-2004) San Antonio Artist Image Size: 24 x 30 Frame Size: 34 x 40 Medium: Oil Applied by Palette Knife Dated 1973 " Village in Catalonia" Spa...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 16 x 15 tall Medium: Bronze Sculpture / Studio Copy 1984 "Working as One" G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter honored him with a Distinguished Alumni Award. One of Harvey's paintings was featured on the cover of Smithsonian Institution's 150th anniversary engagement book. He now has four books published and resides with his family in The Texas Hill Country. integrity, strength, courage, faith, heritage - these are compelling words that have often been used by collectors and art critics alike to describe that intrinsic value that courses through every original painting or sculpture by artist G. Harvey. Whether drawing inspiration from his own deeply rooted Texas heritage or his world travels with wife Patty, the human experience is fully revealed in his art. He is often credited with technical brilliance as his goal is to approach each subject with discipline, maturity and artistic integrity. Yet beyond this vast and well-schooled knowledge, is a deeper set of values, an inner luminosity that transcends time and place, evoking familiar sights, sounds, moods and emotions. Harvey grew up in San Antonio, Texas. He resides now in Fredericksburg, Texas where he lives in a 150-year-old stone home built by German settlers. Lyndon Johnson introduced his works to John Connally who presented a G Harvey original to the governors of four Northern Mexican states. He celebrated a one-man show at the Smithsonian Institution entitled The All-American Horse. Harvey has always believed that history lives through art including the epic struggle between the states, the western migration, the brief time when horses and automobiles clattered across cobblestones together. He is faithfully able to capture the drama and feeling of such a moment in time. Please view my 1stdibs store front for other Great Vintage Texas...

Julie Oriet Montana Artist Image Size: 8.5 x 11 Frame Size: 20 x 22 Medium: Watercolor 2009 "Mija's Burro Taxi" Spain Biography Julie Oriet began drawin...

Melvin Warren (1920 - 1995) Texas Artist Image Size: 22 x 36 Frame Size: 32 x 46 Medium: Oil Dated 1987 "Trail To Eagle Nest" Western Snow Scene Biography Melvin Warren (1920 - 1995) Melvin Charles Warren (March 19, 1920-August 4, 1995) For western art to achieve the distinction of fine art, it must first satisfy an artistic criteria and only then deal with the particularity of western subject matter. Melvin Warren understands this concept. His work is an accomplished artistic statement that also presents images which are faithful to western reality. Warren was born in California in 1920 and lived in Arizona and New Mexico before coming to Texas at the age of fourteen. He has seen the beauty and felt the lure of the Southwest and it stimulated his boyhood desire to be an artist. After service in World War II, Warren entered Texas Christian University and received a degree in fine arts. During the day, he worked in the best tradition of commercial art work, and in the evenings he painted out the western fantasies that crowded his mind. These paintings and the process of creating them encouraged Warren to seek a gallery outlet. The subtle sensitivity to his subject matter and an obvious control of the technical elements of painting made his work readily acceptable to a broad range of collectors. He became a special favorite of Lyndon Johnson who ultimately acquired many Warren oils. Melvin C. Warren is buried at Clifton Memorial Park, Clifton, Bosque County, Texas. The artist was born in Los Angeles, California in 1920. He died in Clifton, Texas in 1995. The artist lived as a child on ranches throughout California, Arizona, New Mexico and Texas. He served in the Air Force during WWII. Warren earned a degree in Fine Art from Texas Christian University in 1952 and also studied under Samuel Ziegler. His palette emphasizes earth tones -browns, reds, yellows. His subject matter emphasizes the history of the West - cattle trails and frontier forts. He was a member of the Cowboy Artists...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 25 x 30 Frame Size: 33 x 38 Medium: Oil "April" Texas Hill Country Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching...

James Boren (1921 - 1990) Waxahatchie, Texas / Oklahoma Artist / Member Cowboy Artists of America Image Size: 28 x 42 Frame Size: 40 x 53 Medium: Oil "Ca...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 12 x 16 Frame Size: 19 x 23 Medium: Oil on Canvas "Sleeping Lady Mountain" Iztaccihuatl, Volcano in Mexico Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officers lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson...

