Galerie 1881

The 1993 poster "Nous vaincrons" by Ben Vautier, commonly known as Ben, represents a striking piece of socially conscious art dedicated to the fight against AIDS. Part of the "Images...

The circa 1970 exhibition poster for Man Ray at the Galerie Alexandre Iolas is a striking and minimalistic design that captures the essence of the arti...

The circa 1910 poster by French artist Hugo d'Alési, promoting Paray-le-Monial on the Chemins de Fer de Paris Lyon Méditerranée (PLM) railway line, is a beautiful example of early 20...

The circa 1940 original poster by French designer Jean Carlu, titled V - Franklin D. Roosevelt, is a striking wartime propaganda piece aimed at rallying support and confidence in Ame...

The circa 1920 original poster by Trianon Trinquier, titled Paris-Milan via Frasne-Vallorbe, promotes the Paris-Lyon-Méditerranée (PLM) railway line, highlighting it as "la plus cour...

The 1993 Hippodrome Jean Gabin poster by Jean Marais captures an intense, symbolic style that is both bold and reflective. Created for the Prix Jean Gabin event, held at the Hippodro...

The Pastilles Poncelet poster, designed by Jules Chéret, is an iconic example of early advertising art from the Belle Époque era. Created to promote Pastilles Poncelet, a product adv...

The original Prix du Jockey Club poster, designed by Bernard Villemot, captures the energy and elegance of one of France’s most prestigious horse races. Villemot, a master of visual storytelling through poster design, applied his characteristic bold use of color and minimalist forms to this piece. Known for his work in advertising for iconic brands and events, Villemot’s distinctive style combines vibrant colors and striking simplicity, making his posters instantly recognizable. This particular poster was created for the Loterie Nationale, a French national lottery, and advertises the Prix du Jockey Club, a major horse racing event often referred to as the French Derby...

The 1974 original poster for the Prix de l'Arc de Triomphe, designed by the renowned French graphic artist Bernard Villemot, is a striking example of mid-20th-century poster art. Vil...

The 1946 map titled Atlas de la France Vinicole - Les Vins des Côteaux de la Loire: Vouvray by Louis Larmat, printed by Dorel in Paris, presents an intimate exploration of one of the...

The 1946 original map Atlas de la France Vinicole - Les Vins des Côteaux de la Loire: Bourgueil, St Nicolas-de-Bourgueil, Chinon, Montlouis, Jasnières, created by Louis Larmat and pr...

The 1946 original map Atlas de la France Vinicole - Les Vins des Côteaux de la Loire: Pouilly-sur-Loire, Sancerre, Quincy, Reuilly, created by Louis Larmat and printed by Dorel in Pa...

The 1952 original poster Parade de fête nationale by Raoul Dufy is a vivid and lively piece of mid-20th century art that captures the vibrant energy and spirit of French national cel...

The 1947 original map Gouvernement Généraux du Poitou, du Pays d'Aunis et de Saintonge Angoumois, created by Louis Larmat and printed by Dorel in Paris, is a beautifully detailed car...

The 1947 original map Atlas de la France Vinicole - Les Eaux-de-vie de France - Le Cognac Bois Ordinaires & Bois Communs dits à Terroir, created by Louis Larmat and printed by Dorel ...

The 1947 original map Atlas de la France Vinicole - Les Eaux-de-vie de France - Le Cognac Bons Bois, created by Louis Larmat and printed by Dorel in Paris, is a beautifully crafted c...

The 1947 original map Atlas de la France Vinicole - Les Eaux-de-vie de France - Le Cognac Fins Bois, created by Louis Larmat and printed by Dorel in Paris, is an exquisite piece that...

The 1947 original map Atlas de la France Vinicole - Les eaux-de-vie de France - Le Cognac Petite Champagne et Borderies, created by Louis Larmat and printed by Dorel in Paris, is a d...

The 1947 original map Atlas de la France vinicole - Les eaux-de-vie de France - Le Cognac, created by Louis Larmat and printed by Dorel in Paris, is a fascinating and detailed cartog...

