Earle D. Vandekar of Knightsbridge, Inc. Pottery

"Peace, Plenty and Independence" Liverpool Transfer Decorated Creamware Jug, Circa 1800 The "Peace, Plenty and Independence" Liverpool transfer decorated creamware jug has a black transfer print on one side depicting a spread wing eagle perched atop a cannon flanked by symbols of Peace and Plenty with the other side with the "Farmer's Arms," the front with "Samuel & Rachel Hayne.s" within a wreath above four lines of verse, inspired by Cupid's Lessons, reading, "My love is Fix'd, I cannot range,I like my choice,Too well to change". a second stanza not shown read " Long may we live, Happy may we be, Blest with content, And from misfortune be". Dimensions: 10 1/8 inch height x 9 inches wide x 6 1/4 inches deep. The print of an eagle with its wings spread standing on a cannon above a medallion containing the words, “PEACE, PLENTY, and INDEPENDENCE.” This is flanked by two allegorical figures. The figure on the left represents “plenty” holding a cornucopia, while the one on the right represents “peace” using her torch to set fire to instruments of war. The New York Historical...

English creamware pottery green glazed teapot and cover, Swinton, Yorkshire, circa 1770 The barrel-form creamware teapot is decorated with a dipped green glaze over an impr...

Creamware Pottery sailor's farewell punch bowl with Chinoiserie Scenes on Reverse, Late 18th Century The large polychrome creamware bowl has a scene to one side depicting a sailor's farewell. The officer, with a sword in a scabbard to his right hip, stands with arms crossed and his female companion looks away from him as she holds a parasol in her hand. In the background in a Royal Navy frigate at anchor and a sailor in a longboat rowing towards him. To the reverse side is a charming chinoiserie scene of two women and a young boy watching...

English Stoneware Pottery Redware Stoneware Engine Turned Coffee Pot, Staffordshire, Circa 1765 A Staffordshire redware stoneware coffee pot and cover with an engine-turned body and...

English Creamware Whieldon-type Tortoiseshell Tea Bowl & Saucer, The 18th-century creamware tea bowl and saucer are decorated in tortoise-shell and green glazes. The exterior of the bowl has a band of molded pearls as does the saucer around the central well where the tea bowl sits. Provenance: Jonathan Horne...

Herculaneum neo-Classical Greek Pattern blue printed dish, Early-19th century The Herculaneum pottery underglaze blue central pattern shows a s...

Copeland-Late Spode Neo-classical greek pattern blue circular tureen and cover, 1902 The Spode pottery covered footed tureen of circular form with th...

Prattware English Pottery Pearlware Tea Canister, Macaroni Figures, Possibly Bankfoot pottery, Prestonpans. Scotland or Staffordshire, Circa 1790-1800. The pearlware pottery tea caddy is decorated with Macaroni figures. On one side is depicted a gentleman wearing an exaggeratedly high wig with his servant standing beside him. On the other side is a similarly caricatured lady and her servant. Dimensions: 5 inches High x 3-1/4 inches Wide x 2 inches Deep. Condition: Glaze imperfection to neck. The caddy was possibly made in Scotland at Prestonpans where plaster of Paris moulds were recovered during excavations. Plaster of Paris moulds recovered during excavations below the floor of the Belfield Pottery in Prestonpans and almost certainly dumped from the earlier Bankfoot pottery. The figures are modelled in very full relief and painted in green and brown. The narrow sides of the tea caddy are painted with a flowering vine. In the canted corners of the caddy is a wavy underglaze blue line. During the 18th century, "macaroni" was the satirical term for men who sported elaborate clothing and continental affectations. Lampooning various occupations and specific styles, these are reproductions of period cartoons. These amusing figures are after English caricatures produced between 1765 and 1790. The satirical jibes were directed at the young moderns of the time, known as "macaronies." A group of privileged young Englishmen adopted styles and manners they had admired during their travels in Italy and France. They formed the Macaroni Club (macaroni being virtually unknown in England at the time), an eating club where they vied with one another in matters of dress and manners. Extremes developed and soon spread into larger society. With ribbon-and-lace festooned clothing, prim-verging-on-prissy manners and absurd coiffures, macaronies (both male and female) were subjects of ridicule. Provenance: Private Maine Collection Reference: Haggarty, G 2010 ‘The Belfield Pottery Production Site Ceramic Resource Disk: The Northern Ceramic Society Journal Vol 26 (2009-10), 142-3 + CD ROM. Pratt Ware: English and Scottish relief decorated and underglaze coloured earthenware, 1780-1840, John and Griselda Lewis, Page 234. Earle: The Earle Collection of Early Staffordshire Pottery...

