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Architectural clock with lion and gilded bronze
By Samuel Marti
Located in Vicenza, IT
Architectural clock with lion and gilded bronze This watch that combines elegance and majesty was made by Samuele Marti around the year 1900. A "Médaille d'Or - Paris 1900" mark can ...
Category

Early 20th Century French Charles X Mantel Clocks

Materials

Marble, Bronze

Egg-shaped clock with enamel decorations.
Located in Vicenza, IT
Egg-shaped center clock in guilloche enamel, white onyx base. Period: first quarter of the 20th century / last quarter of the 19th century Balance wheel movement and remontoire windi...
Category

Early 20th Century European Belle Époque Table Clocks and Desk Clocks

Materials

Enamel

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Leila and the Giaour Gilded Bronze Clock, France, Circa 1830
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Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...
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