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Moonlight (Abstract Expressionist mid-century print)
Located in Wilton Manors, FL
Sylvia Wald (October 30, 1915 – March 24, 2011)
Monnlight, 1954.
Screen print on paper, image measuring 14 x 25 inches. Framed measurement: 21 x 32 inches.
Signed, dated and tit...
Category
Mid-20th Century Abstract Expressionist Abstract Prints
Materials
Screen
Untitled
By Afro Basaldella
Located in Wilton Manors, FL
Untitled, ca. 1960.
Lithograph on paper, sheet measuring 18.5 x 26.5 inches
Measuring 27 x 35 inches in original mid-century beveled oak frame.
Signed and numbered in pencil by ...
Category
Mid-20th Century Abstract Expressionist Abstract Prints
Materials
Lithograph
Augusto Marin exhibition poster (Puerto Rican artist)
By Rafael Tufino
Located in Wilton Manors, FL
Beautiful exhibition poster by Puerto rican artist, Rafael Tufino (1922-2008). Augusto Marin, Exposicion de Pinturas, 1965. Screen print on paper, 20 x 3...
Category
Mid-20th Century Abstract Expressionist Abstract Prints
Materials
Screen
Forêt Perdue
By Zao Wou-Ki
Located in Wilton Manors, FL
Lithographon BFK Rives paper , 1955
Limited edition of 125 copies
Numbered as: epreuve d'essai ( a proof before the final print run )
Sheet size: 65.5 x 50.5 cm
Publisher : L'oeuvre ...
Category
Mid-20th Century Abstract Expressionist Abstract Prints
Materials
Paper
Information Lines (conceptual environmentalist Land Art lithograph)
By Dennis A. Oppenheim
Located in Wilton Manors, FL
Artist: Dennis Oppenheim, American (1938 - 2011) Title: Information Lines, 1981. Medium: Lithograph, signed and numbered in pencil A/P 1/30. Artist's Proof. Size: 41.25 in. x 29.7...
Category
1980s Land Abstract Prints
Materials
Lithograph
Nude on Balcony
By Raoul Dufy
Located in Wilton Manors, FL
Raoul Dufy (1877-1953).
Nude Figure on a Balcony.
Etching, plate measuring 13 x 18 inches; frame measurement 22 x 28 inches.
Edition authorized by Louvre Museum, Paris.
Vinta...
Category
Mid-20th Century Abstract Nude Prints
Materials
Etching
Miramar I
By Nathan Oliveira
Located in Wilton Manors, FL
Artwork title: Miramar
IArtist name: Nathan Oliveira
Date created: 1969
Classification: print
Medium: lithograph
Edition: 75
Dimensions: 29 3/8 × 22 1/8 in. (74.6 × 56.2 cm)
Signed...
Category
1960s Abstract Prints
Materials
Lithograph
Recent Still Life RISD exhibition poster
By Jasper Johns
Located in Wilton Manors, FL
Jasper Johns (b. 1930): Recent Still Life
Lithograph in black on wove paper, 1966, signed and dated '2016' in ink.
34 1/2 x 19 3/4 in. (sheet), 36 1/2 x 21 1/2 in. (frame).
Provenance:
Property from the Collection of Tom Levine...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Paper, Lithograph
Des Ongles et Du Bec (abstract female portrait)
By Georges Rouault
Located in Wilton Manors, FL
Artist Georges Rouault
(1871, France - 1958, France)
Main title
"Des ongles et du bec"
Etching and aquatint on wove paper.
Creation date
1926 / 1948
Publisher: Etoile Filante, P...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Etching, Aquatint
1966 Exhibition Poster Philadelphia
By (after) Joan Miró
Located in Wilton Manors, FL
An original lithograph exhibition poster by Spanish artist Joan Miro (1893-1983) titled "Graphics: Philadelphia Museum of Art", 1966. Printed by Arte Adrien Maeght in Paris France an...
Category
Mid-20th Century Surrealist Abstract Prints
Materials
Lithograph
Japan 1966 Exhibition Poster Lithograph
By (after) Joan Miró
Located in Wilton Manors, FL
Height: 15.5 in (39.37 cm)Width: 22.5 in (57.15 cm)
SHIPS ROLLED IN TUBE
Category
Mid-20th Century Surrealist Abstract Prints
Materials
Lithograph
Exhibition Poster
By Ellsworth Kelly
Located in Wilton Manors, FL
Original Ellsworth Kelly exhibition poster, 1964. Gallerie Maeght. 26 x 20 inches. Lithograph on paper.
Gentle creasing lower left....
Category
Mid-20th Century Abstract Geometric Abstract Prints
Materials
Lithograph
Provence #7 (Provence France Landscape)
By Roger Mühl
Located in Wilton Manors, FL
Roger Muhl (1929-2008)
Provence #7, 1986. Signed and numbered in pencil by the artist, lower margins.
