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Mid-20th Century Abstract Prints

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Period: Mid-20th Century
The Souper Dress screenprint cellulose w/ label, edition at Warhol & Met Museums
Located in New York, NY
Rarely found in such excellent condition! Others found on the market are often cut on the bottom with the yellow lined hem missing. This one is not! After Andy Warhol The Souper Dr...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Cotton, Mixed Media, Screen

Constellations, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 19...
Category

Modern Mid-20th Century Abstract Prints

Materials

Linocut

Pablo Picasso - Le Ballet (The Ballet Dancer) - lithograph, Framed
Located in London, GB
Pablo Picasso The Ballet Dancer, 1954 Lithograph on paper 32 x 24 cm - sheet 55.5 x 49.5 cm - Framed unknown edition size Printed signature Reference: Bloch #767 and Mourlot #259 Fr...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Polypheme, Signed Surrealist Aquatint Etching by Joan Miro
Located in Long Island City, NY
Polyphemus was the name of the ill-fated cyclops who met his match in the Greek hero Odysseus. The king Odysseus, on his long journey home from fighting in the Trojan war, stopped wi...
Category

Modern Mid-20th Century Abstract Prints

Materials

Etching, Aquatint

Picasso, Femme se coiffant, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph

Composition (Cramer 24; Mourlot 117), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, ...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Kandinsky, Composition, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double)...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Personnage (Mourlot 244), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Queneau, Raymond. Joan Miró, Litho...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Onde, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, Poètes, peintres, sculpteurs, N° 11...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Kandinsky, Fond Blanc, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Composition, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph, collage, relief on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Rev...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph

Picasso "Toros & Toreros" Photolithography
Located in Cuauhtemoc, Ciudad de México
This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which features the iconic artwork of Pablo...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph

Composition, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 102; Mourlot 428-449), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Livre du cœur d'amour épris, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Livre du cœur d'Amour épris...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Jacqueline à l'étamine (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph, Stencil

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

La femme au miroir (Cramer 35; Mourlot 242), Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, ...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Composition (Duthuit 108), Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné reference: Matisse, ...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Picasso, Composition, La Comédie Humaine, Verve: Revue Artistique (after)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, New Séries, XXIIIth year, N°17 - Christ...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Silkscreen from the estate of Stephen Poleskie, Berggruen 11, Clark 12 Harrison
Located in New York, NY
Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...
Category

Abstract Expressionist Mid-20th Century Abstract Prints

Materials

Screen

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 69-70, 1954. Published by Aimé M...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Joost Schmidt-Bauhaus Exhibition-1995- Vintage
Located in Brooklyn, NY
Schmidt's 1923 poster for the Bauhaus Exhibition is celebrated for its innovative use of geometric forms and typographic elements, reflecting the school's avant-garde approach to des...
Category

Bauhaus Mid-20th Century Abstract Prints

Materials

Offset

Lithographie n°9 (Rivière 9; Encrevé/Miessner 54), XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Soulages: Eaux-Fortes, Lithographies, 1952-...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Cinésias et Myrrhine (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Etching

La Vache Bleue (Cramer 71; Mourlot 488), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Fernand Mourlot. Chagall...
Category

Expressionist Mid-20th Century Abstract Prints

Materials

Lithograph

Le Serment des femmes (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Etching

Paris L' Opera Le Plafond Romeo and Juliet Place de la Concorde Lt Ed Lithograph
Located in New York, NY
Marc Chagall Paris L' Opera Le Plafond, Romeo and Juliet at Place de la Concorde and Arc de Triomphe, 1965 Original lithograph on wove paper Unsigned Edition of 5000 24 3/4 × 38 3/4 ...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Intimité
Located in Middletown, NY
Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph, Handmade Paper

Picasso, Composition (J/Vollard 193; Monod 10485), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut on vélin de Montval-Maillol paper. Paper Size: 17.3 x 12.6 inches; image size: 9.1 x 5.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Woodcut

Composition (Benhoura 397; Cramer 6; Dupin 40; Mourlot 196), XXe siècle
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Musée d’art moderne de la ville de ...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Linocut