Debra Benditz Texas Artist Image Size: 48 x 36 Medium: Oil "Riding at Dawn" Cowgirl We will only ship in the Continental United State for posted shipping price. Debra Benditz Texas Artist Statement My oil paintings are a vibrant expression of the feminine and the can-do spirit of the Wild American West as embodied by my paternal grandmother and great-grandmother, both award-winning horsewomen. I use saturated colors, often found in nature, to interpret burgeoning growth, beauty and the human form especially of Jennie Pawson and Aeola Huston Mitchell, my cowgirl ancestors. I know these feisty women from stories I heard my father tell and from old photographs showing the time Jennie met Theodore Roosevelt, and another from 1901, when she was named a champion of the Cheyenne, Wyoming Frontier Days. As a child I spent hours on the floor of my grandfather’s music room as Enrico Caruso serenaded me from the Victrola. I gazed in awe at the tall bookcases, art-covered walls and my grandfather’s art nouveau postcard...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 14.25 x 13.25 Frame Size: 20.25 x 21.25 Medium: Mixed Media "The Dance" Biography Margaret Putnam (1913-1989) Margaret Putnam left an artistic legacy rare even in the art world. Revered for her innovative techniques and inimitable style prior to her death in 1989 , her renown continues today. She was a 20th century woman with a Renaissance soul who lavished her work with brilliant color, always breaking and making the rules to achieve the desired effect. An explorer, Putnam was basically self-taught; it could not be otherwise because no one had the vision that she had. She worked in oil, watercolor, wax resist, casein, and pastel, exploring new avenues, developing new techniques, combining mediums, and creating a unique style, instantly recognizable, unlike any other. A background in fashion illustration was evident in the color, texture, and design that adorned both male and female figures. In abstract work, there was always a keen but unique sense of design. She worked over 8 hours a day, 363 days a year. Even after becoming partially paralyzed from amyotrophic lateral sclerosis (Lou Gehrig...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil 2022 "Cerulean Spring" Bluebonnets Biography Eric Harrison (Born 1971) “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” -Henry D. Thoreau Eric Harrison-born 1971 in San Antonio, Texas. In 1995 he married Kim Marie, and together they have two sons, Noah and Ethan. The Harrison’s reside in the hill country west of Blanco, Texas. Currently painting in a language resonant with other Texas artists such as Robert and Julian Onderdonk, Robert Wood, Porfirio Salinas, Dawson Dawson-Watson, and Robert Harrison; with an affinity toward the work of California painter William Wendt. Paul Cezanne and many of the post impressionists. Exhibitions and collections of his work include: The United States Embassy in Togo, Africa The University of Texas at San Antonio The Buckhorn Museum San Antonio Best of the Best Art Show Salado, Texas Texas Landscape Show The Nave Museum, Victoria Texas The Harrisons, “A Family of Texas Painters” Charles Morin...

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 30 x 40 Frame Size: 32 x 42 Medium: Oil Dated 1980 "In Flight" Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 24 x 36 Frame Size: 37 x 49 Medium: Oil Dated 1957 "Hill Country Ranch Road" Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields...

Luke Frazier (Born 1970) Utah Artist Image Size: 30 x 48 Frame Size: 39 x 57 Medium: Oil "Guadalupe Romance" Biography Luke Frazier (Born 1970) Luke Frazier grew up hunting and fishing in the mountains of northern Utah. These early forays into nature instilled a kinship with the wildlife, and a passion for the outdoors. As a child he spent hours scribbling, sketching and sculpting wildlife. Later, his formal art training occurred at Utah State University, where he earned a Bachelors of Fine Arts degree in painting and a Masters of Fine Arts degree in illustration. Every year, Frazier travels through Alaska, Canada, and the American West painting and photographing animals in their environment. His love of fly fishing and hunting is apparent in his work. Influenced by the art of Winslow Homer, Edgar Payne, Bruno Liljefors...