The 1947 original map Atlas de la France vinicole - Les eaux-de-vie de France - Le Cognac, created by Louis Larmat and printed by Dorel in Paris, is a fascinating and detailed cartog...

The circa 1950 original poster for Amsterdam by Koen van Os is an elegant and striking example of mid-20th century graphic design, blending modernist visual simplicity with a strong ...

The circa 1900 poster for Montgolfière Française, produced by the Parisian printing house Clamaron-Graff at 57 Rue de Vaugirard, is a striking example of early aviation art that captures the wonder and excitement surrounding hot air ballooning in the late 19th and early 20th centuries. This poster, promoting a French hot air balloon...

The circa 1950 poster Air Algérie, réseau des lignes régulières by C. Rivière is a vibrant and captivating piece of mid-century commercial art that illustrates the network of regular...

In 1950, a highly detailed and artistically illustrated map titled Italie Terre de Saints et de Sanctuaires (Italy, Land of Saints and Sanctuaries) was published in Témoignage Chréti...

In 1972, the celebrated Polish-born graphic artist Roman Cieslewicz created a visually arresting poster for Le Festival du Marais, an iconic cultural event in Paris that blended hist...

Around 1900, a beautifully crafted poster was designed by the renowned French illustrator Chéri Hérouard, promoting A. Bichot & Cie, a respected wine house in Beaune, Burgundy. Titled Vins de Bourgogne et de Bordeaux, the poster embodies the artistic and commercial spirit of the Belle Époque, capturing both the elegance of wine culture and the artisanal craftsmanship of French poster art during this vibrant period. The image is a lively and colorful depiction, filled with charm and historical references. At the heart of the poster, an older man dressed in traditional medieval garb sits comfortably on a wooden chair, enjoying a glass of wine poured by a playful court jester. The jester, adorned in vibrant reds and greens, contrasts sharply with the older man’s more somber and scholarly appearance. This contrast suggests a blend of wit and wisdom, reflecting the dynamic character of French wine and the cultural tradition of savoring both pleasure and knowledge. The design is not only visually engaging but also rich in symbolic elements. Scattered books and scrolls at the older man’s feet hint at knowledge and history, invoking the deep tradition of winemaking in Burgundy and Bordeaux. The careful balance between the whimsical jester and the contemplative elder evokes both pleasure and reverence, mirroring the way fine wine was (and still is) celebrated and respected in French culture. The grapevine motif framing the scene enhances the connection to wine, grounding the image in its subject matter. Hérouard’s skill in illustration is evident in the intricate details of the figures and objects. From the curling vine leaves to the worn pages of the books, every element has been carefully rendered. The color palette, dominated by earthy tones with splashes of vibrant reds and greens, conveys the warmth and richness of the wine-producing regions of Bourgogne and Bordeaux, further reinforcing the poster's celebratory tone. To the right of the image, the elegant typography reads A. Bichot & Cie, proudly announcing that the wine house was founded in 1831 in Beaune, one of the centers of Burgundy’s prestigious wine industry. The mention of Grands Vins des Hospices de Beaune further emphasizes the poster’s focus on promoting the finest wines from this historic region. The combination of stylized fonts and classic imagery positions A. Bichot as a trusted name in the wine world, blending tradition with sophistication. Chéri Hérouard, the artist behind this work, was one of France’s most accomplished illustrators of the early 20th century. He is best known for his long career as an illustrator for La Vie Parisienne, a popular French magazine that featured sophisticated and often provocative illustrations. Hérouard’s versatility as an artist allowed him to move seamlessly between erotic art, magazine illustration, and more commercial commissions like this one. His ability to imbue his work with both elegance and a touch of humor made him a beloved figure in the art world of his time. Born in 1881 as Chéri-Louis-Marie-Aime Haumé, Hérouard took on his mother’s maiden name after the death of his father. He began his artistic career in the early 1900s, quickly gaining recognition for his distinctive style. Though most of his work was published in magazines, Hérouard also created posters, advertisements, and book illustrations. His work often combined lush, decorative elements with finely detailed figures, making him a perfect fit for projects that required both artistry and commercial appeal, such as this A. Bichot & Cie poster. The Vins de Bourgogne et de Bordeaux poster...