Artwork is in excellent condition with no damage or conservation.
Frame shows ...
Category
1980s Abstract Landscape Prints
Materials
Lithograph
Dark Landscape (abstract expressionist)
By Gabor F. Peterdi
Located in Wilton Manors, FL
Gabor Peterdi (1915-2001). Dark Landscape, 1958. Etching, engraving and aquatint with five stenciled colors. Image measures 20 x 24 inches. Signed, date...
Category
Mid-20th Century Abstract Expressionist Abstract Prints
Materials
Engraving, Etching, Aquatint
Summer Blues (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Oil on Arches paper, image measures 16.5 x 21.5 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing.
SHIPS ROLLED IN TUBE
David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide.
A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying.
His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain.
His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes.
This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own.
Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques.
His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats.
EDUCATION
MLA University of Colorado 2002
Landscape Architecture
MFA University of Pennsylvania 1977
Sculpture & Printmaking
BA Princeton University 1971
Architecture & Design
SELECTED
EXHIBITIONS
Consulate of Japan, San Francisco, CA 1999, 1998
Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999
Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996
"Duets" Delaware Museum of Art, Wilmington, DE 1995
MacLaren/Markowitz Gallery, Boulder, CO 1991
Retrospective: McKissick Museum of Art, Columbia, SC 1990
Retrospective: The Art Complex Museum, Duxbury, MA 1988
Pucker Gallery, Boston, MA 1981, 1984, 1988
Gibson Gallery, SUNY at Potsdam, NY 1987
Arlene McDaniel Galleries, Simsbury, CT 1986
Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986
Gallerie Obussier, Nantucket, MA 1985
New Acquisitions Gallery, Syracuse, NY 1983
Everson Museum of Art, Syracuse, NY 1983
COMMISSIONS:
Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994
Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994
Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994
Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992
Balletté; Southworth Library, Canton College, Canton, NY 1991
A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991
Festivale; K. B. K. Foundation, Boston, MA 1990
A Une Passante; SUNY Potsdam, Potsdam, NY 1989
Balletté; Ensign-Bickford Corp., Simsbury, CT 1987
Torus; Stratus Computer, Inc., Marlboro, MA 1986
Rondella; BNWC, Brandeis University, Waltham, MA 1985
Viole, Ayre; Asset Management, Inc., Essex, CT 1983
Cantata; Horne Library, Babson College, Wellesley, MA 1981
COLLECTIONS
Museums Art Complex Museum, Duxbury, MA
Ashmolean Museum, Oxford University, England
Asian Art Museum, San Francisco, CA
British Museum, London, England
Columbia Museum of Art, Columbia, SC
Currier Gallery & Museum, Manchester, NH
Danforth Museum, Framingham, MA
Davis Museum of Art, Wellesley, MA
DeCordova Museum, Linclon, MA
Delaware Museum of Art, Wilmington, DE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Farnsworth Museum of Art, Rockland, ME
Fine Arts Center at Cheekwood, Nashville,TN
Fitzwilliam Museum, Cambridge University, England
Gibbes Museum of Art, Charleston, SC
Gibson Gallery & Museum, SUNY Potsdam, NY
Greenville County Art Msueum, Greenville, SC
Hara Museum of Contemporary Art, Tokyo, Japan
Johnson Museum of Art, Ithaca, NY
McKissick Museum of Art, Columbia, SC
Minneapolis Institute of Art, Minneapolis, MN
Munson-Williams-Proctor Institute of Art, Utica, NY
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Springfield, MA
Muskegon Museum of Art, Muskegon, MI
National Museum of American Art, Washington, DC
Nelson Museum of Art, Kansas City, MO
New Britain Museum of American Art, New Britain, CT
Portland Museum of Art, Portland, ME
Portland Art Museum, Portland, OR
Princeton University Art Museum, Princeton, NJ
Rose Art Museum, Waltham, MA
San Diego Museum, San Diego, CA
Smith College Museum of Art, Northampton, MA
Taylor Museum/CSFAC, Colorado Springs, CO
University of Michigan Museum of Art, Ann Arbor, MI
Victoria & Albert Museum, London, England
Wadsworth Athenaeum, Hartford, CT
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Institutions American Embassy, Tokyo, Japan
[selected] Arjo Wiggins/Arches S.A., Annonay, France
Bank of America, Boston, MA
Boso Yusi Company, Tokyo, Japan
Boston Ballet, Boston, MA
Canadian Foreign Ministry, Ottawa, Canada
Chase Manhattan Bank, Vietnam
Embassy of Japan, Abu Dhabi, United Arab Emirates
FIA Institute, Tokyo, Japan
Fidelity Ventures & Associates, Boston, MA
Frederik Meijer Sculpture Gardens, Grand Rapids, MI
Gauteng Legislature, Gauteng, South Africa
German Embassy to Vietnam, Hanoi, Vietnam
Helix Technology Corporation, Longmont, CO
Ito-En Company, Tokyo, Japan
JAFCO America Ventures, Boston, Palo Alto, Tokyo
Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA
Japanese Foreign Ministry, Tokyo, Japan
Japan External Trade Organization, New York, Tokyo
Kepner-Tregoe Company, Princeton, NJ
Kobe Steel, Ltd Tokyo, Kobe
Mochida Medicines, Inc., Tokyo
Monsanto, European Division, Brussels, Belgium
New England Conservatory of Music, Boston, MA
Nueva Set-Kei, Inc. Tokyo, Japan
Opinion Research Company, Princeton, NJ
PAR Associates, Inc., Boston, MA
Price, Waterhouse & Company, Greenwich, CT
Princeton Club of Japan, Tokyo, Japan