Lou Tong Image Size: 24 x 20 Frame Size: 26.5 x 22.5 Medium: Oil "Girl In Thought" Biography Tong Luo was born in Huai Yang, County of Henan Province, China, in 1969. He learned h...

Michael Frary (1918 - 2005) Austin Artist Image Size: 51 x 35 Frame Size: 59 x 43 Medium: Oil Dated 1970 "New Horizon" Biography Michael Frary (1918 - 2005) Michael Frary was born in...

Luo Tong "Young Chinese Boys" Image Size: 30 x 24 Frame Size: 38.5 x 32.5 Medium: Oil "Two Boys" Biography Tong Luo was born in Huai Yang, County of Henan Province, China, in 1...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 12.5 Medium: Oil "The Clown" Biography Michael Frary (1918 - 2005) Michael Frary was born in Santa Monica, California on Ma...

Timur Akhriev Image Size: 31 x 58 Frame Size: 38 x 65 Medium: Oil "Kate In The Barn" Biography Born in Vladikavkaz, the territory where Southern Russia meets...

Paul Schumann Has been professionally cleaned and framed. 1876-1946 Galveston Artist Image Size: 9 x 12 Frame Size: 13.75 x 16.75 Medium: Oil "Crashing Waves" Paul Richard Schumann (December 13, 1876 – April 29, 1946) was a Texas...

George Devoss California Artist Image Size: 24 x 36 Frame Size: 29.5 x 41.5 Medium: Oil "Watering Hole" Resident of Los Angeles in 1928-37. Edan Hughe...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil Dated 1910 "In The Land Of The Spanish Oak" Spectacular larger scene by Julian...

Leona Turner (1929 - 2004) West Texas / Albuquerque Artist Image Size: 14 x 18 Frame Size: 21 x 25 Medium: Oil "Cottonwoods at Peralta" Biography Leona Turner (1929 - 2004) Leona Marie Turner was born and raised in West Texas, where she is well-known and her paintings are sought after. In Albuquerque, she taught classes to most every aspiring artist in New Mexico and many from Arizona, including Curt Walters. She was proficient with oil paints, watercolor and pastels, and her works hang in numerous important places in the Southwest. Many portraits were commissioned from Jackson Hole, Wyoming, to Amarillo, Dallas and El Paso, Texas. Internationally known artist Curt Walters commissioned a 40x60 oil portrait in 1990. Ms. Turner was a member of many art societies, including the National Portrait Society, National Water Color Society, New Mexico Watercolor...

Samuel Wilson (Born 1986) San Antonio, TX Image Size: 30 x 24 Medium: Oil on Board "WE THE PEOPLE" When you see them in person you will say UNBELIEVEABL...

Samuel Wilson (Born 1986) San Antonio, TX Image Size: 24 x 48 Medium: Oil on Canvas "Transcendence" When you see them in person you will say UNBELIEVEAB...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 9.5 x 12.75 Frame Size: 17 x 20 Medium: Color Etching "A Drink" Biography Margaret Putnam (1913-1987) Margaret Putnam left...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 13.75 x 20 Frame Size: 20 x 27 Medium: Pen, Pencil, Crayon, Marker "Daddy Playing in the Mud" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 14 x 22 Frame Size: 21 x 29 Medium: mixed media Circa 1970s "The Safari Hunt for the Man Eating Tiger" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

Leopoldo Gonzales Jr Born 1921 San Antonio Artist Size: 36 x 22 Frame: 42.5 x 28 Medium: Casein Circa 1958 Mid Century Modern "Corrida" Biography Leopoldo Gonzales Jr Born 1921 Exh...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 16 x 12 Frame Size: 19 x 15 Medium: Oil on Canvas " San Fernando Cathedral Moonlight" Biogra...

