Galerie 1881

This circa 1930 stencil print, La partie de pelote basque by Jacques Le Tanneur, vividly captures the spirit of the Basque Country through its depiction of a traditional pelota match...

This circa 1941 drawing, Les éléphants sacrés – Madurai, created in the style of Maire André, beautifully captures the grandeur and spiritual essence of one of India’s most sacred ci...

This circa 1950 drawing, Vision du monde à Angkor – Temples, created in the style of Maire André, captures the timeless grandeur of Cambodia’s ancient temple complex. The composition...

This circa 1942 drawing, titled Les éléphants sacrés – Agra Inde, is a captivating work inspired by the style of French artist Maire André. The composition presents a richly detailed...

This original painting by Yvon Taillandier is a striking example of his signature "Taillandier-land" style, a world of fantastical figures and surreal compositions. A prominent Frenc...

​This original circa 1970 Soviet propaganda poster, titled Le capitaliste et le banquier ont peur de ce symbole - Paix !, was created by Sergei Vladimirovich Mikhalkov, a prominent R...

This original 1945 poster, Patrie – Journal des Combattants Français, was published by the French Ministry of War as a stark reminder of the atrocities committed under the Nazi regim...

This original 1947 French poster, Pour en sortir, was designed by M. Deguelche to support the Rassemblement du Peuple Français (RPF), the political movement founded by Charles de Gaulle. Emerging in the aftermath of World War II, the RPF aimed to unify the country, strengthen national sovereignty, and provide a stable alternative to the existing political landscape. At the time, France was undergoing significant reconstruction, both physically and politically. The devastation of the war had left the nation in turmoil, with economic struggles and ideological divisions shaping the post-war years. This poster served as a rallying cry, urging French citizens to take control of their future by voting for the RPF. The movement positioned itself as a defender of France’s independence and a bulwark against both communism and the inefficiencies of parliamentary instability. Printed in Paris by J.E. Goosens, this piece exemplifies the powerful visual propaganda of the era, combining bold typography and national symbolism to evoke a sense of duty and patriotism. It was part of a broader effort to establish a strong, centralized leadership that could restore France’s global standing. A historical artifact of post-war France, Pour en sortir reflects the political urgency of the late 1940s and the enduring influence of Charles de Gaulle’s vision for the nation. This poster remains a testament to the hopes and challenges of a country striving for renewal and unity in a time of profound transformation. War poster - 39-45 - Algeria - French French Vote for lists of the gathering of the people. Charles de Gaulle J.E. Goosens  Paris

This original 1965 Soviet space poster, Cosmonautes - Voskhod 2 CCCP, commemorates the historic first spacewalk (EVA) conducted by Soviet cosmonaut Alexe...

This original Padova travel poster, created circa 1930 by renowned Italian illustrator Marcello Dudovich, showcases the grandeur and historical significance of the city of Padua. Com...

This original Cigare Havane poster, created circa 1950 by artist Dujardin, captures the elegance and sophistication associated with Havana cigars. The co...

The English translation of the title is "The Indiscreet Jewels". Medium: original lithograph. This is the second printing (deuxième tirage) of this striking Rene Magritte composition...

This original 1967 Soviet propaganda poster captures the unwavering spirit of Soviet resilience and unity. Featuring a soldier wrapped in a winter uniform, holding a rifle, and a young woman in a red headscarf, the artwork symbolizes the strength and sacrifice of both the Soviet military and its dedicated civilian workforce. Their expressions are solemn yet determined, reflecting a shared commitment to the ideals of the Soviet state. Rendered in a striking, graphic style, the poster employs a limited yet powerful palette of red, black, and beige. The bold red accents emphasize Soviet patriotism, drawing attention to key elements such as the soldier’s star-adorned cap and the young woman’s scarf, which represents the Komsomol youth movement. The rough, expressive linework adds intensity to the composition, reinforcing the themes of struggle and perseverance. The text, wrapping around the image in bold red letters, translates to: "We will never be forgotten because, shaping the future of the entire planet, we embody the word ‘Human.’" This message aligns with the Soviet ideology of collective progress, where individuals contribute to the greater good of humanity through their labor and dedication. The poster not only honors past sacrifices but also looks ahead, reinforcing the idea that Soviet citizens were shaping history. During the late 1960s, Soviet propaganda art...