Saint Joseph's Heart Hospital, Lexington, KY
Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO
Temple Society of Concord, Syracuse, NY
T. Rowe Price, Inc., Colorado Springs, CO
University of Wisconsin School of Business, Madison, WI
Vietnam Embassy to Canada, Ottawa, Canada
Yankelovich, Skelly & White, Stamford, CT
COLLABORATIONS
Johannesburg, South Africa (& Artist Proof Studio) 1997
Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi
Vietnam (& Indochina Arts Project) 1995
Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi
Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong
Studio Duetts 1995-2001
With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer)
China (PRC) 2001-2004
Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD.
HIGHER EDUCATION
Visiting Artist [Associate Professor One-year appointment] 1990/1991
Art Department, University of South Carolina
Adjunct Professor 1991-1994
Art Department, Rivier College, Nashua, NH
Fellow/Panelist
The Aspen Institute Aspen, CO 2000
Conference on World Affairs [Univ of Colo, Boulder] 1990-1998
Visiting Artist
Haverford School, Bryn Mawr, PA 1999
Clemson University, Clemson, SC 1997, 1998
African Institute of Art, FUNDA Soweto, South Africa 1997
Princeton University 1996
Williams College 1995
Bradford College 1994, 1998
College of Charleston 1994
University of Pennsylvania 1993
University of South Carolina 1990, 1994
SUNY Albany 1992, 1993
Pine Manor College 1987, 1989
Bentley College 1988
Simon's Rock/Bard College 1988
Brandeis University 1986
Lyme Academy of Fine Arts 1985, 1986
Emerson College 1985
Harvard University 1984, 1985
Mount Holyoke College 1984
Syracuse University 1983
Colorado College 1977
Director; Artist in Residence 1974-1977
Arts College House, University of Pennsylvania
Taught Drawing (figure & still-life) and Photography
Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art
SCHOOLS & PROGRAMS
Instructor, Photography & Visual Arts 1974-1976
Adirondack Lakes Center for the Arts
Chair, Performing Arts Department 1971-1974
Purnell School
Instructor, Visual Arts Department 1970-1974
Purnell School [Taught (& developed syllabi for) 21 Studio arts courses]
Juror, College Entrance Examination Board Area: Fine Arts 1972
AWARDS
Selection Who's Who: in American Art; in the East; in the World
Grants Krasner-Pollack Foundation Emergency Grant, 1999
Indochina Arts Project (Ford Foundation) 1994
Individual Artist Grant, South Carolina Arts Commission 1991
K. B. K. Foundation, 1991, 1994
High Meadow Foundation, 1990
Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977
Haas Memorial Fund Fellowship, 1976
GRANTS IN KIND
Kodak, Rochester, NY
Papeteries Canson & Montgolfier, Annonay, France; Royal
Talens BV Oil Paints, Apeldoorn, Holland
Takach Etching Press Corp., Albuquerque, NM
South African Airlines; American Airlines
Korean Airline;
Trans World Airlines
PUBLICATIONS
Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999
Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992
Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990
David Godine, Publisher Boston, MA
Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982
Award: Red Ribbon Category: The Arts American Film Festival, New York
INTERVIEWS
All Things Considered, National Public Radio
Weekend Edition, Monitor Radio & Public Radio International
CNN Headline News, Atlanta, GA
International News Scene, Reuters Press International, New York/Hong Kong
Terra Infirma, Corp. for Public Broadcasting
BBC World, London
Art Scene, S. Carolina Public Radio
Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI
Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI
WBZ-TV Boston, MA
WCNY-TV Syracuse, NY
WNPE-TV Watertown, NY
WSBK-TV Boston, MA
WERS-Radio Boston, MA
RELATED EXPERIENCE
Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975
Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973
Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971
Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973
School for International Training, Experiment in International Living, Putney, VT 1973
Graduate Credits Teaching Studio Art Institute, Colorado College, 1972
Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91
"How to create, fund and impliment a self-sufficient world-class sculpture collection"
Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000
"Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994
"Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993
"Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992
"On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993
"Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991
Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ;
Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good
Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet)
1967-1971 Album: "Another Summer...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Monotype
Malach
By Jerome Kaplan
Located in Wilton Manors, FL
Jerome Kaplan (1920-1997). Malach (Angel), 1952. Lithograph on wove paper. Image measures 15 x 19 inches; 23 x 28 inches in custom shadowbox frame with custom beveled linen matting. ...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Lithograph
Still Life with Watermelon
By Alvar Sunol Munoz-Ramos
Located in Wilton Manors, FL
Alvar (b.1935). Still Life with Watermelon, ca. 1970. Lithograph on paper, image measures 16 x 24.5; 24.5 x 29 inches framed. Signed and numbered in pencil by artist, lower margin. E...