In 1960, Jean Dubuffet, a pioneer of the post-war art movement known as Art Brut, designed a striking exhibition poster for Exposition de Dessins at Galerie Berggruen in Paris. The e...

In 1941, L. Larmat created an impressive map titled Atlas de la France Vinicole: Les Vins de Bordeaux - Blayais, Côtes de Blaye, Bourgeais, Côtes de Bourg, printed by Dorel in Paris....

In 1941, L. Larmat crafted an exquisite map titled Atlas de la France Vinicole: Les Vins de Bordeaux - Loupiac, Sainte-Croix-du-Mont, Ières Côtes de Bordeaux, Côtes de Bordeaux St. M...

In 1941, French cartographer L. Larmat created a remarkable map titled Atlas de la France Vinicole: Les Vins de Bordeaux - Entre-Deux-Mers, Graves de Vayres, Sainte-Foy Bordeaux, whi...

The 1941 original map by L. Larmat, titled "Atlas de la France vinicole – Les vins de Bordeaux: Saint-Émilion, Pomerol, Néac, Côtes de Fronsac, Côtes Canon-Fronsac", offers a detaile...

The 1941 original map by L. Larmat, titled "Atlas de la France vinicole – Les vins de Bordeaux: Régions de Sauternes et Barsac", provides an intricate and precise depiction of two of...

The 1941 original map by L. Larmat, titled "Atlas de la France vinicole – Les vins de Bordeaux: Graves, Graves Supérieurs, Cérons", is a significant contribution to the series that s...

The 1941 original map by L. Larmat, titled "Atlas de la France vinicole – Les vins de Bordeaux, Médoc, Haut-Médoc", is a part of Larmat's renowned cartographic series that documents ...

The circa 1930 original poster by Endler Weipert, titled "Kalla Sardines aux herbes", is a beautifully crafted advertisement for the Kalla brand of canned sardines. This vintage post...

The 1949 original poster by Axelle for the Foire d'Exportation de Hanovre commemorates the significant event of the Hanover Export Fair, which marked a key moment in the post-World W...

The 1943 original map by L. Larmat, titled "Les vins des Côtes du Rhône - Châteauneuf-du-Pape - Tavel", is an exquisite part of the "Atlas de la France Vinicole" series. Printed by D...

The 1943 original map by L. Larmat, titled "Les vins des Côtes du Rhône", is part of the comprehensive "Atlas de la France Vinicole" series, which meticulously charts France’s most r...

The 1943 original map by L. Larmat from the "Atlas de la France Vinicole" series, titled "Les vins des Côtes du Rhône - Groupe Méridional", is a significant cartographic depiction of...

The 1943 original map by L. Larmat from the "Atlas de la France Vinicole" series, titled "Les vins des Côtes du Rhône - Groupe Septentrional", is a beautiful and historically signifi...

The 1902 original poster titled "La Marine Japonaise" (The Japanese Navy) is a striking visual representation of Japan's naval strength and prowess during the early 20th century, a p...

The 1909 original poster for "La Conquête de l'Air" (The Conquest of the Air), published by Le Petit Journal, celebrates the 1er Meeting Aérien de Reims (the First Aerial Meeting in ...

The 1944 original map "Atlas de la France Vinicole – Les vins de Champagne – Vignobles du Bar-Séquanais et du Bar-sur-Aubois", created by Louis Larmat and printed by Dorel in Paris, ...

The 1944 original map "Atlas de la France Vinicole – Les vins de Champagne – Montagne de Reims" by Louis Larmat is an exquisite piece of cartography that reflects both the history an...

The 1972 original poster "Cyrk - Mona Lisa" by Urbanieo is a striking example of the vibrant and imaginative poster art produced during the golden age of Polish circus posters, known...