Miró, Poême pour Georges Braque (Cramer 87), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 144-145-146, 1964. ...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Jean Dubuffet Painted Sculptures at Pace Gallery-Lithograph-Vintage
Located in Brooklyn, NY
This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Rrose Sélavy in Wilson-Lincoln System Lenticular print (Schwarz 344) Signed 8/60
Located in New York, NY
Marcel Duchamp and by Takiguchi Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz, 344), 1967 Lenticular print on thin white board. Hand signed by Marcel Duchamp. Date, title and number on label verso. 12 7/10 × 10 1/10 inches Edition 8/60 Hand-signed by artist, Hand signed by Marcel Duchamp in blue ink recto. Sticker label verso bears printed title, edition number, year and description. Printed by Shuzo Takiguchi, published in Tokyo. Catalogue Raisonne Reference: "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344 Provenance: This was part of the Deluxe Artist portfolio, "To and From Rrose Sélavy"; this will be the first time the work has been separated from the portfolio Please refer to the attached video to see this 3-D piece in person Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy (aka Marcel Duchamp)." The present work - Takiguchi's own piece, a lenticular double portrait - combines Rrose Sélavy's signature with Man Ray's 1930 profile of Duchamp. Its subject, Marcel Duchamp, then signed this work in pencil. Its title, "Rrose Sélavy in the Wilson-Lincoln System", refers to Duchamp's Green Box note describing a two-way, changeable portrait of presidents Abraham Lincoln and Woodrow Wilson. Rrose Selavy is, famously, Marcel Duchamp's pseudonym and alter ego. Duchamp died before Takiguchi's book was completed, so this print is one of the very last graphic works that has been hand signed by Marcel Duchamp. It was published in Japan, and is a very elusive work stateside. Another edition of this work is in the permanent collection of the Museum of Modern Art. The National Portrait Gallery and other major institutional collections. This work is fully referenced in the catalogue raisonne "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344, describing the work as follows: "Rrose Selavy in the Wilson Lincoln System (a double image plastic plate with, on the background, Man Ray's portrait of Duchamp, and superimposed,, Rrose Selavy's autograph signature repeated four times, signed lower right in blue ink: Marcel Duchamp, an original embossed print...." More about Marcel Duchamp: Henri-Robert-Marcel Duchamp was born July 28, 1887, near Blainville, France. In 1904, he joined his artist brothers, Jacques Villon and Raymond Duchamp-Villon, in Paris, where he studied painting at the Académie Julian until 1905. Duchamp’s early works were Post-Impressionist in style. He exhibited for the first time in 1909 at the Salon des Indépendants and the Salon d’Automne in Paris. His paintings of 1911 were directly related to Cubism but emphasized successive images of a single body in motion. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. Duchamp’s radical and iconoclastic ideas predated the founding of the Dada movement in Zurich in 1916. By 1913, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work, The Bride Stripped Bare by Her Bachelors, Even (1915–23; also known as The Large Glass). In 1914, Duchamp introduced his readymades—common objects, sometimes altered, presented as works of art—which had a revolutionary impact upon many painters and sculptors. In 1915, Duchamp traveled to New York, where his circle included Katherine Dreier and Man Ray, with whom he founded the Société Anonyme in 1920, as well as Louise and Walter Arensberg, Francis Picabia, and other avant-garde figures. After playing chess avidly for nine months in Buenos Aires, Duchamp returned to France in the summer of 1919 and associated with the Dada group in Paris. In New York in 1920, he made his first motor-driven constructions and invented Rrose Sélavy, his feminine alter ego. Duchamp moved back to Paris in 1923 and seemed to have abandoned art...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Plastic, Mixed Media, Board, Pencil, Lenticular

USA : McGovern for McGovernment - Original Screen Print HANDSIGNED
Located in Paris, IDF
Alexander CALDER USA : McGovern for McGovernment, 1972 Original screenprint Handsigned in pencil Justified EA (artist proof) On BFK Rives Vellum 88 x 60 cm (c. 35 x 24 in) Authentic...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Screen

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Composition in Black and Blue - Lithograph and stencil, 1956
Located in Paris, IDF
Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph, Stencil

Variation II on Mauve Corner (Harrison, 17), Color Lithograph, Signed/N, Framed
Located in New York, NY
Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

Abstract Expressionist Mid-20th Century Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...
Category

