Guillaume Corneille Art

Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...

Lithograph Edition 14 of 50 44.6 x 31.7 cm (17.5 x 12.4 in) Signed, numbered, dated and titled on the front Artwork in excellent condition. Minor imperfections may appear due to the ...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Mauro Oliveira. This exquisite...

This is a lithographically printed reproduction of a sensationally fun Lichtenstein triptych he painted in 1964, produced by the Stedelijk Museum...

"Design in Black & White" is a lithograph by the well-known Michigan designer Lance Lawlor. He was a Master of linear and decorative design and this print displays the talent for which he was sought after. Lance Stephen Lawlor was born January 6, 1955, in Detroit, Michigan. He attended the University of Michigan, graduating with a BFA in 1975 from the Penny W. Stamps School of Art & Design. He was a student of world renown costume designers of the 1930s-1950s, especially Adrian Adolph...

Edition Details: Year: 2019 Class: Art Print Status: Official Released: 10/01/19 Run: 1,000 Technique: Fine Art Lithograph Paper: 80# archival qual...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Hand signed and numbered. Blind stamped in lower left corner. Don't hesitate to ask any questions. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by ...

Louise Nevelson (1899-1988) Dusk in August (1967) Lithograph with embossing Size: 17 x 22.25 in (43 x 56.4 cm) Frame size: 21.75 x 26.75 in (55.25 x 67.95 cm) Edition of 100, this i...

André Masson - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Laz...

Abstract portrait Limited edition lithograph Signed, numbered 289/325 Amleto Dalla Costa was an Italian painter and sculptor known for his abstract and ...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...