The 1968 original poster "Grenoble Ville Olympique", printed by Georges Lang in Paris, is a significant piece of cultural history that captures the excitement and global attention su...

The circa 1970 original exhibition poster "Sens Interdit" by Jean-Pierre Raynaud for the Alexandre Iolas Gallery captures the bold and conceptual essence of Raynaud's work. Known for...

The circa 1825 original engraving of "Syrie" by Giraldon Bovinet, based on the work of L. Vivien, is a historically significant map that reflects early 19th-century cartographic tech...

The 1969 original exhibition poster for the show titled "Grafica Inglese" held at Galleria Il Centro in Naples is an important example of the mid-20th century's celebration of contem...

The Swissair – Japan travel poster from the 1960s reflects the evolving image of Japan during a period of rapid industrial growth and modernization, post-World War II. By the 1960s, ...

The original poster "Niki stabilisée par Jean Tinguely" for Niki de Saint Phalle represents a collaboration between two of the most iconic and revolutionary artists of the 20th centu...

The 1985 original advertising poster for Cartier, titled "Joailliers Horlogers Depuis 1847 - Fondation Cartier", is a visually striking and elegant representation of the brand’s timeless craftsmanship and luxurious appeal. Created in celebration of Cartier’s long-standing tradition as a master jeweler and watchmaker, this poster encapsulates the brand's dedication to artistry, precision, and sophistication. Founded in 1847 by Louis-François Cartier, the French luxury house Cartier quickly became renowned for its high-end jewelry and watches, catering to European royalty and aristocrats. Over the decades, Cartier expanded its influence to become one of the most prestigious names in the world of luxury goods, known for creating iconic designs such as the Tank watch, the Santos watch, and the Love bracelet. By 1985, Cartier was well-established as a global leader in luxury timepieces and jewelry, and the brand’s advertising was aimed at reinforcing its legacy and status. The poster for “Joailliers Horlogers Depuis 1847” captures this legacy in a sleek, modern format while also nodding to the classic, refined elegance that Cartier represents. The 1985 poster emphasizes Cartier’s expertise in watchmaking, with the focus on a close-up of one of its iconic timepieces. The clean, minimalistic composition is dominated by an enlarged image of a Cartier wristwatch, likely the classic Tank model, which was originally designed in 1917. The Roman numerals on the dial and the blue sapphire cabochon crown, signature elements of Cartier watches, are prominently displayed, highlighting the exquisite attention to detail and precision craftsmanship for which Cartier is famous. The design uses muted colors, with shades of gold and beige contrasting against the clean white and blue tones of the watch. The blue of the sapphire cabochon, a signature detail of Cartier watches, draws the viewer’s eye, subtly signifying the luxurious nature of the product. The use of metallic gold accents further enhances the feeling of opulence and high quality. The typography is refined and elegant, with the name “Cartier” placed delicately above the image, reinforcing brand recognition without overwhelming the visual composition. The lower part of the poster contains the phrase “Joailliers Horlogers Depuis 1847,” which translates to "Jeweler and Watchmaker Since 1847," emphasizing the long history and heritage of the brand. The words “Fondation Cartier” reference the Fondation Cartier pour l'Art Contemporain, which was established in 1984, just a year before this poster was released. The foundation represents Cartier’s commitment not just to luxury goods but also to the broader cultural and artistic spheres, a theme which resonates in this poster. By the 1980s, Cartier had already achieved global status, and its advertising reflected the brand's mix of historical prestige and modern relevance. This poster is an excellent example of how Cartier balanced its traditional craftsmanship with contemporary design aesthetics. The 1980s were a time of opulence and luxury in the fashion world, and Cartier’s marketing emphasized timeless elegance over fleeting trends. The watch featured in the poster exemplifies Cartier’s ethos: classic, functional, yet utterly luxurious. The simplicity of the design does not detract from its inherent value, making it appealing to a wide range of customers, from royalty to modern-day collectors. Cartier’s ability to craft products that are instantly recognizable while maintaining exclusivity has been a key part of its branding, and this 1985 poster is a perfect illustration of that strategy. The 1985 Cartier Joailliers Horlogers Depuis 1847 - Fondation Cartier poster...