Orphist Mid-20th Century Abstract Prints

Materials

Lithograph

The Surrealist Animal, King Ubu - Original Lithograph (Maeght #414)
Located in Paris, IDF
Joan MIRO The Surrealist Animal, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Josef Albers, Blue Reminding, dazzling 1967 silkscreen (signed/numbered) Framed
Located in New York, NY
Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Pencil, Screen

LOVE (The original) Sheehan 39, silkscreen edition of 2275 with artist copyright
Located in New York, NY
Robert Indiana LOVE (the original), Sheehan, 39, 1967 Silkscreen on Buckeye Cover paper Artists copyright stamp on the back Edition of 2275 33 3/4 × 33 3/4 inches Unframed Artists co...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Screen

Kidio
Located in Paris, FR
Silksreen, 1969 Handsigned by the artist in pencil Edition : 120/250 Publisher : Fondation Vasarely, Château de Gordes Printer : Arcay, Paris Catalog : Benavides 165 72.00 cm. x 62....
Category

Abstract Mid-20th Century Abstract Prints

Materials

Silk

Annabelle nue, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 9...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Miró, Composition (Mourlot 551; Cramer 118), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

"Somber Planet"
Located in Astoria, NY
Manfred Schwartz (American, b. Poland, 1909-1970), "Somber Planet", Lithograph on Paper, mid 20th century, numbered edition "13/90" lower left, signed in pencil lower right, with the...
Category

Modern Mid-20th Century Abstract Prints

Materials

Paper, Lithograph

Original Unused 1964 Avant La Lettre Lithograph Gaspar Room Metras Belarte
Located in Miami, FL
Joan Miró (Spain, 1893-1983) 'Sala Gaspar, Metras and Belarte Gallery (avant la lettre)', 1964 Lithograph on Paper (Cahiers d'Art magazine Nº4-5) Original lithograph without signing ...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Peintures Chez Iris Clert 1957 certified, stamped by Yves Klein Archives 105/200
Located in New York, NY
"...Blue has no dimensions, it is beyond dimensions, whereas the other colours are not.... All colours arouse specific associative ideas, psychologically material or tangible, while ...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Picasso, Femme au collier (Orozco 214), Grabados al linóleo (after)
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Linocut

Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph, Screen

Matisse, Série B, var. 1 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

La mariée comme elle est (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph, Stencil

Fontana, Composition, XXe Siècle (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°12, 1959. Published and printed under the direct...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph, Stencil

"Fete" Mid Century Modern Abstract Etching & Aquatint on Paper (Artist's Proof)
Located in Soquel, CA
"Fete" Mid Century Abstract Etching and Aquatint on Paper (Artist's Proof) Bold abstract composition by Renee Lubarow (French, 1923-2017). This piece is somewhat architectural or in...
Category

Modern Mid-20th Century Abstract Prints

Materials

Etching, Aquatint, Laid Paper

Untitled, from ‘The International Association of Art Portfolio’
Located in Llanbrynmair, GB
Untitled, from ‘The International Association of Art Portfolio’ By Max Bill Medium - Screen print Edition - 3/25 Signed - Yes Size - 640mm x 460mm Date...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Screen

Untitled
Located in Wilton Manors, FL
Untitled, ca. 1960. Lithograph on paper, sheet measuring 18.5 x 26.5 inches Measuring 27 x 35 inches in original mid-century beveled oak frame. Signed and numbered in pencil by ...
Category

Abstract Expressionist Mid-20th Century Abstract Prints

Materials

Lithograph

Roy Lichtenstein -Guggenheim Museum-1969 Serigraph Pop Art
Located in Brooklyn, NY
This original poster, designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York (September 19–November 16, 1969), is a screen print on white glo...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Screen

Orchestra : Intermission - Lithograph (Mourlot)
Located in Paris, IDF
Raoul DUFY (1877-1953) Orchestra : Intermission Lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) Excellent condition
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Lithograph

Marc Chagall and Charles Sorlier, Carmen, Lithograph, signed 98/150 Mourlot CS39
Located in New York, NY
Marc Chagall (After) and Charles Sorlier (his collaborator and printer) Carmen, Metropolitan Opera, New York City, 1966 Color Lithograph on Arches watermarked Paper with deckled edg...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

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