GALLERIA SINIGAGLIA Furniture

"Soap Bubbles," Luigi Bechi (1830-1919) Beautiful painting by the well-known Florentine artist Luigi Bechi (1830-1919). It is a work that transports the viewer in a bygone era with ...

This magnificent example of Venetian lacquer art dates back to the 18th century and represents the craftsmanship typical of the period. The tray, shaped and embellished with a comple...

Questo piccolo vassoio laccato su sfondo azzurro è stato realizzato a Venezia nel XVIII secolo. Più precisamente intorno al 1750, in pieno periodo Luigi XV. Presenta un figura sagom...

Questa bellissima coppia di specchierine in maiolica furono realizzate in Veneto nel XVIII secolo. Hanno cornice sagomata in maiolica bianca con fiori arricchiti da dorature. Alla b...

This precious center table/desk in walnut root with maple wood inlay on a black background was made in Tuscany (Italy), around the mid-18th century. Its rectangular shape has a so-ca...

This exceptional pair of Italian neoclassical 18th century dressers in wood richly inlaid on the front, sides and 4 truncated pyramid legs are top-quality example of Italian 18th century cabinetmaking. The pair of commodes are originals from the second part of the 18th century (1780). The front of the pair of commodes is divided into three levels of drawers, two thinner ones at the top and bottom and a thicker central one. This arrangement makes the front of the pair of drawers even more elegant. On the front of the central drawer stands a large oval with two mirror-image neoclassical figures represented. Rich and complex foliate motifs start from the oval and extend gracefully across the entire surface. Corresponding to the upper and lower drawers, both frontally and laterally, runs a band with inlays depicting classical style garlands with ribbons, cameos and phytomorphic elements. On the side, inside geometric figures created through the combination of various wood essences there are other garlands and recurring elements in the inlays of the neoclassical period. The pillars are also inlaid with floral and leaf decorations. The four truncated pyramid legs are also inlaid. These eighteenth-century Italian chests of drawers were exhibited at the Triennale Museum in Milan on the occasion of the exhibition "Il Salone, la città", which took place in conjunction with the "Salone del Mobile" in Milan. We have all the documentation attesting to this museum exhibition. The dressers are entirely inlaid with the use of different wood essences. The inlaid surfaces have also been pyrographed and burnished and are in excellent condition. This very refined technique allows you to create greater definition of the decorations, giving three-dimensionality and chiaroscuro to the drawings. With a dark background, the elegant inlays create neoclassical designs inspired by the taste of the time and the famous furniture of the Lombard cabinetmaker Giuseppe Maggiolini di Parabiago, who brought the inlay technique applied to neoclassical furniture to the highest levels. The marble top is contemporary. The handles and mouthpieces of the locks, also original, are in gilded bronze. The neoclassical furniture of the eighteenth century The last quarter of the eighteenth century coincides with the affirmation of the neoclassical taste, in opposition to the previous rococo or baroque style, particularly widespread and appreciated in Lombardy. An echo of this transition is visible in Maggiolini's first works, namely rounded chests...

This console was made in the XVIII century in Venice, Italy, from carved and gilded wood. The recessed top is in pink marble. The console has a Louis XV style line, with a strongly s...

This refined bedside table/small sideboard was made in Lombardy (Italy) in the neoclassical period, towards the end of the 18th century. The wooden structure is veneered and decorate...

Extraordinary venetian mirror in carved, lacquered and gilded wood. Slightly rounded band with foliate decorations in polychrome lacquer and mother-of-pearl inlays, carved and foliat...

Venetian chest of drawers with a contoured shape both on the front and on the sides, veneered in walnut and walnut root on both the front and on the sides and threaded in maple wood....

Magot of exceptional size with tilting head, tongue and hands. Material made entirely of porcelain, with the exception of the "biscuit" hands. What are magots? The word magot comes from the French: barbary ape. They are male or female figures with oriental features. Usually the material used for the representation was painted or decorated porcelain. The subject depicted, in a good-natured and pleasant way, is Pu-Tai. The Chinese god of happiness and abundance. It is said that they brought good luck because, thanks to their head, tongue and jointed hands, they were able to warn earthquakes. They arrived in Europe between the end of the seventeenth century and the beginning of the eighteenth century thanks to the first connections between European merchants (Venetian in particular) and Chinese. In the following decades, they became a status symbol to be displayed in aristocratic homes. They found fertile ground in Europe thanks to the fashion for the exotic that developed in the Old Continent during the first decades of the eighteenth century. This fashion can be found in various objects of the time, not only in the Magot, see the toilet objects and lacquered furnishings decorated with the famous chinoiseries. In a few years, thanks to the increased demand, our factories also began working to satisfy this new form of collecting. From the German ones: Meissen, Dresden, Rudolstadt; to the French ones: Saint Claude Samson and Chantilly, to the Italian ones. True masterpieces were created throughout Northern Italy. The Piedmontese ones, made of papier-mâché, were then unusual. Authenticity: Completely intact to the naked eye and the infrared lamp...

This beautiful pair of gilded mirrors was made in 18th century in Italy. They have a gilded wooden frame carved with foliate motifs with a rich cymatium at the top. On the upper side...

Extraordinary wooden game table finely inlaid on the top, on the front, on the back and along all four truncated pyramidal legs. The top, also finely inlaid, opens concealing an int...

Splendid gilded wood mirror, Rome, Baroque period. Internal edge carved with myrtle garland, palmettes and rolled ribbon. Friezes and large twisted acanthus leaves, volutes and flowe...

Egg-shaped center clock in guilloche enamel, white onyx base. Period: first quarter of the 20th century / last quarter of the 19th century Balance wheel movement and remontoire windi...