Fort Makers Wall Decorations

Ottoman Applique and Embroidered Textile with Blue and Red Tones, 18th Century This extraordinary felt applique represents a prayer niche and recalls poetic notions of paradise and ...

- Exceptionally rare pair of large, Rococo Chinoiserie blue & white cotton bed curtains. Measures: 4ftwide 7ft9"hig. - Chinoiserie was the height of fashion during the Rococo and these hangings would have been a luxury item, making a exotic statement in the bedroom. They have been used as wall hangings for the last 35 years. - From a private collection, purchased 35 years ago from a set of six removed from a Chateau in France. One was purchased by Nina Campbell...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

Nice Turkoman patchwork textile with light colors, suitable for tapestry, headboard, armchair upholstery. They are all embroideries applied on a rein...

Large, 5+' X 4' abstract textile art weaving strung from a wood rod. Long fringe bottom. Warm tone colors. Not signed or marked, circa 1980s.

Antique Suzani textile made of hand embroidery intricate scrolling of eight large flowers motifs on a handwoven cotton background. Professionally cleaned and backed with fine textile...

Spetchley park, Bargello, silk, bed curtains adapted into wall hangings in the 19th century • The use of silk, patterning and size suggests that these striking Bargello hangings were almost certainly conceived as bed curtains. In the Green Chamber at Parham House the State Bed is hung with Bargello curtains, pelmets and valences c1620. Like the Parham bed curtains, the Spetchley Park bed curtains have two horizontal pattern repeats in each drop. Needless to say, surviving bed curtains from this period are exceptionally rare as they had value as hangings and for upholstering domestic objects when removed from the bed. • The Spetchley Park bed curtains are really beautiful and luxurious. They were made as elite objects and have not lost their gravitas or their character and charm. • The Spetchley Park bed curtains were adapted into wall hangings in the 19th century. They are versatile and could easily be reinstated as curtains or panels within larger curtains. • Bargello work has a classic timeless quality to it and blends with most decorative schemes whether period or contemporary Each panel is made from two sections of bargello. The step (pattern) comprising two rows of short vertical stitches over two threads of graduating numbers of stitches up and down with two rows of long vertical stiches over six threads of graduating numbers of stitches up and down. Worked in graduating shades of blue, green, brown, red, tan and ivory silks on a hessian ground. The four edges of each hanging are faced with a 19th century, dusky pink fan...

Rare 60s XL Vintage Mid-Century Modern Abstract Cubist Textile Art Wall Hanging Tapestry of Women. Made in Hungary Gorgeous, Monumental, Mural-sized, 1960's Mid Century Modern, St...

NAME OF THE WORK: LIMITED EDITION TO: COPY: N° BASED ON A WORK BY: DIMENSIONS (APPROX.): H 296 cm x W 215 cm SURFACE: 6.36 M2 WEAVING DATE: 2023 DENSITY: knots Add to cart

This wall hanging is a one of a kind heirloom piece, inspired by brutalism, and Joseph Albers studies on the interactions of colors. The entire process of creating this wall hanging...

This wall hanging is a one of a kind heirloom piece, inspired byFrank Lloyd Wright and the Prairie School architects, and Joseph Albers studies on colors. The entire process of cre...

Lovely Baroque Revival Mid Century Yardage from a high end upholsterer who carried a lot of Scalamandre textiles. On its original bolt, it is is marked 32-33 yards on end. Feels like...