This original 1968 Soviet propaganda poster, created by artist V. Surakninov, pays tribute to the heroism and industrious spirit of Soviet miners. The artwork features a determined c...

This original 1965 Soviet poster is a deeply moving representation of post-war resilience and renewal. The monochrome sketch-like illustration portrays a Soviet soldier, weary yet de...

This original 1968 Soviet propaganda poster exemplifies the socialist realism style, celebrating labor as the driving force behind human progress. The powerful image of a muscular wo...

This original 1958 Soviet propaganda poster by Isaak Grinstein celebrates the power of the press as a vital tool of culture and ideological influence. Featuring bold constructivist a...

This 1917 original wartime propaganda poster, designed by Albert Besnard, was created to promote the Third National Defense Loan (3e Emprunt de la Défense Nationale) in France during World War I. As the war raged on, France needed financial support from its citizens to sustain military efforts, and posters like this played a crucial role in mobilizing the public to contribute to the war effort. The composition is rich with symbolism and emotion. At the forefront, a serene yet resolute woman, draped in blue and white, holds an innocent child while extending an olive branch—a universal sign of peace. Behind her, a winged allegorical figure of Victory, clad in dramatic red robes, brandishes a sword and urges forward action. This juxtaposition between maternal protection and military force highlights the dual message of the poster: peace can only be achieved through victory. The bold red typography reads: "SOUSCRIVEZ POUR HÂTER LA PAIX PAR LA VICTOIRE" ("Subscribe to hasten peace through victory"), emphasizing the patriotic duty of citizens to invest in war bonds as a means of securing France’s triumph and eventual peace. Created in the late phase of World War I, this poster reflects France’s determination and resilience. The use of dynamic lines, rich colors, and classical figures is characteristic of Besnard’s artistic style, blending Academic and Symbolist influences. This piece is not only a historical artifact but also a powerful example of propaganda art...

This 1938 original travel poster, designed by Roland Hugon, was commissioned by the Société Nationale des Chemins de Fer Français (SNCF) to promote winter sports tourism in France. W...

This circa 1950 original poster, designed by Standenmeyer, is a powerful representation of the French Air Force ("L’Armée de l’Air") and its protective role. With its bold graphic de...

This 1986 original advertising poster, designed by J. Mignon, perfectly captures the elegance, masculinity, and adventurous spirit of French Line, a distinguished fragrance by Révill...

This circa 1990 original advertising poster for Bally embodies the brand’s signature blend of elegance, innovation, and sophistication. Founded in 1851, Bally has long been synonymou...

This circa 1900 original poster, designed by Smiley, captures the essence of the legendary Bal Tabarin, one of Paris’ most extravagant and notorious cabarets. Located in the heart of...

This circa 1930 original travel poster, designed by P. Gurtler, promotes the renowned thermal spa resort of Molitg-les-Bains, located in the Pyrénées-Orientales region of France. Kno...

This 1942 original travel poster, designed by Herman Verbaere, was commissioned by the Belgian National Railway (SNCB) to promote Ghent (Gand) as a premier travel destination accessi...

This 1954 original travel poster, designed by celebrated French artist Yves Brayer, was commissioned by the SNCF (Société Nationale des Chemins de fer Français) to promote rail trave...

This 1956 original poster for the Foire de Paris (Paris Fair) is a masterful work by renowned French graphic designer Jean Carlu, blending modernist aesthetics with national symbolis...

This striking Aeroflot Soviet Airlines poster, dating from around 1960, promotes the Trans-Siberian route as the shortest way from Europe to Japan. With its bold graphic design and m...

In 1967, Iberia Líneas Aéreas de España released this stunning travel poster promoting flights to Argentina, capturing the nation’s rich Gaucho heritage and cultural identity. The de...

