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Domestic Great Dane (Canis lupus familiaris)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Domestic Pig (Sus scrofa domestica)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Cownose Ray (Rhinoptera bonasus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, loc...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Emperor Penguin (Aptenodytes forsteri)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Beluga Whale (Delphinapterus leucas)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Brown Sea Nettles (Chrysaora fuscescens)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Androgyny (6 Men + 6 Women)
By Nancy Burson
Located in New York, NY
Gelatin silver print from computer-generated negative (Edition of 15)
Signed, titled, dated, and numbered, recto
14 x 11 inches, sheet
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy Burson...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
Mankind
By Nancy Burson
Located in New York, NY
(The images used are from a 19th-century book of racial stereotypes and were weighted to reflect current world population statistics)
Gelatin silver print from computer-generated negative (Edition of 15)
Signed, titled, dated, and numbered, recto
14 x 11 inches, sheet
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy Burson...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
Warhead I
By Nancy Burson
Located in New York, NY
(Reagan 55%, Brezhnev 45%, Thatcher less than 1%, Mitterand less than 1%, Deng less than 1%)
Gelatin silver print from computer-generated negative (Edition of 15)
Signed, titled, dated, and numbered, recto
14 x 11 inches, sheet
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy Burson...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
He With She and She With He
By Nancy Burson
Located in New York, NY
Two gelatin silver prints from computer-generated negatives (Edition of 15)
Signed, titled, dated, and numbered, recto
14 x 11 inches, each (sheet)
8.5 x 7.5 inches, each (image)
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy...
Category
1990s Contemporary Portrait Photography
Materials
Silver Gelatin
First and Second Male Movie Star Composites
By Nancy Burson
Located in New York, NY
(Left: Cary Grant, Jimmy Stewart, Gary Cooper, Clark Gable, Humphrey Bogart. Right: Richard Gere, Christopher Reeve, Mel Gibson, Warren Beatty, Robert Redford.)
Two gelatin silver prints from computer-generated negatives (Edition of 15)
Signed, titled, dated, and numbered, recto
11 x 14 inches, each (sheet)
7.25 x 8.25 inches, each (image)
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy Burson...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
Businessman (10 Businessmen from Goldman Sachs)
By Nancy Burson
Located in New York, NY
Gelatin silver print from computer-generated negative (Edition of 15)
Signed, titled, dated, and numbered, recto
14 x 11 inches, sheet
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy Burson...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
First and Second Beauty Composites
By Nancy Burson
Located in New York, NY
(Left: Bette Davis, Audrey Hepburn, Grace Kelly, Sophia Loren, Marilyn Monroe. Right: Jane Fonda, Jacqueline Bisset, Diane Keaton, Brooke Shields, Meryl Streep.)
Two gelatin silver prints from computer-generated negatives (Edition of 15)
Signed, titled, dated, and numbered, recto
11 x 14 inches, each (sheet)
7.25 x 8.25 inches, each (image)
This artwork is offered by ClampArt, located in New York City.
Since the inception of her career as an artist, Nancy Burson...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
Hand in Mouth
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary Black and White Photography
Materials
C Print
Conscious Found
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary Black and White Photography
Materials
C Print
GFBD, Levy
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary Black and White Photography
Materials
C Print
Pray for Orlando
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary Black and White Photography
Materials
C Print
Pastor of Extortion
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
“There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz
The images and text accompanying Joshua Lutz's series, "Mind the Gap...
Category
2010s Contemporary Black and White Photography
Materials
C Print
Frogs
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
“There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz
The images and text accompanying Joshua Lutz's series, "Mind the Gap...
Category
2010s Contemporary Black and White Photography
Materials
C Print
America's Choice
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
“There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz
The images and text accompanying Joshua Lutz's series, "Mind the Gap...
Category
2010s Contemporary Black and White Photography
Materials
C Print
Covered Horses
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, ...
Category
2010s Contemporary Black and White Photography
Materials
C Print
Untitled (Kneeling by Driftwood)
By Nick Turner
Located in New York, NY
Archival pigment print
Signed and numbered, verso
11 x 16.5 inches
(Edition of 15)
24 x 36 inches
(Edition of 10)
40 x 60 inches
(Edition of 7)
This photograph is offered by Clamp...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Untitled (Dark Clouds)
By Nick Turner
Located in New York, NY
Archival pigment print
Signed and numbered, verso
11 x 16.5 inches
(Edition of 15)
24 x 36 inches
(Edition of 10)
40 x 60 inches
(Edition of 7)
This photograph is offered by Clamp...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Untitled (Wave Break #4)
By Nick Turner
Located in New York, NY
Archival pigment print
Signed and numbered, verso
11 x 16.5 inches
(Edition of 15)
24 x 36 inches
(Edition of 10)
40 x 60 inches
(Edition of 7)
This photograph is offered by Clamp...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Untitled (Black Sand)
By Nick Turner
Located in New York, NY
Archival pigment print
Signed and numbered, verso
11 x 16.5 inches
(Edition of 15)
24 x 36 inches
(Edition of 10)
40 x 60 inches
(Edition of 7)
This photograph is offered by Clamp...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Untitled (Hustler in Front of Gate)
By Larry Clark
Located in New York, NY
Gelatin silver print
Signed in pencil, verso
This artwork is offered by ClampArt, located in New York City.