R.P. Cochran Austin Artist Image Size: 16 x 20 Frame Size: 23 x27 Medium: Oil "Ranch House"

Randy Peyton (1958 - present) San Antonio Artist Image Size: 36 x 24 Frame Size: 43.5x 30.5 Medium: Oil on Canvas "Gate to The Alamo" Biography Randy Pe...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 40 x 30 Frame Size: 41 x 31 Medium: Oil on Canvas Dated 2005 "Morning Light on San Fernando ...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 40 x 30 Frame Size: 45 x 35 Medium: Oil on Canvas 2005 "Path in Front of San Fernando" Biography Randy Peyton (Born 195...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 24 x18 Frame Size: 25x19 Medium: Oil on Canvas over newsprint Dated 2004 "The Tower Life Bui...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 60 x 48 Medium: Oil on Canvas "Facade of San Fernando Cathedral" Biography Randy Peyton (Bo...

Paul Schumann 1876-1946 Galveston Artist Image Size: 9 x 12 Frame Size: 12.5 x 15.5 Medium: Oil on Board Circa 1930s "Navy or Coast Guard Boat At Sea" Paul Schumann 1876-1946 Galveston Artist Image Size: 8 x 12.75 Frame Size: 13 x 17.5 Medium: Oil New Mexico Biography Paul Schumann 1876-1946 Paul R. Schumann Paul Richard Schumann (December 13, 1876 – April 29, 1946) was a Texas impressionist seascape painter who has been called the Gulf Coast counterpart of Winslow Homer. Education and personal life Paul R. Schumann was born in Reichersdorf in the German state of Saxony in 1876, one of four children of Albert F. Schumann and Mina Clara Zincke. Only he and his brother Albert Otto survived infancy. The family emigrated to the United States in 1879 and settled in Galveston, Texas, where he lived until his death. Schumann evinced an early interest in art and received encouragement from the superintendent of the Galveston Public Schools. He studied painting with local painter Julius Stockfleth...

The following two paintings are being offered as a pair. Only one is signed the other is not. Both early New Mexico Paintings with beautiful heavy i...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

F. W. Ayers (Fred) "Still Life Magnolias, 1943" (1884-1966) Houston Artist Image Size: 20.25 x15.25 Frame Size: 23.5 x 18.5 Medium: Oil "Still Life Magnolias, 1943" F.W. (Fred) Ayers. Vice President of Hughes International Tool Houston Texas Biography F. W. Ayers (Fred) (1884-1966) Background Ayers, Fred Wesley was born on November 13, 1884 in Wilmington, Delaware, United States. Son of Frank Marion and Annie Elizabeth (Perry) Ayers. Education Mechanical Engineering, Scranton (Pennsylvania) Corresponding School, 1910. Career Junior executive, plant manager, works manager Éleuthère Irénée duPont Company, Wilmington, Delaware, 1911-1921. Vice president Klaxon Horn Company division General Motors Corporation, Bloomfield, Pennsylvania, 1922-1926, works manager Pontiac Motor Car Company, 1926-1928. Management engineer Auto Car Company, Ardmore, Pennsylvania, 1929-1930. Construction engineering layout, tooling for automobile plant Brandt & Associate, Moscow, The Union of Soviet Socialist Republics, 1931-1932. Management, construction engineering budgetary control, cost systems, Birmingham, England, managing director Daimler Motor Car Company, Coventry, England, director Benton & Stone, Ltd., Birmingham, Chairman of the Board, director Samuel Booth & Sons, Ltd., Birmingham, 1932-1939. Senior vice president, general manager Hughes Tool Company, Houston, since 1943, also director. Director Trans World Airlines, Inc., Kansas City, Missouri, National Bank Commerce, Houston. Membership Mason.; Clubs: Petroleum, River Oaks...