In 1935, to commemorate 40 years of cinematography (1895-1935), artist W. Leuten designed this striking Art Deco-style poster for a special Lumière anniversary event. This visual tribute captures the revolutionary impact of Auguste and Louis Lumière, pioneers of early filmmaking, whose invention of the Cinématographe in 1895 marked the birth of modern cinema. At the heart of the composition, a ribbon-like filmstrip dynamically twists and turns across the poster, symbolizing the motion and continuous evolution of cinema. The bold typography, featuring “LUMIÈRE” prominently at the center, emphasizes the enduring influence of the Lumière brothers in shaping the industry. The contrast of white, red, yellow, and deep blue hues, combined with the dramatic spotlight effect, creates an atmosphere of celebration and nostalgia. Designed for the Herdenkingsweek (Commemorative Week) held from October 11 to 17, 1935, the poster reflects the Art Deco aesthetic of the era, with its bold geometric layout, sharp angles, and dynamic use of typography. The words “40 Jaar Cinematografie” (40 years of cinematography) in red, winding along the filmstrip, serve as a reminder of the remarkable progress cinema had made since its inception. This poster is not just a piece of advertising but a historical artifact, capturing the cultural significance of film as an art form. By 1935, cinema had transformed from simple moving images to a powerful medium of storytelling, entertainment, and artistic expression. The Lumière brothers’ groundbreaking work paved the way for an industry that continues to evolve today. A rare and valuable collector’s piece, this poster by W. Leuten embodies the spirit of early cinema...

In 1974, the legendary Catalan artist Joan Miró was commissioned to create a commemorative poster for the 75th anniversary of Futbol Club Barcelona (1899-1974). The result was a stri...

At the turn of the 20th century, Parisian nightlife thrived with a vibrant mix of cabarets, dance halls, and grand patriotic celebrations. Among the most famous venues of the era was...

In 1951, as post-war France sought to revitalize tourism and encourage domestic travel, the Société Nationale des Chemins de Fer Français (SNCF) commissioned Acyame to create a stunn...

The 1947 travel poster for Stresa, created by artist Theo Taimonti, is a breathtaking example of mid-century tourism advertising. Designed as part of Italy’s post-war tourism revival...

The early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had ...

This early 20th-century propaganda poster, titled Les Sans-Patrie… Voilà l’Ennemi! (The Stateless… Here is the Enemy!), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by Le Petit Patriote, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation. At the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values. This poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called Sans-Patrie—those accused of betraying France by undermining its traditional values. The poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation. Surrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that true French citizens stand together against those who would weaken the country. The bold headline, “Les Sans-Patrie… Voilà l’Ennemi!”, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying "true" French citizens to defend the homeland. The text addresses “Aux Vrais Français” (To True French People), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity. Among its claims, the poster states that: French schools are being used to indoctrinate children against patriotism. Military service, a key element of national strength, is under attack by those who wish to weaken France. The nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival. The final rallying cry at the bottom, “À bas les sans-patrie & Vive la France...

This striking and provocative 1908 poster, titled Le Crime National, is a dramatic response to one of the most contentious political upheavals in French h...

This stunning 1960s travel poster by Pan American World Airways (Pan Am) perfectly encapsulates the romantic allure of the South Pacific, a dream destination for jet-age travelers. Featuring a young Polynesian woman immersed in tranquil waters, the advertisement embodies the exotic, idyllic, and untouched paradise that Pan Am sought to promote as part of its growing international network. The visual composition is simple yet evocative. The subject, a smiling woman in a red floral bikini, sits partially submerged in crystal-clear waters, her gaze inviting and serene. The lush, blurred greenery in the background creates an atmosphere of tropical seclusion, reinforcing the idea of the South Pacific as a haven of beauty, peace, and escape from the modern world. The typography is particularly elegant. The words “South Pacific” are rendered in a flowing, calligraphic script, emphasizing the region’s exotic charm and gentle rhythms of island life. Below, the bold capital letters of "PAN AM" provide a striking contrast, reminding viewers of the airline’s prestigious global reach. By the 1960s, Pan Am had firmly established itself as the premier airline of the Jet Age, pioneering long-haul luxury travel to far-flung destinations like Tahiti, Fiji, Samoa, and Hawaii. Posters like this one played a crucial role in shaping public perceptions of international travel, presenting the South Pacific as an exclusive retreat for the world’s elite—a place of untouched beauty, rich culture, and warm hospitality. This era of airline advertising was as much about selling a dream as it was about selling a ticket. With its lush setting, inviting subject, and soft natural lighting, the poster taps into Western fantasies of the Pacific Islands as a place of exotic adventure and relaxation. It also reflects the broader cultural fascination with Polynesia in the mid-20th century, which influenced everything from Hollywood films to tiki bars and Hawaiian shirts. Today, vintage Pan Am travel posters...