Prattware English Pottery Pearlware Tea Canister, Macaroni Figures, Possibly Bankfoot Pottery, Prestonpans. Scotland, Circa 1790-1800. The pearlware pottery tea caddy is decorated with "Macaroni" figures. On one side is depicted a gentleman wearing an exaggeratedly high wig with his servant standing beside him. On the other side is a similarly caricatured lady and her servant. The caddy was possibly made in Scotland at Prestonpans where plaster of Paris moulds were recovered during excavations. Plaster of Paris moulds recovered during excavations below the floor of the Belfield Pottery in Prestonpans and almost certainly dumped from the earlier Bankfoot pottery. Dimensions: 5 1/8 inches high x 3-1/4 inches wide x 2 inches deep. Condition: Good with a small firing line to the foot-see photo. The figures depicted on the tea caddy are modelled in very full relief and painted in green and brown. The narrow sides of the tea caddy are painted with a flowering vine. In the canted corners of the caddy is a stylized underglaze blue leaf. During the 18th century, "macaroni" was the satirical term for men who sported elaborate clothing and continental affectations. Lampooning various occupations and specific styles, these are reproductions of period cartoons. These amusing figures are after English caricatures produced between 1765 and 1790. The satirical jibes were directed at the young moderns of the time, known as "macaronies." A group of privileged young Englishmen adopted styles and manners they had admired during their travels in Italy and France. They formed the Macaroni Club (macaroni being virtually unknown in England at the time), an eating club where they vied with one another in matters of dress and manners. Extremes developed and soon spread into larger society. With ribbon-and-lace festooned clothing, prim-verging-on-prissy manners and absurd coiffures, macaronies (both male and female) were subjects of ridicule. Provenance: Private Maine Collection Reference: Haggarty, G 2010 ‘The Belfield Pottery Production Site Ceramic Resource Disk: The Northern Ceramic Society Journal Vol 26 (2009-10), 142-3 + CD ROM. Pratt Ware: English and Scottish Relief Decorated and Underglaze Coloured Earthenware, 1780-1840, John and Griselda Lewis, Page 234. Earle: The Earle Collection of Early Staffordshire...

18th Century Staffordshire Creamware Cauliflower Tea Caddy, Probably by William Greatbach/ Josiah Wedgwood Lead-glazed earthenware, Circa 1765 The molded creamware tea caddy has an ...

English Creamware Tortoiseshell glaze tea caddy, Whieldon-type, With Silver Cover, circa 1770 The creamware large tea caddy has a tortoiseshell d...

Spode Neo-classical Greek pattern blue soup plates, Refreshment for Phliasian Horseman, Set of twelve (12) Early-19th century The Spode Greek pattern ...

Herculaneum Neo-classical large Greek pattern blue printed dish, Early-19th century The Herculaneum pottery underglaze blue central pattern shows ase...

English Creamware Large Teapot with Puce Flower Painted Decoration, circa 1770 The Staffordshire Globular teapot is painted with large puce-colored f...

Best example I've ever had. Folk Art Sussex pottery pig jug and cup, from the Belle-Vue Pottery, Rye, UK, circa 1870. This Sussex pig from the Bell...

Clews Lead-glazed Earthenware Plates with Russian Eagles, James and Ralph Clews, Cobridge, Stoke-on-Trent, Staffordshire, Eight Plates, 1830 The se...