Larry Clark first made a name for himself when he revolutionized documentary photography in his classic book “Tulsa,” released in 1971, in which he presented straightforward, autobiographical images of violence, drug use, and adolescent sexuality. While Tulsa earned Clark a grant from the National Endowment for the Arts for use toward his next project, that work was delayed over a decade by the artist’s heroin addiction and a stretch in Oklahoma’s McAlester Penitentiary. Eventually, Clark completed his second and equally innovative body of work titled “Teenage Lust...
Category
1980s Other Art Style Portrait Photography
Materials
Silver Gelatin
Untitled (Hustler with Cigarette in Hand and Mouth)
By Larry Clark
Located in New York, NY
Gelatin silver print
Signed in pencil, verso
This artwork is offered by ClampArt, located in New York City.
Larry Clark first made a name for himself when he revolutionized documentary photography in his classic book “Tulsa,” released in 1971, in which he presented straightforward, autobiographical images of violence, drug use, and adolescent sexuality. While Tulsa earned Clark a grant from the National Endowment for the Arts for use toward his next project, that work was delayed over a decade by the artist’s heroin addiction and a stretch in Oklahoma’s McAlester Penitentiary. Eventually, Clark completed his second and equally innovative body of work titled “Teenage Lust...
Category
1980s Other Art Style Portrait Photography
Materials
Silver Gelatin
Untitled (Hustlers' Handshake)
By Larry Clark
Located in New York, NY
Gelatin silver print
Signed in pencil, verso
This artwork is offered by ClampArt, located in New York City.
Larry Clark first made a name for himself when he revolutionized documentary photography in his classic book “Tulsa,” released in 1971, in which he presented straightforward, autobiographical images of violence, drug use, and adolescent sexuality. While Tulsa earned Clark a grant from the National Endowment for the Arts for use toward his next project, that work was delayed over a decade by the artist’s heroin addiction and a stretch in Oklahoma’s McAlester Penitentiary. Eventually, Clark completed his second and equally innovative body of work titled “Teenage Lust...
Category
1980s Other Art Style Portrait Photography
Materials
Silver Gelatin
Lathyrus Odoratus
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabe...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Papaver Orientale 1
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Dryopteris Filix Mas
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Agave Attenuata
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Harba Globosus
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabe...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Papaver Orientale 2
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Physalis Alkekengi
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Cynara Cardunculus
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Cornucopiae Cucllatum
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabe...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Carthamus Tinctorius
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabet of Plants (Original Forms of Art)” from 1928, Robert Voit playfully repurposes the obsessive indexicality of natural history images in his series, "The Alphabet of New Plants." These close-up photographs of artificial...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Megaphone
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
14 x 11 inches, sheet
7 x 5 inches, image
(Edition of 15)
20 x 16 inches, sheet
(Edition of 10)
From the series, "Gymnasium"
This ...
Category
1990s Other Art Style Figurative Photography
Materials
Silver Gelatin
Indian Club I
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
11 x 14 inches, sheet
5 x 7 inches, image
(Edition of 15)
16 x 20 inches, sheet
11.5 x 16 inches, image
(Edition of 15)
From the s...
Category
1990s Other Art Style Figurative Photography
Materials
Silver Gelatin
Cyclists
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
11 x 14 inches, sheet
5 x 7 inches, image
(Edition of 15)
16 x 20 inches, sheet
11.5 x 16 inches, image
(Edition of 15)
From the se...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
Tug of War
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 15)
Stamped and numbered, verso
11 x 14 inches, sheet
9 x 12 inches, image
From the series, "Gymnasium"
This photograph is offered by ClampArt, loc...
Category
Early 2000s Other Art Style Figurative Photography
Materials
Silver Gelatin
Head Lock
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 15)
Stamped and numbered, verso
14 x 11 inches, sheet
7 x 5 inches, image
From the series, "Gymnasium"
This photograph is offered by ClampArt, loca...
Category
1990s Other Art Style Figurative Photography
Materials
Silver Gelatin
Parlor Wrestling I
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
11 x 14 inches, sheet
5 x 7 inches, image
(Edition of 15)
16 x 20 inches, sheet
12 x 15.75 inches, image
(Edition of 10)
From the ...
Category
1990s Other Art Style Figurative Photography
Materials
Silver Gelatin
Rowing Machine
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
20 x 16 inches, sheet
(Edition of 10)
24 x 20 inches, sheet
(Edition of 10)
From the series...