The circa 1930 original poster by Jacques Majorelle, titled “Marrakech”, is a stunning representation of both the artist’s fascination with Morocco an...

The 1939 original planisphere poster by Lucien Boucher, titled “Nova et Vetera”, is an exquisite work commissioned by Air France, blending art and cartography to celebrate both the past and future of air travel. Boucher, known for his iconic map designs, produced this piece at the onset of World War II, a period where air travel was rapidly evolving, and Air France was positioning itself as a leader in global aviation. “Nova et Vetera”, which translates from Latin to "New and Old," captures the transition between the old world of sea-bound exploration and the new age of air travel. This juxtaposition is represented in the map’s composition, featuring routes that stretch across continents, symbolizing the vast reach of Air France’s network. It highlights both traditional and modern elements of travel, emphasizing the airline’s innovation while still grounding it in the historical spirit of exploration. Lucien Boucher was a master of integrating artistry with geography, and this poster exemplifies his style. The planisphere is both decorative and informative, showcasing the globe and marking the flight paths that connected Europe, Africa, the Americas, Asia, and beyond. With intricate details and imaginative design, Boucher captures the global vision of Air France, reflecting its ambition to connect the world. The poster is as much a celebration of human ingenuity as it is a technical map. Embellished with celestial motifs and decorative flourishes, the world appears almost mythological, linking the stars, air routes, and geography into one seamless image. The sky above the globe is often depicted with constellations, representing the heavens as both a guiding force for navigation and a romantic backdrop for aviation. During the late 1930s, Air France was expanding rapidly, building a global network that stretched from Europe to the farthest reaches of the world. This poster reflects the airline’s dominance and aspirations at the time, as well as its pride in the progress of aviation. It also subtly evokes a sense of nostalgia for earlier eras of exploration, blending these two worlds of discovery into a unified visual narrative. Boucher’s work often walked the line between fantasy and realism. While the map accurately displays the airline’s routes, the decorative elements elevate the poster to a work of art, inspiring viewers with the grandeur and excitement of global travel. The historical references in the title, "Nova et Vetera," suggest that the pioneering spirit of the past—whether by sea or land—is being continued in the modern age through aviation. By 1939, the world was on the brink of World War II, and the geopolitical landscape was rapidly changing. This poster, with its optimistic tone, served as a reminder of the connectivity and innovation that air travel brought to the world, even in uncertain times. Air France, in commissioning this work, sought to solidify its image as a forward-thinking and globally minded airline, contributing to the modern era of transportation. Today, Lucien Boucher’s “Nova et Vetera” poster is not only a masterpiece of aviation art but also a historical document that reflects the ambitions and challenges of the late 1930s. It stands as a testament to the golden age of aviation, when air travel was transforming the world and shrinking distances between nations. The poster is cherished by collectors of vintage airline memorabilia...

The 1936 original poster by Pierre Mail, created during the Spanish Civil War, carries a powerful political and symbolic message. The poster, titled "Pyrénées – Guerre d'Espagne – Ta...

The 1950 original poster by Albert Brenet titled "Vers la France" for the Compagnie Maritime des Chargeurs Réunis represents a pivotal period in France’s postwar recovery and the res...

The circa 1900 original poster by Demeure de Beaumont, titled "L'Affiche Belge", is an elegant and artistic advertisement promoting an upcoming publication dedicated to Belgian poste...

The 1916 original poster by Richard Gutz, titled "Souscrivez pour la victoire - Banque nationale de crédit", is an evocative piece of wartime propaganda produced during the height of...

The 1890 original poster by Eugène Grasset for the Théâtre National de l'Odéon is a prime example of the elegant and refined design that defined the French Belle Époque period. This ...

The circa 1950 original poster by Paul Belmondo, titled Aidez la recherche médicale française (Help French Medical Research), is a poignant and visually striking piece of mid-century...