Category
Mid-20th Century Still-life Prints
Materials
Lithograph
Summer Blues (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing.
SHIPS ROLLED IN TUBE
David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide.
A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying.
His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain.
His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes.
This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own.
Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques.
His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats.
EDUCATION
MLA University of Colorado 2002
Landscape Architecture
MFA University of Pennsylvania 1977
Sculpture & Printmaking
BA Princeton University 1971
Architecture & Design
SELECTED
EXHIBITIONS
Consulate of Japan, San Francisco, CA 1999, 1998
Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999
Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996
"Duets" Delaware Museum of Art, Wilmington, DE 1995
MacLaren/Markowitz Gallery, Boulder, CO 1991
Retrospective: McKissick Museum of Art, Columbia, SC 1990
Retrospective: The Art Complex Museum, Duxbury, MA 1988
Pucker Gallery, Boston, MA 1981, 1984, 1988
Gibson Gallery, SUNY at Potsdam, NY 1987
Arlene McDaniel Galleries, Simsbury, CT 1986
Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986
Gallerie Obussier, Nantucket, MA 1985
New Acquisitions Gallery, Syracuse, NY 1983
Everson Museum of Art, Syracuse, NY 1983
COMMISSIONS:
Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994
Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994
Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994
Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992
Balletté; Southworth Library, Canton College, Canton, NY 1991
A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991
Festivale; K. B. K. Foundation, Boston, MA 1990
A Une Passante; SUNY Potsdam, Potsdam, NY 1989
Balletté; Ensign-Bickford Corp., Simsbury, CT 1987
Torus; Stratus Computer, Inc., Marlboro, MA 1986
Rondella; BNWC, Brandeis University, Waltham, MA 1985
Viole, Ayre; Asset Management, Inc., Essex, CT 1983
Cantata; Horne Library, Babson College, Wellesley, MA 1981
COLLECTIONS
Museums Art Complex Museum, Duxbury, MA
Ashmolean Museum, Oxford University, England
Asian Art Museum, San Francisco, CA
British Museum, London, England
Columbia Museum of Art, Columbia, SC
Currier Gallery & Museum, Manchester, NH
Danforth Museum, Framingham, MA
Davis Museum of Art, Wellesley, MA
DeCordova Museum, Linclon, MA
Delaware Museum of Art, Wilmington, DE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Farnsworth Museum of Art, Rockland, ME
Fine Arts Center at Cheekwood, Nashville,TN
Fitzwilliam Museum, Cambridge University, England
Gibbes Museum of Art, Charleston, SC
Gibson Gallery & Museum, SUNY Potsdam, NY
Greenville County Art Msueum, Greenville, SC
Hara Museum of Contemporary Art, Tokyo, Japan
Johnson Museum of Art, Ithaca, NY
McKissick Museum of Art, Columbia, SC
Minneapolis Institute of Art, Minneapolis, MN
Munson-Williams-Proctor Institute of Art, Utica, NY
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Springfield, MA
Muskegon Museum of Art, Muskegon, MI
National Museum of American Art, Washington, DC
Nelson Museum of Art, Kansas City, MO
New Britain Museum of American Art, New Britain, CT
Portland Museum of Art, Portland, ME
Portland Art Museum, Portland, OR
Princeton University Art Museum, Princeton, NJ
Rose Art Museum, Waltham, MA
San Diego Museum, San Diego, CA
Smith College Museum of Art, Northampton, MA
Taylor Museum/CSFAC, Colorado Springs, CO
University of Michigan Museum of Art, Ann Arbor, MI
Victoria & Albert Museum, London, England
Wadsworth Athenaeum, Hartford, CT
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Institutions American Embassy, Tokyo, Japan
[selected] Arjo Wiggins/Arches S.A., Annonay, France
Bank of America, Boston, MA
Boso Yusi Company, Tokyo, Japan
Boston Ballet, Boston, MA
Canadian Foreign Ministry, Ottawa, Canada
Chase Manhattan Bank, Vietnam
Embassy of Japan, Abu Dhabi, United Arab Emirates
FIA Institute, Tokyo, Japan
Fidelity Ventures & Associates, Boston, MA
Frederik Meijer Sculpture Gardens, Grand Rapids, MI
Gauteng Legislature, Gauteng, South Africa
German Embassy to Vietnam, Hanoi, Vietnam
Helix Technology Corporation, Longmont, CO
Ito-En Company, Tokyo, Japan
JAFCO America Ventures, Boston, Palo Alto, Tokyo
Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA
Japanese Foreign Ministry, Tokyo, Japan
Japan External Trade Organization, New York, Tokyo
Kepner-Tregoe Company, Princeton, NJ
Kobe Steel, Ltd Tokyo, Kobe
Mochida Medicines, Inc., Tokyo
Monsanto, European Division, Brussels, Belgium
New England Conservatory of Music, Boston, MA
Nueva Set-Kei, Inc. Tokyo, Japan
Opinion Research Company, Princeton, NJ
PAR Associates, Inc., Boston, MA
Price, Waterhouse & Company, Greenwich, CT
Princeton Club of Japan, Tokyo, Japan
Saint Joseph's Heart Hospital, Lexington, KY
Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO
Temple Society of Concord, Syracuse, NY
T. Rowe Price, Inc., Colorado Springs, CO
