Jasper Johns

Recent Still Life RISD exhibition poster

1966

Alexander CALDER (after) Black Shadow, 1969 Lithograph poster Made for the exhibition of Alexander Calder at Maeght Fondation in 1969 Printer : Arte Paris Editor : Maeght 70 x 49.8 ...

Jerome Kaplan (1920-1997). Malach (Angel), 1952. Lithograph on wove paper. Image measures 15 x 19 inches; 23 x 28 inches in custom shadowbox frame with custom beveled linen matting. ...

Roger Muhl (1929-2008) Provence #7, 1986. Signed and numbered in pencil by the artist, lower margins. Artwork is in excellent condition with no damage or conservation. Frame shows ...

Jean DUBUFFET Two characters, 1970 Original lithograph poster for the exhibition "the logological cabinet" in 1970 at the Centre National d'Art Contemporain Dimensions: 69 x 48 cm

Original Ellsworth Kelly exhibition poster, 1964. Gallerie Maeght. 26 x 20 inches. Lithograph on paper. Gentle creasing lower left....

76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIX Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations: ...

Print Edition 9, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...

Print Edition 6, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...

Eduardo Arranz-Bravo - Casa negra (Black House) Date of creation: 1988 Medium: Lithograph on paper Edition: 75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Obse...

Valentine's Gift

Spiegelung I, 2004 Lithograph in colors, on wove paper 22 x 29 7/8 in. (56 x 76 cm) Edition of 120 Signed and numbered in pencil, lower margin