Category
1990s Contemporary Figurative Photography
Materials
Silver Gelatin
Dustin, Rowing Machine I
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 15)
Stamped and numbered, verso
14 x 11 inches, sheet
7 x 5 inches, image
From the series, "Gymnasium"
This photograph is offered by ClampArt, loca...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
Acrobat (Football on Feet)
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 15)
Stamped and numbered, verso
14 x 11 inches, sheet
4 x 6 inches, image (each)
From the series, "Gymnasium"
This photograph is offered by ClampAr...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
Indian Club Portrait III
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 15)
Stamped and numbered, verso
14 x 11 inches, sheet
5.5 x 4 inches, image
From the series, "Gymnasium"
This photograph is offered by ClampArt, lo...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
Youth
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
14 x 11 inches, sheet
5 x 7 inches, image
(Edition of 15)
20 x 16 inches, sheet
12 x 15.75 inches, image
(Edition of 10)
From the ...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
HD
By Luke Smalley
Located in New York, NY
Gelatin silver print
Stamped and numbered, verso
14 x 11 inches, sheet
7 x 5 inches, image
(Edition of 15)
20 x 16 inches, sheet
15.75 x 12 inches, image
(Edition of 10)
From the ...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
High School Wrestlers Against Tree
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 10)
Stamped and numbered, verso
14 x 11 inches, sheet
12 x 9 inches, image
From the series, "Gymnasium"
This photograph is offered by ClampArt, loc...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
Parlor Wrestling IV
By Luke Smalley
Located in New York, NY
Gelatin silver print (Edition of 10)
Stamped and numbered, verso
16 x 20 inches, sheet
12 x 15.75 inches, image
From the series, "Gymnasium"
This photograph is offered by ClampArt,...
Category
1990s Other Art Style Figurative Photography
Materials
Silver Gelatin
High School Wrestlers
By Luke Smalley
Located in New York, NY
Gelatin silver print
Signed, titled, dated, and numbered in pencil, verso
13.5 x 11 inches, sheet
7 x 5 inches, image
(Edition of 15)
24 x 20 inches, sheet
20 x 16 inches, image
(Edition of 10)
From the series, "Gymnasium"
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania. He used real high school...
Category
1990s Other Art Style Portrait Photography
Materials
Silver Gelatin
Waiting for the Snake
By Arno Rafael Minkkinen
Located in New York, NY
Gelatin silver print
Signed, titled, and dated in pencil, verso
16 x 20 inches, sheet
15 x 19.25 inches, image
This photograph is offered by ClampArt, located in New York City.
Expl...
Category
Early 2000s Contemporary Figurative Photography
Materials
Silver Gelatin
Harlequin
By Duane Michals
Located in New York, NY
Vintage gelatin silver print (Edition of 100)
Signed and numbered, verso
11 x 14 inches, sheet
This photograph is offered by ClampArt, located in New York City.
Duane Michals is one...
Category
1980s Contemporary Portrait Photography
Materials
Silver Gelatin
A Street in China [After Baron Adolph de Meyer]
By Baron Adolf de Meyer
Located in New York, NY
Photogravure #12 (from "Camera Work" #XL)
11 x 7.5 inches, sheet
9.5 x 6 inches, plate
This artwork is offered by ClampArt, located in New York City.
Category
1910s Other Art Style Black and White Photography
Materials
Photogravure
![A Street in China [After Baron Adolph de Meyer]](https://a.1stdibscdn.com/baron-adolf-de-meyer-photography-a-street-in-china-after-baron-adolph-de-meyer-for-sale/a_9323/1530218011643/Meyer_A_Street_in_China_1stdibs_master.jpg?width=240 "adolf de meyer photography")
Josie Borain
By Sheila Metzner
Located in New York, NY
Solarized gelatin silver print
Blindstamped in caps, "Sheila Metzner Photography," l.r.
14 x 11 inches, sheet size
13 x 8.5 inches, image size
This artwork is offered by ClampArt, ...
Category
1980s Other Art Style Portrait Photography
Materials
Silver Gelatin
Portrait of Margaret Webster
By Trude Fleischmann
Located in New York, NY
Vintage ferrotyped silver print
Signed in ink, recto
Artist credit stamp, verso
10 x 8 inches, sheet
This photograph is offered by ClampArt, located in New York City.
Born in Vienna in 1895, Trude Fleischmann became a prominent society photographer in the 1920s. Her Vienna studio...
Category
1930s Other Art Style Portrait Photography
Materials
Black and White
Untitled (Guy Mendes) [Boy Dressed as Airplane Pilot]
By Ralph Eugene Meatyard
Located in New York, NY
Vintage gelatin silver print
Signed in black ink, recto
Credit stamped and numbered, verso of mount
This photograph is offered by ClampArt, located in New York City.
An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
Category
1970s American Modern Portrait Photography
Materials
Silver Gelatin
![Untitled (Guy Mendes) [Boy Dressed as Airplane Pilot]](https://a.1stdibscdn.com/ralph-eugene-meatyard-photography-untitled-guy-mendes-boy-dressed-as-airplane-pilot-for-sale/a_9323/a_30099811530198806957/Meatyard_Boy_Pilot_master.jpg?width=240 "ralph eugene meatyard self portrait")
Untitled (Figure and Boat)
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7 inches, image
15 x 12 inches, mount
This photograph is offered by ClampArt, located in New York City.
An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
Category
Late 20th Century American Modern Figurative Photography
Materials
Silver Gelatin