University of Wisconsin School of Business, Madison, WI
Vietnam Embassy to Canada, Ottawa, Canada
Yankelovich, Skelly & White, Stamford, CT
COLLABORATIONS
Johannesburg, South Africa (& Artist Proof Studio) 1997
Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi
Vietnam (& Indochina Arts Project) 1995
Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi
Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong
Studio Duetts 1995-2001
With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer)
China (PRC) 2001-2004
Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD.
HIGHER EDUCATION
Visiting Artist [Associate Professor One-year appointment] 1990/1991
Art Department, University of South Carolina
Adjunct Professor 1991-1994
Art Department, Rivier College, Nashua, NH
Fellow/Panelist
The Aspen Institute Aspen, CO 2000
Conference on World Affairs [Univ of Colo, Boulder] 1990-1998
Visiting Artist
Haverford School, Bryn Mawr, PA 1999
Clemson University, Clemson, SC 1997, 1998
African Institute of Art, FUNDA Soweto, South Africa 1997
Princeton University 1996
Williams College 1995
Bradford College 1994, 1998
College of Charleston 1994
University of Pennsylvania 1993
University of South Carolina 1990, 1994
SUNY Albany 1992, 1993
Pine Manor College 1987, 1989
Bentley College 1988
Simon's Rock/Bard College 1988
Brandeis University 1986
Lyme Academy of Fine Arts 1985, 1986
Emerson College 1985
Harvard University 1984, 1985
Mount Holyoke College 1984
Syracuse University 1983
Colorado College 1977
Director; Artist in Residence 1974-1977
Arts College House, University of Pennsylvania
Taught Drawing (figure & still-life) and Photography
Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art
SCHOOLS & PROGRAMS
Instructor, Photography & Visual Arts 1974-1976
Adirondack Lakes Center for the Arts
Chair, Performing Arts Department 1971-1974
Purnell School
Instructor, Visual Arts Department 1970-1974
Purnell School [Taught (& developed syllabi for) 21 Studio arts courses]
Juror, College Entrance Examination Board Area: Fine Arts 1972
AWARDS
Selection Who's Who: in American Art; in the East; in the World
Grants Krasner-Pollack Foundation Emergency Grant, 1999
Indochina Arts Project (Ford Foundation) 1994
Individual Artist Grant, South Carolina Arts Commission 1991
K. B. K. Foundation, 1991, 1994
High Meadow Foundation, 1990
Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977
Haas Memorial Fund Fellowship, 1976
GRANTS IN KIND
Kodak, Rochester, NY
Papeteries Canson & Montgolfier, Annonay, France; Royal
Talens BV Oil Paints, Apeldoorn, Holland
Takach Etching Press Corp., Albuquerque, NM
South African Airlines; American Airlines
Korean Airline;
Trans World Airlines
PUBLICATIONS
Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999
Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992
Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990
David Godine, Publisher Boston, MA
Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982
Award: Red Ribbon Category: The Arts American Film Festival, New York
INTERVIEWS
All Things Considered, National Public Radio
Weekend Edition, Monitor Radio & Public Radio International
CNN Headline News, Atlanta, GA
International News Scene, Reuters Press International, New York/Hong Kong
Terra Infirma, Corp. for Public Broadcasting
BBC World, London
Art Scene, S. Carolina Public Radio
Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI
Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI
WBZ-TV Boston, MA
WCNY-TV Syracuse, NY
WNPE-TV Watertown, NY
WSBK-TV Boston, MA
WERS-Radio Boston, MA
RELATED EXPERIENCE
Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975
Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973
Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971
Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973
School for International Training, Experiment in International Living, Putney, VT 1973
Graduate Credits Teaching Studio Art Institute, Colorado College, 1972
Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91
"How to create, fund and impliment a self-sufficient world-class sculpture collection"
Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000
"Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994
"Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993
"Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992
"On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993
"Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991
Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ;
Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good
Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet)
1967-1971 Album: "Another Summer...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Monotype
Untitled (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Oil on Arches paper, image measures 16.5 x 21.5 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Signed by the artist in pencil, lower margin. Printed on Rives heavy wove paper. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing. Ships rolled in tube with glassine paper.