This 1963 travel poster is a stunning minimalist representation of Greece's rich Byzantine heritage, focusing on the Monastery of Pantanassa in Mystras. Designed by Man. Diamantis an...

This 1961 Soviet propaganda poster is a striking visual representation of Leninism's global influence, combining bold political messaging with dynamic composition. At its core is a r...

This circa 1960 Soviet propaganda poster is a powerful visual representation of communist ideology, prominently featuring Vladimir Lenin, Friedrich Engels, and Karl Marx—the foundati...

This circa 1930 Art Deco poster, designed by the renowned French graphic artist Jean Carlu, captures the modernist spirit and technical innovation of the Théâtre Pigalle. Located in ...

This circa 1900 Art Nouveau advertising poster, designed by Peruvian-born artist Daniel Hernández, is a stunning example of early 20th-century luxury brand marketing. Created for JOB cigarette rolling papers, the advertisement reflects the era’s elegant aesthetics and sophisticated lifestyle appeal. The slogan, "Fumar el papel JOB o dejar de fumar" ("Smoke JOB paper or stop smoking"), emphasizes the brand’s prestige and superior quality, making it seem indispensable for tobacco connoisseurs. The artwork features a sensual and dreamlike composition, characteristic of the Belle Époque. A radiant red-haired woman, partially draped in sheer fabric, lounges in a relaxed pose, smiling seductively as she delicately holds a lit cigarette. The soft pastels, golden hues, and fluid lines create a warm, ethereal atmosphere, reinforcing the romantic and luxurious associations of the JOB brand. The swirling wisps of smoke, artistically integrated into the design, echo the organic, flowing forms typical of Art Nouveau illustration. The ornate green decorative border further enhances the visual richness, framing the central figure like a jewel in an exquisite setting. At the turn of the century, tobacco advertising was at its peak, and brands relied on opulent, aspirational imagery to captivate consumers. JOB, a French rolling paper company founded in the 1830s, became known for collaborating with renowned artists to create highly collectible posters. This particular piece, executed with remarkable softness and luminosity, reflects Hernández’s mastery of portraiture and classical technique, which he refined during his studies in Europe. His ability to capture the sensuality and grace of the female form made him a sought-after artist for both fine art and commercial illustration. Beyond its commercial function, this poster is an important example of the fusion between fine art and advertising, a defining feature of Art Nouveau poster design. It demonstrates how companies in the early 20th century elevated advertising into an art form, commissioning celebrated painters to craft exquisite promotional imagery. Today, original JOB posters...

This circa 1908 political poster, illustrated by E. Millo, titled "L’Écumoire et la Casserole", is a powerful example of French political satire in the early 20th century. Published ...

The 1961 lithographic poster "Tête et Étoile" by Joan Miró is a remarkable example of the artist’s playful yet profound surrealist vocabulary. Known for his dreamlike compositions, b...

This striking 1975 travel poster, issued by the Bolivian Institute of Tourism, captures the timeless beauty and cultural heritage of Lake Titicaca, one of South America's most mystic...

This stunning illustrated wine map, created by French artist Rémy Hétreau in the 1950s, is a beautifully detailed tribute to the legendary Bordeaux wine region. Commissioned by the Comité National de Propagande en Faveur du Vin, the poster is both an artistic masterpiece and an educational tool, showcasing the vineyards, terroirs, and appellations that define Bordeaux’s winemaking heritage. At the center of the composition, a finely drawn map of Bordeaux highlights its most famous wine-growing areas, including: 🍷 Médoc – Home to prestigious wines from Pauillac, Margaux, and Saint-Estèphe. 🍷 Saint-Émilion & Pomerol – Renowned for their rich, elegant reds. 🍷 Graves & Sauternes – The birthplace of world-famous sweet wines. 🍷 Entre-Deux-Mers – Known for its crisp white wines. Surrounding the map is a whimsical, decorative border featuring grapevines, a château, a sunlit vineyard, and a sailing ship, reflecting Bordeaux’s rich viticultural history and its connection to trade and maritime commerce. The Bordeaux coat of arms sits proudly at the top, reinforcing the region’s centuries-old winemaking tradition. Rémy Hétreau (1913–2001), a celebrated French illustrator and designer, was known for his elegant, hand-drawn maps that brought the cultural and geographic identity of France to life. His work on this poster captures the romance, craftsmanship, and prestige of Bordeaux’s wine industry in a timeless mid-century style. Today, this vintage wine map is highly sought after by collectors of French wine memorabilia...

