Mid-20th Century Abstract Prints

Texte Mouchetè is an original lithograph on watermarked paper "Arc". Abstract composition by the French artist Jean Dubuffet. From the album of "Cites et Chaussees" (1953-1959). In ...

Artist: Alfonsas Dargis, Lithuanian (1909 - 1996) Title: Three Islands Year: 1953 Medium: Linocut, signed and numbered in pencil Edition: 9/45 Image Size: 27 x 18.75 inches Frame Siz...

Composition is an original etching on paper realized by Arthur Luiz Piza. Hand-signed and dated. The state of preservation is good except for consumed margins. The artwork represe...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Untitled from Derrière le Miroir is a black and white print realized by Antoni Tapiès in 1968 for the art magazine Derriere Le Miroir., n. 137. Printed by Ateliers de Maeght, Paris...

"Grusgrav", a wonderfully minimal yet expressive mid century modern abstract limited edition hand signed lithograph by Frede Christoffersen (Danish, 1919-1987). This 1962 color-field abstract features a subdued palette of earthy golden rod yellows and sage, the geometric areas of color divided into fractured shapes with organic and expressive texture. Grusgrav, the title of the piece, is Danish for gravel pit. Titled "Grusgrav", signed with the artist's initials "FC" and dated "62" lower right. Numbered "36/80" lower left. Signed "Frede Christoffersen" on verso. Official Org. U.M. Grafik warranty certificate stamp on verso. Displayed in a vintage painted wood frame. Image size: 11.5"H x 17"W. Another lithograph print of "Grusgrav" from the same edition, number 44/80, is included in the collection of the Fuglsang Art Museum (Fuglsang Kunstmuseum) on the island of Lolland in Denmark. Born in Borup, Denmark, outside out Copenhagen. Christoffersen spent a short period at the Copenhagen Arts and Crafts School before travelling to the Far East in 1940-41. The result was his 20 "Smaa sorte Tegninger" published in 1941. From 1942 to 1943, he studied at the Royal Danish Academy of Fine Arts, both at the graphic arts school and at the school of painting, under Aksel Jørgensen...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 116, 1959. Published by Aim...

Lithograph, 1960 Handsigned by the artist in pencil and numbered 28/50 Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : [Mourlot 244] 52.50 cm. x 38.00 cm. 20.67 in. x ...

Moshe Givati (Israeli 1934-2012), "Untitled" Edition 1/20 Artist Proof, Abstract Serigraph Screen Print, 39 x 27, Mid 20th Century Colors: Brown, Yellow, Blue, Orange, Red, Pink, Gr...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Figure is an original lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, short and...

Ossip Zadkine Galerie Im Erker Exhibition (Hand Signed), 1961 Off-set Lithograph Poster (Signed by Zadkine) Signed in ink on lower right front 33 1/2 × 21 1/2 inches Unframed Provena...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1964 From the journal "XXe Siecle" Unsigned edition of unknown size Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Refere...

Victor Vasarely, Hungarian (1908–1997) Date: 1955 Screenprint, signed and numbered in pencil Edition of 124/150 Image Size: 16 x 22 inches Size: 20 x 25.75 in. (50.8 x 65.41 cm)

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 124, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

i Exhibition of Designs by Frank Lloyd Wright at Unity Temple. Lake St. Kenilworth, Oak Park. (Published by the Chicago Heritage Committee with the Cooperation of the Unitarian Unive...

Holocaust is an original contemporary artwork realized by the Italian artist Gianfranco Ferroni (Livorno, 1927 - Bergamo, 2001) in 1963. Original copper Etching on paper. 173 x 23...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 55-56, 1953. Published by Aimé Maeght, Éditeur, Paris; ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 51, 1952. Published by Aimé...

Edward Giobbi, American (1926 - ) - Layered Bricks, Year: 1965, Medium: Screenprint, signed, dated, dedicated and numbered in pencil, Edition: 7/30, Image Size: 40.25 x 22.5 inches...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Unknown/ Unidentified Artist, "Fisch" Abstract / Animal Lithograph numbered 11/100 and signed in pencil, 13.50 x 20.50, Late 20th Century, 1965 Colors: Blue, Black, White *Unidenti...