David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide.
A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying.
His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain.
His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes.
This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own.
Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques.
His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats.
EDUCATION
MLA University of Colorado 2002
Landscape Architecture
MFA University of Pennsylvania 1977
Sculpture & Printmaking
BA Princeton University 1971
Architecture & Design
SELECTED
EXHIBITIONS
Consulate of Japan, San Francisco, CA 1999, 1998
Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999
Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996
"Duets" Delaware Museum of Art, Wilmington, DE 1995
MacLaren/Markowitz Gallery, Boulder, CO 1991
Retrospective: McKissick Museum of Art, Columbia, SC 1990
Retrospective: The Art Complex Museum, Duxbury, MA 1988
Pucker Gallery, Boston, MA 1981, 1984, 1988
Gibson Gallery, SUNY at Potsdam, NY 1987
Arlene McDaniel Galleries, Simsbury, CT 1986
Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986
Gallerie Obussier, Nantucket, MA 1985
New Acquisitions Gallery, Syracuse, NY 1983
Everson Museum of Art, Syracuse, NY 1983
COMMISSIONS:
Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994
Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994
Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994
Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992
Balletté; Southworth Library, Canton College, Canton, NY 1991
A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991
Festivale; K. B. K. Foundation, Boston, MA 1990
A Une Passante; SUNY Potsdam, Potsdam, NY 1989
Balletté; Ensign-Bickford Corp., Simsbury, CT 1987
Torus; Stratus Computer, Inc., Marlboro, MA 1986
Rondella; BNWC, Brandeis University, Waltham, MA 1985
Viole, Ayre; Asset Management, Inc., Essex, CT 1983
Cantata; Horne Library, Babson College, Wellesley, MA 1981
COLLECTIONS
Museums Art Complex Museum, Duxbury, MA
Ashmolean Museum, Oxford University, England
Asian Art Museum, San Francisco, CA
British Museum, London, England
Columbia Museum of Art, Columbia, SC
Currier Gallery & Museum, Manchester, NH
Danforth Museum, Framingham, MA
Davis Museum of Art, Wellesley, MA
DeCordova Museum, Linclon, MA
Delaware Museum of Art, Wilmington, DE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Farnsworth Museum of Art, Rockland, ME
Fine Arts Center at Cheekwood, Nashville,TN
Fitzwilliam Museum, Cambridge University, England
Gibbes Museum of Art, Charleston, SC
Gibson Gallery & Museum, SUNY Potsdam, NY
Greenville County Art Msueum, Greenville, SC
Hara Museum of Contemporary Art, Tokyo, Japan
Johnson Museum of Art, Ithaca, NY
McKissick Museum of Art, Columbia, SC
Minneapolis Institute of Art, Minneapolis, MN
Munson-Williams-Proctor Institute of Art, Utica, NY
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Springfield, MA
Muskegon Museum of Art, Muskegon, MI
National Museum of American Art, Washington, DC
Nelson Museum of Art, Kansas City, MO
New Britain Museum of American Art, New Britain, CT
Portland Museum of Art, Portland, ME
Portland Art Museum, Portland, OR
Princeton University Art Museum, Princeton, NJ
Rose Art Museum, Waltham, MA
San Diego Museum, San Diego, CA
Smith College Museum of Art, Northampton, MA
Taylor Museum/CSFAC, Colorado Springs, CO
University of Michigan Museum of Art, Ann Arbor, MI
Victoria & Albert Museum, London, England
Wadsworth Athenaeum, Hartford, CT
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Institutions American Embassy, Tokyo, Japan
[selected] Arjo Wiggins/Arches S.A., Annonay, France
Bank of America, Boston, MA
Boso Yusi Company, Tokyo, Japan
Boston Ballet, Boston, MA
Canadian Foreign Ministry, Ottawa, Canada
Chase Manhattan Bank, Vietnam
Embassy of Japan, Abu Dhabi, United Arab Emirates
FIA Institute, Tokyo, Japan
Fidelity Ventures & Associates, Boston, MA
Frederik Meijer Sculpture Gardens, Grand Rapids, MI
Gauteng Legislature, Gauteng, South Africa
German Embassy to Vietnam, Hanoi, Vietnam
Helix Technology Corporation, Longmont, CO
Ito-En Company, Tokyo, Japan
JAFCO America Ventures, Boston, Palo Alto, Tokyo
Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA
Japanese Foreign Ministry, Tokyo, Japan
Japan External Trade Organization, New York, Tokyo
Kepner-Tregoe Company, Princeton, NJ
Kobe Steel, Ltd Tokyo, Kobe
Mochida Medicines, Inc., Tokyo
Monsanto, European Division, Brussels, Belgium
New England Conservatory of Music, Boston, MA
Nueva Set-Kei, Inc. Tokyo, Japan
Opinion Research Company, Princeton, NJ
PAR Associates, Inc., Boston, MA
Price, Waterhouse & Company, Greenwich, CT
Princeton Club of Japan, Tokyo, Japan
Saint Joseph's Heart Hospital, Lexington, KY
Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO
Temple Society of Concord, Syracuse, NY
T. Rowe Price, Inc., Colorado Springs, CO
University of Wisconsin School of Business, Madison, WI
Vietnam Embassy to Canada, Ottawa, Canada
Yankelovich, Skelly & White, Stamford, CT
COLLABORATIONS
Johannesburg, South Africa (& Artist Proof Studio) 1997
Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi
Vietnam (& Indochina Arts Project) 1995
Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi
Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong
Studio Duetts 1995-2001
With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer)
China (PRC) 2001-2004
Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD.