This striking 1950s travel poster for Thai International (now Thai Airways) captures the allure and mystique of Bangkok, Thailand, inviting travel...

This vintage 1970s British travel poster beautifully captures the idyllic charm of St. Ouen’s Bay in Jersey, Channel Islands. Designed to promote tourism to Britain’s coastal destina...

This 1959 original French movie poster for "Voyage au centre de la Terre" (Journey to the Center of the Earth) captures the thrilling spirit of the 20th Century Fox Cinemascope adven...

This circa 1910 original advertising poster promotes the H. Vigneron sewing machines, a brand sold at 70, Boulevard de Sébastopol, Paris. Designed in a distinctive early 20th-century...

This circa 1930 original advertising poster for French cider (Le Cidre) is a vibrant and joyful celebration of traditional rural life and the pleasures of cider drinking. Commissione...

This circa 1930 original gouache painting by Grinsson, titled "Balade sur la Côte d’Azur", perfectly captures the spirit of the Roaring Twenties and early 1930s, an era defined by el...

This 1990 original screenprint (sérigraphie) by Pierre Fix-Masseau, titled "Train et Globes", is a striking example of the artist’s signature style, blending streamlined modernism wi...

This vibrant and eye-catching 1921 advertising poster by Gautolai promotes Cognac aux Oeufs "Aurore", a rich and indulgent egg-based liqueur. The artwork is a stunning example of ear...

In 1959, Marc Chagall, one of the most celebrated artists of the 20th century, created a striking lithographic poster to promote his exhibition at the Musée des Arts Décoratifs, a branch of the Palais du Louvre in Paris. This poster, like much of Chagall's work, is a dreamlike exploration of color and whimsical imagery, inviting viewers into a world where reality and fantasy blend effortlessly. Chagall’s unmistakable style, with its vivid use of color, ethereal figures, and playful compositions, is fully on display in this piece. The poster, dominated by a striking red background, features an intimate arrangement of black line drawings that depict an array of elements central to Chagall’s thematic universe: the human figure, animals, and symbols of both folklore and the circus. A delicate face, rendered with flowing lines, is paired with a central figure of a child joyously balancing on a horse, a nod to Chagall's fascination with circus life, which he often saw as a metaphor for the artist’s own role in society — balancing the highs and lows of life. The poster’s composition feels almost spontaneous, as if Chagall’s hand sketched these figures in a dreamlike reverie. The flowing lines capture both movement and emotion, while the bold red background evokes passion, intensity, and warmth, which are central to Chagall’s painterly language. His characteristic inclusion of whimsical figures and fantastical creatures contributes to the overall sense of wonder. This exhibition poster is an artwork in its own right. Chagall had a unique relationship with posters and printmaking; he understood the power of these mediums not just as functional tools for advertisement but as an extension of his creative vision. As such, this poster doesn’t merely promote the exhibition—it embodies the playful, imaginative spirit of the works that were on display within the museum’s walls. Chagall’s work often blurred the boundaries between fine art and folk art, drawing from Russian and Jewish traditions, as well as modernist movements. His use of bold color and fantastical imagery placed him in a unique position within the world of modern art, earning him international acclaim. The Musée des Arts Décoratifs exhibition poster...

This bold and dynamic 1972 original poster by Yvon Laroche was created as part of the official design campaign for the 1976 Summer Olympics in Montréal, Canada. With its striking red...

This striking 1972 original poster by Bellemare & Pelletier was designed in anticipation of the 1976 Summer Olympics in Montréal, Canada. The artwork showcases the architectural blue...

This stunning 1965 original travel poster by Matchatschek captures the magical nighttime atmosphere of Place de la Concorde, one of Paris' most historic and grand squares. The compos...

This original 1965 travel poster by Alain Perceval presents a breathtaking aerial view of Paris, focusing on its historic heart: L'Île de la Cité and L'Île Saint-Louis. The Seine Riv...