Ronnie Landfield (1947- American) 1969 Hand signed, numbered, and dated in pencil Serigraph on handmade paper. With the blindstamp of the Tanglewood Press. From the portfolio Various Artists that Included works by Alan Cote, David Diao, Ronnie Landfield, Lee Lozano, Brice Marden, William Pettet, Alan Shields, Kenneth Showell, Lawrence Stafford, and Peter Young. co-printed by Bank Street Atelier, Chiron Press, Fine Creations, Inc., Tom Gormley, Maurel Studios and S.D. Scott & Co., New York and published by Tanglewood Press, Inc., New York. Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper (painting, lithograph and silkscreen) in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

Beautiful artwork, a colored monotype, representing an abstract composition, realized by Gastone Novelli. Image dimensions: Cm 23.5 x 18 Signed "G. Novelli" on the lower right. Ve...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 231...

Nightfear Color lithograph, 1958 From: Rhapsodie de ma nuit, (seven plates) Signed, dated and numbered in pecnil lower left (see photos) Edition: E.A. edition of 25, (there were a...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Serge Poliakoff - Abstract Beach - Original Lithograph Published in the deluxe art review, XXe Siecle 1968 Dimensions: 32 x 24 cm Publisher: G. di San ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 144-145-146, 1964. Publishe...

Max Papart (1911-1994) "The Blue Rider" Original Etching with Aquatint, circa 1973 This is a rare artist proof. The artist proof is pencil signed and titled by the artist. The regu...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Published by Aimé Maeght, Éditeu...

Eberhard Dänzer (German, 1938-2005), "Untitled" Edition 83/100, Abstract Lithograph signed and numbered in Pencil, 23 x 17, Late 20th Century, 1966 Colors: Black and White Eberhar...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 154, 1965. Published by Aim...

Hand Signed. Edition of 60 prints.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 105-106, 1958. Published by Aimé Maeght, Éditeur, Paris...

Jean Dubuffet Dubuffet: The Museum of Modern Art vintage poster, 1962 Offset lithograph poster 19 1/2 × 15 inches Unframed with original folds (it was de...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Composition from "Derrière Le Miroir" is an original lithograph realized by Raoul Ubac in 1960s. With the description in French on the rear. Very Good conditions Poetic Black and...

The Adja Yunkers abstraction is a lithograph made in the first year of the iconic printmaking workshop Tamarind, founded by the great June Wayne (with Clinton Adams and Garo Antreasi...

Hand Signed. Hand numbered. Edition of 64 prints. Good condition.

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 160, 1966. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 144-145-146, 1964. Published by Aimé Maeght, Éditeur, P...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 119, 1960. Publishe...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 144-145-146, 1964. Publishe...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, 1960. Published by Aimé Maeght, Éditeur, Paris...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 123, 1961. Publishe...

The Promises of a Face  is a beautiful colored screen print on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), in the 1960s. Hand-signe...

Gravure pour 10 origine is an original modern artwork realized by Vasilij Kandinskij  Black and white woodcut Numbered on the lower margin. Edition of 15/75. This is the second e...

Claes Oldenburg Lipstick Ascending the Caterpillar Tracks (Print), plus Novum Organum No. 7, Yale University (broadside), 1969 Print is a Photo offset lithograph on two sided paper, plus separate broadside on offset lithograph Hand signed boldly in black marker and numbered 116 34 × 24 inches Published by Yale University, New Haven, CT Unframed Note: This print is THE original 1969 photolithograph - not to be confused with the poster or later editioned works created in the 1970s. See history below: This listing features 2 Elements: (1) A 2 sided photolithograph of the installation plans for Oldenburg's monumental lipstick sculpture...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Myril Adler, was born on September 22, 1920 in Vitebsk, Russi...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Artist: Joe Tilson, British (1928 - ) Title: Ziggurat 6 Year: 1966 Medium: Screenprint, signed and numbered in pencil Edition: 70 Paper Size: 27 x 40 inches

Morning twilight is a beautiful colored screen print on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), in the 1960s. Hand-signed and n...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, 1960. Published by Aimé Maeght, Éditeur, Paris...

Gravure pour 10 origine is an original modern artwork realized by Vasilij Kandinskij  Black and white woodcut Numbered on the lower margin. Edition of 15/75. This is the second e...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 161, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...