Finch and Co Vases Vessels

Add originality to your space with this vase crafted from hand-blown glass with a marbleized finish.

Antique Japanese Meiji Period Bronze Vase - Exquisite Crane Depiction! This exceptional bronze vase from the Meiji period features a stunning depiction of cranes, symbolizing longev...

Found in Italy, this globe-shaped marble and alabaster vase is new and was created and designed by a member of a multi-generational family of alabaster and marble craftsmen. Bardigli...

A Chinese vintage altar vase from the mid 20th century, with celadon crackle finish and flaring neck. We currently have 3 vases available, priced and sold $1,300 each. Created in China during the midcentury period, this tall altar vase charms...

A Greek twin handled terracotta krater vase, hand painted, after the antique.

Otto Heino (American, 1915-2009), Stoneware Ovoid Vase in cobalt blue glaze, signed to underside. 7.75" H x 7" Diameter. Provenance: From 333 East 75th Street Estate.

Bowl with manganese rim. Circa 1980. Porcelain. White, partially stone-grey and sand-colored grading and speckled glaze. The rim of the mouth inside and outside with a wide, bronze-c...

Austrian Art Nouveau Loetz Art Glass Vase with Crimped Rim  Austria, 20th Century An exquisite Austrian Art Nouveau Loetz art glass vase, 20th century is a fine representation of ...

A gorgeous mustard-yellow glazed stoneware bowl with manganese rim by famed European potters Lucie Rie & Hans Coper. The bowl is signed with each artist's impressed seals on the b...

A Chinese vintage altar vase from the mid 20th century, with yellow crackle finish and flaring neck. Immerse yourself in the rich tradition of Chinese ar...

‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

A large vintage oxblood altar vase with flaring neck. This large vintage oxblood altar vase captivates with its rich, deep finish and elegant silhouette. The vase features a graceful...