HIGHER EDUCATION
Visiting Artist [Associate Professor One-year appointment] 1990/1991
Art Department, University of South Carolina
Adjunct Professor 1991-1994
Art Department, Rivier College, Nashua, NH
Fellow/Panelist
The Aspen Institute Aspen, CO 2000
Conference on World Affairs [Univ of Colo, Boulder] 1990-1998
Visiting Artist
Haverford School, Bryn Mawr, PA 1999
Clemson University, Clemson, SC 1997, 1998
African Institute of Art, FUNDA Soweto, South Africa 1997
Princeton University 1996
Williams College 1995
Bradford College 1994, 1998
College of Charleston 1994
University of Pennsylvania 1993
University of South Carolina 1990, 1994
SUNY Albany 1992, 1993
Pine Manor College 1987, 1989
Bentley College 1988
Simon's Rock/Bard College 1988
Brandeis University 1986
Lyme Academy of Fine Arts 1985, 1986
Emerson College 1985
Harvard University 1984, 1985
Mount Holyoke College 1984
Syracuse University 1983
Colorado College 1977
Director; Artist in Residence 1974-1977
Arts College House, University of Pennsylvania
Taught Drawing (figure & still-life) and Photography
Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art
SCHOOLS & PROGRAMS
Instructor, Photography & Visual Arts 1974-1976
Adirondack Lakes Center for the Arts
Chair, Performing Arts Department 1971-1974
Purnell School
Instructor, Visual Arts Department 1970-1974
Purnell School [Taught (& developed syllabi for) 21 Studio arts courses]
Juror, College Entrance Examination Board Area: Fine Arts 1972
AWARDS
Selection Who's Who: in American Art; in the East; in the World
Grants Krasner-Pollack Foundation Emergency Grant, 1999
Indochina Arts Project (Ford Foundation) 1994
Individual Artist Grant, South Carolina Arts Commission 1991
K. B. K. Foundation, 1991, 1994
High Meadow Foundation, 1990
Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977
Haas Memorial Fund Fellowship, 1976
GRANTS IN KIND
Kodak, Rochester, NY
Papeteries Canson & Montgolfier, Annonay, France; Royal
Talens BV Oil Paints, Apeldoorn, Holland
Takach Etching Press Corp., Albuquerque, NM
South African Airlines; American Airlines
Korean Airline;
Trans World Airlines
PUBLICATIONS
Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999
Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992
Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990
David Godine, Publisher Boston, MA
Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982
Award: Red Ribbon Category: The Arts American Film Festival, New York
INTERVIEWS
All Things Considered, National Public Radio
Weekend Edition, Monitor Radio & Public Radio International
CNN Headline News, Atlanta, GA
International News Scene, Reuters Press International, New York/Hong Kong
Terra Infirma, Corp. for Public Broadcasting
BBC World, London
Art Scene, S. Carolina Public Radio
Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI
Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI
WBZ-TV Boston, MA
WCNY-TV Syracuse, NY
WNPE-TV Watertown, NY
WSBK-TV Boston, MA
WERS-Radio Boston, MA
RELATED EXPERIENCE
Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975
Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973
Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971
Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973
School for International Training, Experiment in International Living, Putney, VT 1973
Graduate Credits Teaching Studio Art Institute, Colorado College, 1972
Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91
"How to create, fund and impliment a self-sufficient world-class sculpture collection"
Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000
"Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994
"Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993
"Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992
"On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993
"Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991
Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ;
Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good
Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet)
1967-1971 Album: "Another Summer...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Monoprint
Eduardo Vera Cortes poster Antonio Maldonado exhibition (Puerto Rican artist)
Located in Wilton Manors, FL
Rare exhibition poster by Puerto Rican artist Carlos Osario. Una Gota de Sangre, 1963. Screen print on paper, 17.5 x 25 inches. Some wear and crea...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Screen
Eduardo Vera Cortes poster Antonio Maldonado exhibition (Puerto Rican artist)
Located in Wilton Manors, FL
Rare exhibition poster by Puerto Rican artist Eduardo Vera Cortes (1926-2006). Exposicion de Pinturas de Antonio Maldonado, 1965. Screen print on p...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Screen
Novena Theater Festival mid-century exhibition poster (Puerto Rican artist)
By Lorenzo Homar
Located in Wilton Manors, FL
Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Noveno Festival de Theatro Puertorriqueno, 1966. Screen print poster on p...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Screen
Puerto Rican mid-century exhibition poster San Juan
Located in Wilton Manors, FL
Esposicion de Retratos, Instututo de Cultura Puertorriquena San Juan, 1965. Screen Print on paper measiures 20 x 30 inches. Wear and creasing as depicted in detail photos.