F. W. Ayers (Fred) "Still Life with Flowers and Fruit Bowl, 1939" (1884-1966) Houston Artist Image Size: 30 x 24 Frame Size: 34.5 x 28.5 Medium: oil "Still Life with Flowers and Fruit Bowl, 1939" F.W. (Fred) Ayers. Vice President of Hughes International Tool Houston Texas Biography F. W. Ayers (Fred) (1884-1966) Background Ayers, Fred Wesley was born on November 13, 1884 in Wilmington, Delaware, United States. Son of Frank Marion and Annie Elizabeth (Perry) Ayers. Education Mechanical Engineering, Scranton (Pennsylvania) Corresponding School, 1910. Career Junior executive, plant manager, works manager Éleuthère Irénée duPont Company, Wilmington, Delaware, 1911-1921. Vice president Klaxon Horn Company division General Motors Corporation, Bloomfield, Pennsylvania, 1922-1926, works manager Pontiac Motor Car Company, 1926-1928. Management engineer Auto Car Company, Ardmore, Pennsylvania, 1929-1930. Construction engineering layout, tooling for automobile plant Brandt & Associate, Moscow, The Union of Soviet Socialist Republics, 1931-1932. Management, construction engineering budgetary control, cost systems, Birmingham, England, managing director Daimler Motor Car Company, Coventry, England, director Benton & Stone, Ltd., Birmingham, Chairman of the Board, director Samuel Booth & Sons, Ltd., Birmingham, 1932-1939. Senior vice president, general manager Hughes Tool Company, Houston, since 1943, also director. Director Trans World Airlines, Inc., Kansas City, Missouri, National Bank Commerce, Houston. Membership Mason.; Clubs: Petroleum, River Oaks...

F. W. Ayers (Fred) "Still Life with Flowers and Asian Figurines, 1938 " (1884-1966) Houston Artist Image Size: 24 x 16 Frame Size: 26.5 x 18.5 Medium: oil Dated 1938 "Still Life with Flowers and Asian Figurines, 1938 " F.W. (Fred) Ayers. Vice President of Hughes International Tool Houston Texas Biography F. W. Ayers (Fred) (1884-1966) Background Ayers, Fred Wesley was born on November 13, 1884 in Wilmington, Delaware, United States. Son of Frank Marion and Annie Elizabeth (Perry) Ayers. Education Mechanical Engineering, Scranton (Pennsylvania) Corresponding School, 1910. Career Junior executive, plant manager, works manager Éleuthère Irénée duPont Company, Wilmington, Delaware, 1911-1921. Vice president Klaxon Horn Company division General Motors Corporation, Bloomfield, Pennsylvania, 1922-1926, works manager Pontiac Motor Car Company, 1926-1928. Management engineer Auto Car Company, Ardmore, Pennsylvania, 1929-1930. Construction engineering layout, tooling for automobile plant Brandt & Associate, Moscow, The Union of Soviet Socialist Republics, 1931-1932. Management, construction engineering budgetary control, cost systems, Birmingham, England, managing director Daimler Motor Car Company, Coventry, England, director Benton & Stone, Ltd., Birmingham, Chairman of the Board, director Samuel Booth & Sons, Ltd., Birmingham, 1932-1939. Senior vice president, general manager Hughes Tool Company, Houston, since 1943, also director. Director Trans World Airlines, Inc., Kansas City, Missouri, National Bank Commerce, Houston. Membership Mason.; Clubs: Petroleum, River Oaks...

Bette Lou Voorhis "Mexican Pottery Decorator" Born 1930 Austin Artist Image Size: 36 x 24 Frame Size: 43 x 31 Medium: Oil Biography: Bette Lou Voorhis...

Ralph Holmes "Square Tower Ruins" Hovenweep National Monument, Utah Have included a photograph of how the subject looks today. (1876 - 1963) California, Illinois Artist Image Siz...

Loveta Strickland Central Texas Artist Waco Image Size: 24 x 36 Frame Size: 32 x 44 Medium: Oil "Texas Hill Country Fall"

Michael Frary "THE PITCHER" Mid Century Modern (1918 - 2005) Austin Artist Image Size: 20 x 16 Frame Size: 27 x 23 Medium: Oil Circa 1940s "The Pitcher" Biography Michael Frary (1...