Massive Staffordshire Pearlware Pottery Figure of Ceres or Plenty, circa 1815 This large scale figure of Ceres or Plenty is a stunning example of Staffordshire pottery. The figure is finely modeled and enamelled in colors, and she stands on a wonderfully decorated marbled plinth. Ceres is the Roman goddess of agriculture, fertility, and motherhood, and she is often depicted holding a flaming torch and a cornucopia. The figure wears a striking yellow robe over a light purple dress decorated with black flowers. In her left hand she holds a flaming torch while in the right she holds a large cornucopia...

Spode pottery neoclassical Greek pattern blue pair of dishes, Bacchus Mounted on a Panther, Early-19th century The Spode Greek pattern pottery sha...

18th Century Creamware Red-printed Tea Caddy, circa 1765-75 The creamware tea caddy or teapoy is rectangular in form with large panels to fr...

Spode Pottery neo-Classical Greek Pattern blue set of dinner plates-33 plates Zeus in His Chariot, Early-19th Century The Spode pottery underglaz...

Copeland-Late Spode Neo-Classical Greek Pattern Blue Sauce Tureen & Cover, circa 1847. From a large collection of Greek Pattern Objects- please inqui...

The ship is flying the flag of the last German Emperor of the Holy Roman Empire, Francis II, Circa 1775-1790. The rare Wedgwood creamware plate...

18th Century Staffordshire Creamware Cauliflower Ware Milk Jug and Cover, Probably by William Greatbach/ Josiah Wedgwood Lead-glazed earthenware, Circa 1765 The creamware milk jug ...

English Creamware Pottery Cauliflower Coffee Pot and Cover, Staffordshire, Circa 1760-70 The lead-glazed earthenware creamware "cauliflower" coffeepot and over has a pear-shaped bo...

Copeland & Garrett Pottery neo-classical Greek Pattern blue dish, Centaurs Battling Theseus, 1833-47 The Spode Greek pattern pottery, shaped r...

Charming folky fresh pottery teapot decorated with flowers in distinct orange and green in a good large size.

English pottery pearlware botanical plates, circa 1840     The folky painted plates have a scalloped rim. In the center of each plate is a large...

Blue and white pearlware 18th century coffeepot, Circa 1785 The Staffordshire chinoiserie pearlware coffeepot is painted in underglaze blue with ...

"Apotheosis" of George washington creamware jug, Liverpool, Circa 1800-10 The large "Apotheosis" of George Washington Liverpool transfer decorated ...

Whieldon Type Creamware Cow Creamer and Cover, Circa 1770 The attractive early Whieldon type creamware cow creamer and cover stands on a rectangular ba...

Staffordshire Pearlware Inlaid Agate Teapot and Cover with Lion Finial, Attributed to the Ralph Wood Family, Circa 1780 The squat oval pearlware pottery ...

18th Century English Creamware Painted Plate, Cornucopia of Flowers, Circa 1780-1800 The circular creamware plat, probably with outside decoration, is painted with a cornucopia shap...

Massive 17-inch English Saltglaze charger, Attributed to Wiliam Greatbatch, Circa 1762-70 The massive salt-glaze charger has a wide border of barleycorn or seed pattern within six shaped panels with deep molded ridges around the edge of the rim Measures: Diameter: 17 1/4 Inch diameter x 1 3/4 inches Reference: "White Salt-glazed Stoneware of the British Isles", Diana Edwards and Rodney Hampson, Page 209, Fig 189, for an identical rim found in fragments from the William Greatbatch...

Homemaker pattern plate, designed by Enid Seeney for the Ridgway Potteries (Stoke-on-Trent), 1960's. Diameter: 7 inches. Mark: Printed oval mark with Homemaker in the center ...

Blue and white floral pottery covered pil and cover, Vera pottery, circa 1900-1930. The cylindrical pail with exterior knob handles has a reeded lowe...