Beautifu...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Screen
Antonio Frasconi mid-century exhibition poster (Puerto Rican artist)
By Lorenzo Homar
Located in Wilton Manors, FL
Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Grabados de Antonio Frasconi, 1965. Screen print poster on paper. Minor w...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Screen
Jean Dubuffet 1970 Exhibition Poster
By Jean Dubuffet
Located in Wilton Manors, FL
Jean DUBUFFET
Two characters, 1970
Original lithograph poster for the exhibition "the logological cabinet" in 1970 at the Centre National d'Art Contemporain
Dimensions: 69 x 48 cm
Category
1970s Abstract Abstract Prints
Materials
Lithograph
1956 Fernand Leger Mourlot Exhibition Poster
By Fernand Léger
Located in Wilton Manors, FL
76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...
Category
Mid-20th Century Cubist Abstract Prints
Materials
Paper, Lithograph
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A Paintings Retrospective: vintage LACMA Museum poster depicting her 1963 work
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler
A Paintings Retrospective: vintage LACMA Museum poster, 1990
Offset lithograph museum poster
(Unsigned & Unnumbered)
Limited Edition - though exact number produced unknown
37 × 25 inches
Unframed
This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA)
Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA
The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.)
Accompanied by gallery issued Certificate of Guarantee
“What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler
This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961)
Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide.
Helen Frankenthaler, A Brief Biography
Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow.
Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann.
Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture.
In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland.
As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour.
Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century.
Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others.
Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
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Book: Works on Paper 1949-1984 (Hand signed & inscribed by Helen Frankenthaler)
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Located in New York, NY
Helen Frankenthaler
Frankenthaler, Works on Paper 1949-1984 (Hand signed and inscribed to Dick Polich, Founder of Tallix Foundry), 1986
Softcover monograph (book), hand signed and da...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Offset, Ink, Lithograph
Three Reclining Figures
By Henry Moore
Located in San Francisco, CA
Artist: Henry Moore (British, 1898-1986)
Title: Three Reclining Figures
Year: 1976
Medium: Color lithograph
Edition: 110
Paper: Arches
I...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Dame Creole
By Henry Moore
Located in San Francisco, CA
Artist: Henry Moore (British, 1898-1986)
Title: Dame Creole
Year: 1976
Medium: Color lithograph
Edition: 110
Paper: Arches
Image size: 18.5 x 15 inches
paper size: 18.5 x 15 i...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Altitudes /// Abstract Expressionism Helen Frankenthaler Female Post-War Modern
By Helen Frankenthaler
Located in Saint Augustine, FL
Artist: Helen Frankenthaler (American, 1928-2011)
Title: "Altitudes"
*Signed, dated, and numbered by Frankenthaler in pencil lower right
Year: 1978
Medium: Original Lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper
Limited edition: 29/42
Printer: Bill Goldston and John A. Lund of Universal Limited Art Editions, West Islip, NY
Publisher: Universal Limited Art Editions, West Islip, NY
Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; "ULAE" - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67
Sheet size (irregular margins): 22.25" x 30.88"
Condition: Remnants of previous mounting tape on verso. In excellent condition with strong colors
Very rare
Notes:
Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde, Crawford, New York, NY; acquired from an art gallery in New York, NY; likely acquired directly from the publisher Universal Limited Art Editions, West Islip, NY. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Universal Limited Art Editions chop mark/blind stamp lower right.
"Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture."
"Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale."
Biography:
Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Handmade Paper, Lithograph
Andre Emmerich Gallery print: New Work With A Camera (Signed by David Hockney)
By David Hockney
Located in New York, NY
David Hockney
New Work With A Camera (Hand Signed by David Hockney), 1983
Offset Lithograph Poster
Hand signed by David Hockney lower right front
39 × 24 1/2 inches
Unframed
Accompa...
Category
1980s Pop Art Portrait Prints
Materials
Lithograph, Offset